Doctor Who at the Melbourne International Comedy Festival

Saturday, 23 March 2013 - Reported by Adam Kirk

As previously reportedSplendid Chaps is a year-long performance/podcast project to celebrate the 50th anniversary of Doctor Who hosted by comedian Ben McKenzie (Dungeon CrawlMelbourne Museum Comedy Tour) and writer John Richards (ABC1 sitcom OutlandBoxcutters podcast).

Described by its creators as part intellectual panel discussion, part nerdy Tonight Show, Splendid Chaps is a combination of analysis, enthusiasm and irreverence. The first episode went to number 1 on the iTunes TV & Film Podcast chart in Australia, and to number 4 in the UK.  The podcasts to the first three episodes are now available at www.splendidchaps.com or at  iTunes.

Tickets are now on sale for their two April shows, to be held at the Melbourne International Comedy Festival.

In part one they'll be joined by ABC3′s Steam Punks host Paul Verhoeven, and late night triple j host and Rove star Dave Callan to discuss Tom Baker's period as the Doctor. In part two's late show, Adam Richard, co-creator and star of Outland, and a fantastic UK comedian they're not allowed to name will discuss the role of Comedy in Doctor Who.

There's also be door prizes, a song, too many scarves and maybe even a Dalek.

Splendid Chaps: A Year Of Doctor Who: "Four/Comedy"
Space: The New Ballroom, corner of Lygon and Victoria Streets, Melbourne.
Time: Part One: April 6, 5:45 PM;  Part Two: April 13, 10:45 PM.
Tickets: $22 full price, $18 concession (plus booking fee where applicable).
Bookings: via comedyfestival.com.au, TicketMaster outlets, the Comedy Festival box office, or at the venue (subject to availability)  Please note if you book in person at a TicketMaster outlet, you may need to ask for “Ben McKenzie & John Richards”, as “Splendid Chaps” does not appear in the search terms of their system.
Podcast: not yet available; released 23 April 2013.
Accessibility: This venue is wheelchair accessible.
(with thanks to John Richards)




FILTER: - Special Events - Fan Productions - Tom Baker - Fourth Doctor - Australia

Goodbye, Television Centre

Friday, 22 March 2013 - Reported by Chuck Foster
The Television Centre Courtyard, with Helios at the centre (Credit: Chuck Foster)Tonight sees an evening celebrating the spiritual home of BBC Television, Television Centre at White City, London.

The schedule will see what is expected to be the final programmes to be made at TVC, which closes at the end of the month after some 53 years of broadcasting. Events include an attempt to recreate the record-breaking tap dance originally made by Roy Castle in 1977, plus a live hour performance by band Madness on the Centre forecourt. The evening's centrepiece will be the broadcast of Goodbye, Television Centre, a 90 minute programme presented by a name well known to Doctor Who fandom, former BBC1 Controller and Chairman Michael Grade, and featuring a host of celebrities long-associated with broadcasting from TVC including Michael Parkinson, David Attenborough, David Jason, Penelope Keith and Ronnie Corbett. Finally, musician Richard Thompson performs a one-off concert from Studio 8.
Sadly absent from the evening is the more informal documentary, Tales of Television Centre, broadcast last May on BBC Four. The programme took audiences on a nostalgic journey through TVC's history, featuring clips and reflections by many who worked there, including Doctor Who actors Peter Davison, Katy Manning, Louise Jameson, and Janet Fielding.

For Doctor Who fans, TVC will also be remembered as the 'home' of the series during its initial production run. The first episode to be recorded here was The Warriors of Death in 1964, but it wasn't until the tail end of the Troughton era when it was to become the 'permanent' studio complex for recording (barring the occasional story). TVC itself became a location as the exterior of the World Ecology Bureau in The Seeds of Doom, and will feature prominently as its 1960s self in the 50th Anniversary drama An Adventure in Space and Time.

A brief history of TVC

Although of interest to Doctor Who fans, who tend to have greater interest in the production history of their programme than more casual viewers, BBC Television Centre has transcended fandom of any kind to become a recognised icon of British popular culture. It is indelibly associated with BBC Television in the minds of many of the British public, even those who have no interest at all in the history of television or how it is produced.

Graham Dawbarn's sketch of BBC Television Centre (Credit: BBC)The land where Television Centre – always ‘TVC’ for short – now stands was originally part of the 1908 Franco-British Exhibition; it was purchased by the BBC in 1949, although construction did not begin until the 1950s. Its unique question-mark shaped design allegedly came from a flash of inspiration on the part of architect Graham Dawbarn, who was wrestling with how to fit the requisite number of studios and other buildings onto the triangular piece of land the BBC had bought. Popular legend says that he doodled the question mark shape onto an envelope, and this was how the problem was solved.

Although designed as the first purpose-built television studio complex in the world, it took until 1960 for Television Centre to open, by which time Granada Television’s custom-built Quay Street studios in Manchester were already open and producing programmes. However, over the following decades, BBC Television Centre became undeniably the most famous television production centre in Britain, and perhaps one of the most famous in the world – to some British viewers it seemed, in the words of Steven Moffat in Doctor Who Confidential, “more Hollywood than Hollywood”.

From the centre’s official opening in 1960s up until the 1990s, the studios were home to every conceivable genre of television programming – drama, sitcom, light entertainment, discussion, news, current affairs, lifestyle, chat show and more. Television Centre was a broadcasting factory, pumping out the core of the BBC’s output, serviced by on-site production departments creating costumes, sets, special effects for every imaginable situation and setting on Earth – or of course, as Doctor Who fans know, beyond.

Television Centre was never the sole home of the BBC’s television output, even in London, but its frequent on-screen presence in many of the Corporation’s programmes meant it came to be seen as the home of BBC Television. However, into the 1990s the style and nature of television began to change. Drama in particular left the Centre – outside of soap operas, dramas were no longer being made in the old multi-camera studio style. The last drama to be made in the old Doctor Who multi-camera fashion was BBC One Sunday night period piece The House of Eliott, which came to an end in 1994.

With BBC producers now having free rein to make their programmes in whatever studios were the most economic, and many of the Corporation’s programmes now being made by independent production companies, programmes could be, and were, made anywhere. There were also conscious efforts to de-centralise the BBC’s London-based output, with major production centres in the 21st century being in such sites as Cardiff, Bristol, Birmingham, Manchester and Glasgow.

With all of this, and other political considerations, the BBC took the decision to sell off Television Centre to developers. The closure of TVC this month, after 53 years as the flagship of the Corporation’s television broadcasting, brings to an end an era when the BBC operated an in-house production line of television that was, from conception to production to screen, not unlike a grand Hollywood studio system of the old days. And it leaves behind one of the few pieces of broadcasting architecture ever to achieve recognition outside of its industry.

An aerial view of the TVC site during construction (Credit: BBC) An modern aerial view of TVC (Credit: Google)

The Future

After closure, Stanhope will begin its plans for the metamorphosis of the site into a range facilities; the company announced earlier this year:
For the first time, Television Centre will be opened up to the public and the famous forecourt remodelled and enlivened by new retail, leisure and entertainment uses and access through the site providing connectivity with the local area, including Hammersmith Park. The BBC will remain at Television Centre operating studios and BBC Worldwide will consolidate their new home at Television Centre, following refurbishment. The remaining offices are aimed at occupiers in the creative sector providing new employment opportunities and there will be a variety of public uses, including a cinema, health club, restaurants and cafes, which will benefit the local community. The much loved listed buildings at Television Centre will be retained.
Further details outlined in the plan include the conversion of the 'horseshoe' carpark into a public square, and a new cycle route will run through the site to link up with the adjacent Hammersmith Park. Studios 1, 2 and 3 will be retained for recording, but 4-7 will be demolished in favour of residential flats. The North and South Halls will become entrances for the flat and for a new luxury hotel that will occupy the existing central ring offices facing Wood Lane. Stages 4 and 5 will become "The Television Factory", an office complex aimed at small media companies and also for commercial outlets on the ground floor. Stage 6 will become the home of BBC Worldwide.

How much of TVC will still be recognisable after the redevelopment remains to be seen!

Television Centre to live on via Google

In February Google visited TVC in order to make a "snapshot" of how the iconic building looked before closure and partial demolition. Bill Thompson, head of Partnership Development, reflected:
Google at BBC Television Centre (Credit: BBC/Bill Thompson)Lots of people have been taking photographs before we leave, to provide a final record of a building we’ve grown to love, but we’ve also decided to make a larger-scale memorial to the home of British television, so Google have brought their Street View cameras in to record large areas of the building as it is now, before it is redeveloped and refurbished.

As you can see from the picture, they have a special trolley on which the camera pod can be mounted, and this is carefully wheeled through much of the building, capturing the Foyer, the Stage Door with its renowned mural, the old scenery painting area, the studios and miles and miles of strangely similar corridor. Plus the newsroom, one or two offices and, we hope, the famous BBC canteen and its astonishing kitchens.

Studio S1, home of Today and PM for many years, is now an empty shell, and the sixth floor no longer reverberates to the sound of executive decision making, but it remains fascinating to walk through, either in real life or on a screen.

I think that anyone who wanders around the virtual corridors will get a sense of what life has been like for those of us who have worked there over the decades, and get a buzz from being allowed to look backstage in a building that has been so important to anyone who ever watched television.

The BBC’s archive is vast, but most people think of it in terms of a massive library of TV and radio programmes. In fact it’s much more than that – there are miles of paper documents, millions of photographs, vinyl LPs, sheet music and objects like the old BBC One globe and early cameras. Thanks to Google we’re now creating a "virtual tour" of the building that everyone can enjoy, and we’re also adding to the BBC’s store of memories.

In the Media

  • BBC TV Centre: Goodbye to the 'dream factory' (BBC News)
  • BBC Television Centre: Farewell to the Dream Factory (The Independent)
  • Farewell London W12 8QT (The Sun)
  • The question mark over the BBC's finest hours (Express)
  • A farewell to TVC (BBC)
  • Angela Rippon revisits old TV studio [video] (BBC News)
  • In praise of ... Television Centre (Guardian)

  • Michael Grade: 'BBC Television Centre was state of the art but it's way past its sell-by date' (Independent)
  • Television Centre sale draws fire from BBC stars in tribute programme (Guardian)
  • BBC stars lament end of TV Centre (Express)
  • Madness to play BBC Television Centre farewell gig (BBC)
  • Dance on tap for final show from TV Centre (Brighouse Echo)
  • BBC Club appoints Pitman’s People for The Television Centre’s Closing Party Celebrations (Event Industry News)

(article written by Chuck Foster and Paul Hayes)




FILTER: - Special Events - Miscellaneous - Broadcasting - BBC

The Missing Episodes - The First Doctor

Thursday, 21 March 2013 - Reported by Chuck Foster
Doctor Who Magazine have released a special magazine devoted to the surviving images from the missing episodes of the William Hartnell era:

The Missing Episodes: The First Doctor (Credit: Panini)Sadly, 106 Doctor Who episodes from the 1960s aren't currently held in the BBC's Archives. The original videotapes were erased, and although film recordings for many early episodes were retained, others seem lost forever.

Fortunately for fans, some of these missing episodes survive in telesnap form – these are photographic images that were taken of television screens as the stories were originally broadcast. This 100-page Special from Doctor Who Magazine presents all of the lost episodes from the First Doctor's era that still exist in telesnap form, featuring the stories MARCO POLO, THE CRUSADE, THE SAVAGES, THE SMUGGLERS and THE TENTH PLANET.

There's also a fascinating feature on the man who took these telesnaps, JOHN CURA – and a look at how and why these classic pieces of television were lost from the archives.

Fill the gap in your collection, with Doctor Who Magazine: The Missing Episodes – The First Doctor!

The magazine is in the shops now.




FILTER: - Merchandise - Specials - Magazines - DWM

The Visitation SE - updated details

Wednesday, 20 March 2013 - Reported by Chuck Foster
BBC Worldwide have provided some more detail on the new features to be included in the two disc special edition version of Fifth Doctor story The Visitation:
The DVD is due to be released in the United Kingdom (R2) on 6th May 2013 and in North America (R1) on 14th May 2013.

The Visitation SE - Cover (R2) (Credit: BBC Worldwide) The Visitation SE - Cover Artwork (Credit: Lee Binding) The Visitation SE - Cover (R1) (Credit: BBC Worldwide)





FILTER: - Classic Series - Fifth Doctor - Blu-ray/DVD

The Bells of Saint John confirmed for 6:15pm, 30th March

Wednesday, 20 March 2013 - Reported by Chuck Foster
The Bells of Saint JohnThe BBC have now confirmed the time of the series "7B" premiere of Doctor Who: The Bells of Saint John will be broadcast on BBC One at 6:15pm on the 30th March 2013.

The episode launches the new early evening line-up for BBC One, with the new series of The Voice following it at 7:00pm. BBC Two broadcasts Easter from Kings until 6:30pm, whereupon there is a repeat of The Good Life leading into a tribute at 7:00pm to Richard Briers, who died last month. Meanwhile, ITV are broadcasting the news followed by You've Been Framed, Channel 4 have racing followed by the news, whilst Channel 5 are showing the film Police Academy 4.

Competition

To celebrate the return of the series, Doctor Who News are offering readers the chance to win one of two copies of Series 7 Part 2 when it is released (currently scheduled for 20th May in the UK).
As usual, the aim is to guess the BARB final consolidated viewing figure for The Bells of Saint John, to the nearest 10,000 viewers (i.e. two decimal places).
To enter the competition, please send your answer to this email address with the subject line "Run, you clever boy!", along with your name and address, plus your preferred format (Blu-ray or DVD) and region. The competition closes at 6:15pm GMT on Saturday 30th March.

Publicity Images

New publicity images have been released for the story which can be viewed below, along with the other images from earlier in the week:

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The Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity Images
The Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character Portraits





FILTER: - Leading News - Competitions - Series 7/33 - BBC

Silva Screen: The Caves of Androzani soundtrack / competition

Tuesday, 19 March 2013 - Reported by Chuck Foster
The first in a new range of classic Doctor Who soundtracks will be released next week by Silva Screen Records, delving back to the end of the Fifth's Doctor's era with Roger Limb's score for The Caves of Androzani.

Silva Screen: The Caves of AndrozaniThe Caves of Androzani was Roger Limb’s seventh of eight contributions to the series, and the first of his two very successful collaborations with director Graeme Harper. Broadcast in March 1984, the 4 episodes showed the regeneration of The Fifth Doctor (Peter Davison) into The Sixth Doctor (Colin Baker). In 2009 The Caves Of Androzani was voted the best in the history of the series by fans.

Roger Limb comments on working on The Caves of Androzani:
In 1984-5 we had new tools at our disposal including the Fairlight Computer Music Instrument (CMI) which I used to create the rhythmic percussion figures, and the wonderfully versatile Yamaha DX7 which was a landmark in the development of the synthesiser. I’d read the scripts but it was only when I saw the edited episodes on VHS that my ideas started to take shape. The greatest slice of luck was having Graeme Harper as director. He was able to explain exactly what he wanted from me, a great advantage!

Roger Limb was part of the BBC Radiophonic Workshop team which he joined in 1972. Perhaps best known for his work on Doctor Who, from 1981 to 1985, Limb composed the music for the The Keeper of Traken, Four to Doomsday, Black Orchid, Time-Flight, Arc of Infinity, Terminus, The Caves of Androzani and Revelation of the Daleks. In the 80s and 90s Limb has contributed music to a number of television series including The Justice Game, Aliens in the Family, Thinkabout, The Box of Delights, Kevin and Co, Martin Luther: Heretic, Storytime and Look and Read. He is also known for the now cult "Swirley" tune, a happy piece of electronic music that was used as the theme to the BBC's Service Information news bulletins in the late 70s and early 80s.


1. Doctor Who (Opening Theme) (00'39")
2. Androzani Minor (01'46")
3. Gun-Runners (00'59")
4. Morgus and Chellak (01'06")
5. Death Sentence (01'36")
6. Sharaz Jek (01'49")
7. Death Under the Red Cloth (02'10")
8. Androids (00'50")
9. Next Time It'll Be for Real (01'07")
10. Nobody Lives for Ever (02'16")
11. Spectrox (01'11")
12. Salateen (00'32")
13. Exile (01'06")
14. Clever Little Android (00'44")
15. Two Kilos, What a Deal (00'50")
16. The Magma Beast (02'14")
17. Blind Fools (00'34")
18. Tear His Arms Out (02'37")
19. Stage Three (01'54")
20. Geostationary Orbit (01'43")
21. The Girl Will Be Alone (01'00")
22. Peri Abducted (01'28")
23. Vertical Descent Pattern (00'32")
24. It Could Have Been Worse (02'08")
25. Do You Think I'm Mad? (02'56")
26. The Doctor Pursued (03'13")
27. Mud Burst (01'58")
28. Morgus and Stotz (01'03")
29. Face Off (01'11")
30. Morgus Kaput (00'37")
31. Not Beaten Yet (01'21")
32. Milk of the Queen Bat (07'04")
33. Return to the TARDIS (00'50")
34. Is This Death? (02'18")
35. Doctor Who (Closing Theme) (01'20")

The soundtrack has been restored by Mark Ayres, who explained to us the differences between these new CD presentations and the isolated scores that have been presented on some of the classic series DVDs in the past:

The DVD isolated scores are straight off the original tapes (resync'd-mono, but and also quite heavily compressed as per the original transmission so as to level match the soundtracks). There is little attempt at remastering, and the AC3 encoding on the DVD is similar to MP3, so lossy. The CD soundtracks are fully remastered (de-noising etc.), maintaining the greater dynamics of the original masters, and in "stereo". They all also feature (where possible and appropriate) additional and/or alternative cues.

The presentation is entirely different - the DVD isolated scores are designed for educational purposes, really (so that the viewer can see how the composer works to picture, but without the dialogue and effects getting in the way!); the CDs are presented at the highest quality for listening purposes.

Additionally, in some cases to come I have found better tapes since we did the DVDs.

The Caves of Androzani is released on the 25th March 2013 and is available for pre-order.

Competition

We have three copies of the CD up for grabs, courtesy of Silva Screen. To be in with a chance to win a copy, please answer the following question:

The Caves of Androzani was Graeme Harper's (credited) directorial debut for Doctor Who - which is the most recent broadcast episode to date that he has been credited as director?

Send your answers to this email address with the subject "curiousity has always been my downfall", along with your name and address. The competition is open worldwide, and the closing date is the 31st March 2013.




FILTER: - Merchandise - Audio - Competitions - Classic Series - WHO50

Behind the Scenes with the Radio Times

Tuesday, 19 March 2013 - Reported by Chuck Foster
Radio Times (23-29 Mar 2013) (Credit: Radio Times)The latest edition of the Radio Times takes a look behind the scenes of Doctor Who with a brief two-page article on filming a scene near St. Paul's Cathedral, which will feature in the forthcoming The Bells of Saint John on the 30th March.

The next edition, on sale from 26th March, celebrates the return of the series, featuring an exclusive episode guide by Steven Moffat, plus a free Monster Wallchart.




FILTER: - Radio Times - Series 7/33

AudioGo: The Rescue / Competitions

Monday, 18 March 2013 - Reported by Chuck Foster
AudioGo have provided details for April's classic novelisation release, The Rescue; it is read by Maureen O'Brien who played Vicki, the Doctor's companion who was introduced in this story on television.

The Rescue, read by Maureen O'Brien (Credit: AudioGo)The Rescue (available to pre-order)
Written by Ian Marter
Read by Maureen O'Brien
Released 4th April 2013

Arriving on the planet Dido in the late 25th Century, the time travellers come upon a crashed spaceship from Earth. Its two occupants are living in fear of a creature called Koquillion, but everything is not as it seems...

Based on the original 1965 TV serial of the same name, featuring the First Doctor (as played by William Hartnell).
 

Competitions

We are pleased to announce that we have three copies of The Rescue to give away in a competition, courtesy of AudioGo. In order to win, please answer the following question:

The author of the novelisation, Ian Marter, is better known as playing a companion in Doctor Who - what was that character's name?

Send your answers to this email address with the subject "Rescuing Vicki!", along with your name and address. The competition is open worldwide, and the closing date is the 31st March 2013.



We are also pleased to be able to offer the next instalment of Destiny of The Doctor, the Fourth Doctor tale Babblesphere featuring Lalla Ward as Romana as a separate competition. In order to win this please answer the following question:

Lalla Ward is married to the respected evolutionary biologist Richard Dawkins - in which Doctor Who episode did he make a cameo appearance?

Send your answers to this email address with the subject "Who is this God Person Anyway?", along with your name and address. The competition is again open worldwide, with the closing date of 31st March 2013.




FILTER: - Merchandise - Audio - Competitions - First Doctor

Doctor Who: first four episodes confirmed

Monday, 18 March 2013 - Reported by Chuck Foster
The BBC have now formally announced details for the return of Doctor Who to television on BBC One on 30th March 2013 (time still be confirmed), along with interviews with the stars Matt Smith and Jenna-Louse Coleman, and lead writer/executive producer Steven Moffat.

Matt SmithHaving run down corridors from every monster imaginable, Matt Smith returns as the Doctor to face old and new foe. But he’s not alone. Along for the ride in his brand new TARDIS is the Doctor’s latest companion, Clara Oswald. Here Matt talks about what he is looking forward to from the epic new series.

I think it is going to be very exciting to introduce Clara to the world and Steven has hit a real vein of form, explains Matt as he chats enthusiastically about the new series.

Along with a new costume this series, the Doctor has a new TARDIS to travel through space and time. Walking on to the new TARDIS was like the first day at school, explains Matt. I actually found it quite difficult as I had got so used to the rhythm of acting on the old one, where I used to slide about on the glass floor, but Michael Pickwoad has done a fabulous job, he continues. This one is more like a machine.

Having lost his first companions, the Ponds, at the hands of the Weeping Angels in New York last year and after a period of mourning the Doctor is joined by a new companion this series, played by Jenna-Louise Coleman, she’s done brilliantly well, says Matt. She’s kind, charming, thoroughly prepared and very brave as an actress. And most importantly of all we get on, which is vital on a show like this. I’m so proud of what she has achieved in the last year, he concludes.

So what do fans have to look forward to this series? An urban thriller, ‘The Bells of Saint John’, brings the series back with a bang as the Doctor’s search for Clara Oswald takes him to modern day London, where wifi is everywhere. But something dangerous is lurking in the signals, picking off minds and imprisoning them. Filming for this James Bond-esque thriller took Matt to Westminster Bridge, the Southbank and St Pauls, amazing, I loved shooting in London, says Matt, there is something so brilliant about having the locations there rather than just adding them in.

Following on from this the second episode, ‘The Rings of Akhaten’, take the Doctor and Clara away from earth and on their first proper adventure… in outer space. Featuring an alien market Matt remarks, it was very ‘Whoey’. We had between 50 to 60 prosthetic aliens, which is something that only really this show can offer, he continues, making it a very unique experience as an actor.

As well as introducing some new monsters, the new series brings back a couple of old monsters in the form of the Ice Warriors and Cybermen, I think it’s good to pay homage to the classic series, says Matt, especially for the fans. This series we have modernised some of the monsters for a whole new generation.

Soggy, like drowned rats, Matt is explaining the shooting experience for the third episode ‘Cold War’, written by Mark Gatiss. Set on a Russian submarine spiralling out of control in 1983 an alien creature is loose on board, having escaped from a block of Arctic ice. They built a submarine and the five-year old in me was like “yeah it’s a submarine!”, says Matt. I loved getting sprayed down at the beginning of the shoot, Matt continues, and it wasn’t a chore as it does so much of the acting for you, making it really authentic. Mark Gatiss has delivered one of the best episodes of the series, he concludes.
Jenna-Louise ColemanThe new series will mark the official introduction of the Doctor’s latest companion, Clara Oswald. Having already appeared in the series opener ‘Asylum of the Daleks’ in September and as Clara in the Christmas special, ‘The Snowmen’, here Jenna explains a little bit about her character and working with monsters.

Very excited, Jenna is talking animatedly about her first series as the Doctor’s companion. It will be fantastic to see the final version with all of the elements put together.

Having made a surprise appearance as one of the Doctor’s most notorious of enemies, a Dalek, in last year’s series opener, audiences have been treated to two different versions of the latest companion.

We’ve had one introduction to Clara in the Christmas special, but not necessarily the same Clara we will see in this series, explains Jenna. But the essence of all the different versions is the same, Jenna continues, she’s very brave and resourceful, a match for the Doctor and an explorer in her own right. She dreams of travelling and seeing the world and wants more than what’s on offer.

So how has Jenna found working with Matt Smith? Just a joy, it really is. He is the most perfect leading man and sets such a lovely tone on set, making the atmosphere so wonderful. There’s not much more you could ask for in your co-star, she says.

The series opener ‘The Bells of Saint John’ is a modern day urban thriller, which sees the Doctor and Clara face a monster in the wi-fi, as minds are uploaded by an organisation run by Miss Kizlet (Celia Imrie). Set in London, Jenna was thrown in to the deep end as she was asked to get on a motorbike… driven by the notoriously clumsy Matt Smith.

I loved shooting in London, says Jenna, it was so much fun. It was one of those moments where I thought “I’m filming Doctor Who, on a motorbike, riding across Westminster Bridge with the Houses of Parliament in the background.” So would Jenna trust Matt to drive her on a motorbike in real life? Well on screen it looks very exciting, but both of us were being very silly as we were so tightly strapped in. I just clung on!

As the newest edition to the show, Jenna explains how this series will take the viewer on the same journey of discovery she experienced when she first joined, especially for episode two ‘The Rings of Akhaten’ which is set on an alien planet. It’s one of my favourite episodes, says Jenna, it’s so weird and wonderful and something that only this show can offer. It show’s Clara for the first time what life with the Doctor will be like. It’s a complete fantasy, she continues, and it’s great for audiences as the story begins again and we get to explore all these strange new worlds together, as well as getting to know the Doctor again.

The third episode, ‘Cold War’, set on a Russian submarine marks the return of the classic Doctor Who monster the Ice Warriors. They were terrifying, exclaims Jenna, I think this is the first time Clara is really, really scared. The whole set was really realistic and built to size, which wasn’t too much of a problem for me, she jokes. So how did they make it look so realistic? Before every take they would come and spray us, the whole make-up process was reversed as they would damp us down in the morning and rub my mascara off! We were soaking wet for two weeks.

So having completed filming and watched most of the episodes, does Jenna have a favourite? I really like 'The Rings of Akhaten' as and it’s the first proper adventure for the Doctor and Clara.
Steven MoffatSo it’s back and with a James Bond-esque urban thriller. Why did you decide to kick-off the new series with a very modern day threat?

It was Marcus Wilson's idea. We were discussing how the first episode of the second run would probably be a contemporary Earth adventure, so the Doctor could meet the modern day Clara - and anyway, I wanted to do Wi-Fi monsters - and Marcus suggested we do a proper urban thriller. The Doctor can never be Bond or Bourne - but if he tried it might look a bit like this.

What else can we expect from the new series?

A haunted house, a submarine, a planet with cool rings, Victorian Yorkshire, a journey to the centre of the TARDIS, Dame Diana Rigg and her daughter Rachael Stirling together on screen for the first time, new Cybermen, and the Doctor's greatest secret revealed.

You are bringing back a couple of classic monsters with the Cybermen and Ice Warriors, are there any new ones to look out for?

Plenty of new monsters! Watch out for the Spoonheads, the Whispermen, and - my favourite - the Vigil. Oh and Neil Gaiman has done something horrible with the Cybermen!

We finally get to meet the Clara that will travel with the Doctor across the series’ eight epic adventures. Can you tell us a little bit about her character?

You've sort of met her, but you sort of haven't. The same shed load of attitude you saw before, the same rapid-fire banter with the Doctor, but this time she's living in modern London with no memory of the Time Lord!

How has the dynamic of the relationship between the Doctor and his companion changed since the introduction of Clara?

It's all new for the Doctor - this time the greatest mystery in the universe is standing right next to him.

What was it about Jenna that made you decide she would be right fit for the role of the new companion?

Casting is a funny process - the right people sort of choose themselves. It happened with Matt a long time ago, and when we saw him bantering with Jenna it happened again. Auditions start with you telling the actor about the character - sometimes they end with the actor telling you. That's what happened with Jenna!

A ghost story, a period drama to end all period dramas and an underwater siege, was it intentional to go as big as possible with this series in the year of the 50th?

We try to make every year the biggest possible, but when you see that big, glittering 50 hanging above you, you start trying even harder. I've been a fan all by my life and I know we have to deliver!

Story Synopses

The synopses and some publicity images have been released for the first four stories, including movie-style posters continuing the theme of the 2012 episodes:

The Bells of Saint John: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)The Bells of Saint John

The Doctor’s search for Clara Oswald brings him to modern day London, where wifi is everywhere. Humanity lives in a wifi soup. But something dangerous is lurking in the signals, picking off minds and imprisoning them. As Clara becomes the target of this insidious menace, the Doctor races to save her and the world from an ancient enemy.

Written by Steven Moffat
Directed by Colm McCarthy
Produced by Denise Paul


The Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity Images
The Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character Portraits
The Rings of Akhaten: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)The Rings of Akhaten

Clara wants to see something awesome, so the Doctor whisks her off to the inhabited rings of the planet Akhaten, where the Festival of Offerings is in full swing. Clara meets the young Queen of Years as the pilgrims and natives ready for the ceremony. But something is stirring in the pyramid, and a sacrifice will be demanded.

Written by Neil Cross
Directed by Farren Blackburn
Produced by Denise Paul


The Rings of Akhaten: Publicity ImagesThe Rings of Akhaten: Publicity Images
Cold War: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)Cold War

The Doctor and Clara land on a damaged Russian Submarine in 1983 as it spirals out of control into the ocean depths. An alien creature is loose on board, having escaped from a block of Arctic ice. With tempers flaring and a cargo of nuclear weapons on board, it’s not just the crew but the whole of humanity at stake!

Written by Mark Gatiss
Directed by Douglas Mackinnon
Produced by Marcus Wilson


The Cold War: Publicity ImagesThe Cold War: Publicity ImagesThe Cold War: Publicity ImagesThe Cold War: Publicity ImagesThe Cold War: Publicity Images
Hide: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)Hide

Clara and the Doctor arrive at Caliburn House, a haunted mansion sat alone on a desolate moor. Within its walls, a ghost hunting Professor and a gifted psychic are searching for the Witch of the Well. Her apparition appears throughout the history of the building, but is she really a ghost? And what is chasing her?

Written by Neil Cross
Directed by Jamie Payne
Produced by Marcus Wilson


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FILTER: - Steven Moffat - Doctor Who - Matt Smith - Press - Jenna-Louise Coleman - Series 7/33

The Bells of Saint John fast-tracked to Australia

Sunday, 17 March 2013 - Reported by Adam Kirk

The Bells of Saint John will make its Australian debut on Easter Sunday, 31 March 2013, at 7.30pm on ABC1.


This will be just hours after the UK premiere on March 30, and is the swiftest fast-tracking ABC has ever provided fans on terrestrial television.


Media Links: TV Tonight




FILTER: - Broadcasting - Series 7/33 - Australia