Bernard Cribbins will be a guest of Graham Norton on his BBC Radio 2 show on Saturday 8th June.

The veteran actor, who latterly played Wilfred Mott during the Tenth Doctor era but whose link with the show stretches back to 1966 and the film Daleks - Invasion Earth: 2150 A.D., will be talking about both Dalek films of the '60s, which have recently been released on Blu-ray. Cribbins has the unique distinction of being the only actor to have appeared with the Daleks in both the cinema and TV versions of the show.

He is the latest Doctor Who-related guest on the radio programme this year to mark Doctor Who's 50th anniversary and questions - to do with Doctor Who or not - can be submitted via graham.norton@bbc.co.uk

The radio show runs from 10am to 1pm and Cribbins is scheduled to be on air at 12.30pm, but the running order is subject to change. The programme should be available to listen to worldwide via the BBC iPlayer.

UPDATE - SUNDAY 9th JUNE: The interview - which lasts more than 18 minutes - is currently available to listen to via this link. In it, Cribbins reveals there is to be a second series of his CBeebies story-telling show Old Jack's Boat, which also featured fellow former companion actor Freema Agyeman in the first series. In addition, hints are dropped about the radio show marking Doctor Who's 50th anniversary in some way, and Norton pledges that they will involve Cribbins in it.

Brian Minchin has been made executive producer on Doctor Who alongside showrunner and lead writer Steven Moffat with immediate effect, it was announced this afternoon.

He replaces Caroline Skinner, who stepped down last month to join BBC Drama Production in London.

Minchin is an executive producer for BBC Wales's drama department, where he has been working on The Game, a new Cold War spy thriller from Toby Whithouse for BBC One, and Wizards vs Aliens, the Russell T Davies and Phil Ford co-creation for CBBC. He has also worked as BBC executive producer on Dirk Gently - based on the novels by Douglas Adams - and Being Human (another Whithouse creation).

He has been a script editor on Doctor Who and was a producer for spin-off series The Sarah Jane Adventures as well as the UK sections of Torchwood: Miracle Day, and was assistant producer on Torchwood: Children Of Earth.

Having grown up in Aberystwyth, Minchin joined the BBC Wales drama department in Cardiff in 2005 as a script editor working on the BBC One Wales production Belonging, before moving to network dramas Doctor Who and Torchwood in the same role.

He said: Faith Penhale, the head of drama at BBC Wales, said: And Moffat added:

The BBC have confirmed that actress Jemma Redgrave will return to Doctor Who for its 50th Anniversary Special, reprising her role as UNIT's Head of Scientific Research, Kate Stewart.

The announcement comes as filming resumes in London this week, with the crew spotted at The Tower of London this afternoon - the building was last seen in The Power Of Three as the exterior of UNIT Headquarters. Jenna-Louise Coleman was present at the location, along with actress Ingrid Oliver.

Terrance Dicks is to be feature in a special event as part of the Belfast Film Festival. The writer will be interviewed about his career in television and his prolific output as a writer, with his association with Doctor Who forming a central part of the discussion.


The event takes place in the Belfast Waterstones on Friday 18th April at 7:00pm. Tickets can be purchased via the Festival website.


The author will also be introducing the event's showing of The Mind of Evil on the 18th April, though this is sold out!

A documentary on BBC Radio 4 next Sunday will see cast and crew from 1960s Doctor Who recounting the early days of the show.

In The Reunion - billed as a series that "reunites a group of people intimately involved in a moment of modern history" - presenter Sue MacGregor brings together director Waris Hussein, actors Carole Ann Ford, William Russell, and Jeremy Young, plus actor-turned-presenter Peter Purves to look back at "the triumphs and disasters" of Doctor Who's formative period.

The 45-minute show airs on Sunday 7th April at 11.15am and should be available to listen to worldwide via the BBC iPlayer. It has been made by Whistledown, which has previously reunited Paul McGann and Richard E Grant, among others, for a special edition of the programme, broadcast in May 2008, centring on the cult film Withnail And I.

A roundup of recent media "clippings" for Doctor Who in the run-up to the series return tomorrow.

Matt Smith (The Doctor):

On his new co-star: "You’ll see on screen she’s absolutely brilliant and it’s been a joy. I’m really proud of the work we’ve done and I think it’s exciting for the character, he’s got a new lease of life somehow. Jenna’s inventive, she works tirelessly hard. I like her, which is good because you’ve got to get on. And I’m really proud of what she’s achieved and I’m pleased that it’s gone so well for her because I think she’s brilliant in it." [Yorkshire Evening Post, 27 Mar 2013]

On how they get along: "Really well. We’re good friends, actually, which is nice. It would be really rubbish if we weren’t! I guess you guys are the critics of this, but I think she has started really well. She’s immediately likeable and popular, which is a stroke of fortune. It was always going to be difficult coming in after Karen Gillan and Arthur Darvill [who played Amy and Rory] because they became really loved and admired. I think she’s made it her own and she’s been inventive and brave. It’s not an easy show to waltz into. It moves at such a pace. And there’s such a fervent following and people have such clear opinions on it." [TV Choice, 30 Mar 2013]

On riding a bike around London: "It was very exciting. I am innately very clumsy, and my mother has always forbidden me from getting a motorbike. I’ve driven mopeds before, abroad and stuff, without her knowing – well, now she knows. But that’s like a big old Harley looking bike, and I wouldn’t know where to begin… It was amazing filming those scenes. It was on a rig, and we got to sort of travel round London. Car rigs are different because you’re in a car, but being on a bike it’s like you’re on a sort of fairground ride. It was a really crisp, sunny day and we kept going around Waterloo Bridge and Westminster Bridge and Waterloo Bridge and Westminster Bridge and it was just one of those days where you think ‘This is a very privileged place to be for a day at work." [SFX, 25 Mar 2013]

On the 50th Anniversary script: It sort of does what it says on the tin. You won't be disappointed. It's my cryptic way of going ... no, the thing is, much as we'd love to tell you everything, I read it and I clapped at the end. I think it's hilarious and I think it's epic and I think it's vast. I'm telling you nothing more. But you will not be disappointed. I think it's going to be the biggest, the best, the most inventive, the most exciting year for the show. And I think this script, it delivers on all those points that you want it to for where the show is at this time. It's brilliant. It somehow manages to pay homage to everything and look forward. And I think that's the mark, the genius of it." [This is Local London, 25 Mar 2013]

Matt also spoke to BBC News about the 'vast and epic' series. [BBC News (video), 18 Mar 2013]

Jenna-Louise Coleman (Clara):

On the re-appearance of Clara: "You'll see an essence in the same way there was an essence of Oswin in Christmas Clara, there was a similar essence running through them, a similar spirit. We'll see that again with this Clara." RedEye Chicago, 27 Mar 2013]

Her take on The Bells of Saint John: "I saw it at the London screening that we did last week. It just looks brilliant because it’s such a ... from shooting the show there’s so much that happens afterwards from the CGI and the music and to make the episodes kind of as epic as they are so it’s gonna be great for me to sit there as a viewer and watch them as well. I was able to just enjoy all of the pieces of like the jigsaw coming together, and also you just realize how clever Steven Moffat is and the setup of the story that we have going through, arcing through the series, of the mystery of Clara Oswald and the Doctor trying to figure out who she is. It’s set up so brilliantly from everything that we’ve done so far through Steven. So, it’s exciting." [Access Hollywood, 26 Mar 2013]

On how the relationship between the Doctor and Clara develops: "I'm sure audiences will be looking out for it, and they have an advantage, over the two characters even, because they have experienced the Christmas special, but this series is a whole new beginning again. That sounds like such an unsatisfying answer, but one of the things that is explored in this series is that there is nothing the Doctor dislikes more than something he can't solve, something he can't explain, and that's exactly what Clara is. He can't figure her out. They are drawn together, and really like each other, but there's always this underlying feeling of them both trying to figure each other out. It's not plain sailing between them both." [New Zealand Herald, 28 Mar 2013]

On how her family keeps her grounded: "My brother is a joiner, like my dad, and they came to the Doctor Who set to see me at work. He’d never been much impressed by my acting stuff before but he watched filming and said: 'You’ve got the coolest job in the world – fighting the Cybermen.' I think he’s right." [Metro, 28 Mar 2013]

On her gran's plans for Matt Smith during filming for the 50th Anniversary: "I think she's gonna come on set when we're filming the 50th, which she's very excited about. She's gonna be patting Matt a lot. Matt's her favourite Doctor." [Access Hollywood via STV, 27 Mar 2013]

Steven Moffat (lead writer):

On the role of the companion: "We never see how the Doctor began his journey. We'll probably never see how he ends it. We'll probably never know why he embarked on it, but we know all those companions, who they were before they met the Doctor, why they ran away with him, and where they ended up. Those stories are complete. The Doctor is the enigma that enters their lives and changes them. The story is always about the person who changes the most." [Examiner, 27 Mar 2013]

On Jenna-Louise Coleman: "Well, she’s terrific! The most obvious answer is that she’s a terribly good actress. I know that’s a dull thing to say, but it’s the truth. You can be as beautiful and charming as you’d like, but if you’re not terrific at acting, it will mean nothing on the screen. She’s a terrific actress. She looks great. She has great comic timing. She looks like she belongs, somehow, next to Matt Smith. When the two stand together, they look like an instant team. They have enough in common, and yet have enough sharp contrasts, that it’s an instant poster when you stand them together." [Collider, 27 Mar 2013]

Other Media Items:

Entertainment Weekly has been published with two different covers as it celebrates the return of Doctor Who this weekend. The magazine's cover story looks at how the show will celebrate its 50th Anniversary, and includes a touching tribute to the Time Lord from director Peter Jackson, who still has his eye on the Doctor: "They don’t even have to pay me! But I have got my eye on one of those nice new gold-colored Daleks. They must have a spare one (hint, hint)." [Entertainment Weekly, 21 Mar 2013]

Two associated videos have also been released, with the first featuring Matt Smith and Jenna-Louise Coleman discussing fans, whilst the second features Matt, Jenna and costume designer Howard Burden discussing the Doctor's new look. Burden commented: "When I first came into the series [on Asylum of the Daleks], we had an established look for the Doctor. As subsequent episodes came in, I was told that we could actually change the look. It was quite an intense process to actually make sure everyone was happy." [Entertainment Weekly, 22 Mar 2013]

Amongst its pages was a comment from Steven Moffat in which he said that statistically he was nearer the end than the beginning of his time on the show: "I just take it a year at a time. I think the feeling of it being done for you is quite unambiguous when it suddenly arrives.".

One name that cropped up as a potential replacement for Moffat earlier this month was that of Being Human showrunner Toby Whithouse: "I have heard the rumours. I've been hearing them for years now. In terms of my future on Doctor Who, this kind of speculation only takes place in the heads of the fans. No-one from the BBC has said anything to me. I'd be lying if I said I wasn't intrigued by the idea, but also it would be terrifying. It's definitely something I'd be really tempted by but I'm genuinely not in any hurry to do it." [SFX via Metro, 11 Mar 2013]

The Sun reported that they believed Matt Smith would be leaving the show at Christmas, with their 'sources' suggesting the BBC already had someone in mind to replace him. However, the BBC have stated: "Sorry folks but even we don’t know what's going to happen at Christmas. It's not been written yet! But Matt loves the show and is to start filming the unmissable 50th anniversary, and the new series starting on Easter Saturday." [The Sun, 22 Mar 2013]

The report came after Matt's appearance on The Jonathan Ross Show, where he said: "Doctor Who is one of of those jobs that you have to take year by year, it's ten months a year, it's all-consuming, so I don’t think you can plan five or six years ahead, or even two years ahead. It's a year by year thing, and at the moment it’s 2013 and we’ll see what 2014 holds."

The BBC statement didn't stop the Sun from polling readers for who they'd like to see next as the Doctor, with their results citing Sherlock star Benedict Cumberbatch as the favourite; the runners up were previous Doctor David Tennant, and comedy actor James Corden (who played Craig in the series). [The Sun, 24 Mar 2013]

Other Magazine Covers:

Some other covers prominently featuring the series return:

Talking about fandom in the US, Matt Smith said: "We didn’t realise how big it was until we filmed in New York, but the fans have been so supportive. The British are a lot more reserved, and the North Americans have a lot more enthusiasm. I love it when people dress up as the Doctor. I like all that — that is the spirit of the place and there is a freedom to be enthusiastic there, which is hugely enjoyable. That is what’s great about working in science fiction shows." [New York Daily News, 23 Mar 2013]

And his thoughts on now being immortalised on a new stamp from the Royal Mail? "It’s a great privilege that the nation will be licking the backs of our heads. It’s an amazing thing – I’m really proud to be part of it. It’s cool. it’s something that I can show my grandkids." [SFX, 25 Mar 2013]

He also has an eye on being in the Bond franchise: "I'm not handsome enough to be James Bond. Maybe a villain though. Start campaigning now. I'd edge on the camp dangerous side I think. Javier Bardem was amazing. I thought Skyfall was a sumptuous film." Jenna-Louise Coleman also commented: "I’d love to be a Bond girl — I did have my moment on the back of a motorbike. But then we’ve got the goggles and the hat, so it was Doctor Who’s take on James Bond." [The Sun 19 Mar 2013, 22 Mar 2013]

Outside of Who, Jenna-Louise chats about what she'd like to tackle, drame-wise: "What I would really like to do is an adaptation. I like period drama because everyone is so restrained, but they have all these emotions raging underneath." [Evening Standard, 22 Feb 2013]

David Tennant has said that he isn't a fan of social media: "Twitter! It’s like being stalked by committee! Come and say hello if you want, but not for the sake of twittering about it." [Time Out via Radio Times, 27 Feb 2013]

Jenna-Louise similarly talks about avoiding the online community: "I don't really get online very much, I try to stay away. It's just ... that feeling of accessibility, you know? I like to go about my business and go to work and not have too much of a consciousness of what I'm doing. I just don't think it's for me, really. It's just not my cup of tea." [Mashable, 27 Mar 2013]

On the other hand, Billie Piper has embraced it, having arrived on Twitter as @BilliePiper - including a photo to prove it!

Peter Davison talks about watching Doctor Who with his children: "I do watch the new series, yes, because my children watch it and I love watching it. I've got to that age now. Douglas Adams who was a script editor on Doctor Who once said to me: "the trick about Doctor Who is making it simple enough for the adults to understand and complicated enough to hold the children’s attention". And I think I'm now getting to that point where I think I've moved into the older bracket, obviously I have, but in brain as well because I do find myself turning to my children saying: "what’s going on? What? Can you explain that?" They go: "oh, dad, what’s happened is this..." So, I'm now in that bracket which has to be simple for dad to understand." [Independent, 3 Mar 2013]

Colin Baker is to appear at Sci-fi By The Sea, a convention to be held at Herne Bay Football Club on the 16th June 16. Organiser Gerald McCarthy said: "People are very excited to have a proper Doctor Who coming down. Sometimes these announcements have a knock on effect for other guests, who ask who else is coming down before they attend. We already have two tardis’, seven or eight Daleks and some Cybermen coming along, so Colin tops it off for us on that front." [Kent Online, 14 Mar 2013]

On tour promoting their latest book, The Bone Quill, John and Carole Barrowman discuss their future plans for Hollow Earth: "We worked out some key plot things and some new things we hadn’t originally planned.. When we first planned [the series], we had three major evolutionary things we wanted to happen, [one] in each book, based on Matt’s and Em’s ability. We fleshed out the little details as we went along. One of the things we’ve had a lot of fun in doing, particularly with the first book, is seeding a lot of things that we hope to pull out as we go along. We planted little Easter eggs, or symbols, to discover. The twins live on Raphael Terrace. There are all sorts of allusions to art in ways that kids may not pick up until they get a little older. Matt and Em’s last name is Calder, not only a Scottish last name but also a famous artist’s last name. The idea of duality is in there. We’ve actually had a lot of fun playing the puzzle makers for all of that." [Popmatters, 29 Mar 2013]

The book was launched at St Katherine's School, Ham Green, which was chosen as the venue through librarian Lucy Edwards’ working relationship with Waterstone's. The siblings had an audience of 300 year eight pupils were there for their visit along with students from various reading groups. [Weston Mercury, 13 Mar 2013]

Writer Neil Cross explains what makes a good monster: "There's two kinds of good monsters. The monster to whom your existence means nothing. That's something like the Daleks. It's something so alien that it's inhumane in every sense. Then there's the monsters that look like us, but there's something wrong, like Hannibal Lecter. The attributes that we think are best in ourselves - love, conscience, compassion - are all stripped away. They're the people who kill puppies." [The Wellingtonian, 8 Mar 2013]

Writer Mark Ravenhill explained about potentially writing for Doctor Who: "I did once go and see Russell T Davies and he said he thought I was far too adult for Doctor Who. But he was creating Torchwood and so he said to go away and come up with some ideas. I had very few clues what it was about, so it was like throwing darts at a dartboard in the dark. That was the closest I ever came. Although I love Doctor Who - maybe I'm not the right person to write it." [BBC News, 24 Feb 2013]

When asked whether the perceived imbalance between male and female writers on Doctor Who would be addressed, producer Marcus Wilson said: "Due to schedules and other projects, both male and female writers whom we have wanted to join the team simply haven't been able to. For us it's about who can write good Doctor Who stories, regardless of gender." [Guardian, 27 Mar 2013]

Paul McCartney has revealed how he had asked Delia Derbyshire to remake Yesterday, though it never went any further: "We went round to visit her, we even went into the hut at the bottom of her garden. It was full of tape machines and funny instruments. My plan in meeting her was to do an electronic backing for my song Yesterday. We'd already recorded it with a string quartet, but I wanted to give the arrangement electronic backing. The Radiophonic Workshop, I loved all that, it fascinated me, and still does." [Q Magazine via Guardian, 22 Mar 2013]

Murray Gold recently appeared at the Scoring Drama Masterclass at London’s BFI, where he discussed strategies for composing drama music, including reading the script: "You need to love drama to score drama and show that you love it. First time I get a script, I read it. Which some composers don’t do. But reading the script helps you work out where ‘the kick’ is. This job is also a lot more interesting when you’re writing for a show you actually like." [M Magazine, 21 Mar 2013]

Being a former footballer, Matt Smith continues to take a keen interest, and shared his thoughts on recent developments at Blackburn Rovers: "It's an absolute farce, a joke, it's being run by complete numpties. Great players, great team, great club and those berks have ruined it. They talk about getting rid of Allardyce because of the long ball - what the hell was that against Millwall? It was a woeful performance against Millwall. It's the first time I've been embarrassed at the way the team played." [BBC News, 16 Mar 2013]

Now firmly established on ITV, David Tennant commented on how the Broadchurch story unfolded where the actors didn't know how it would develop: "When you're playing those initial interviews with characters and you genuinely don't know what the truth is, you can't load those scenes with 'actorly' tricks. You have to play it for what it is, which can only make it more real. You can be as exasperated about the mystery of the characters as the audience will be. It's great to be part of something where all the characters have powerful stories to tell. There's the whodunit aspect but there are other stories going on and such wonderful people portraying those parts." [Belfast Telegraph, 22 Feb 2013]

Co-star Arthur Darvill explained how he became involved with Broadchurch: "Chris Chibnall came up to me while I was filming one of his episodes in Cardiff and said, "I've written you a part in a new TV series, will you do it?" I thought, "I can't say no to that, that's amazing!". We chatted about it, we discussed where the character would go, and I just found what he was trying to do really interesting, so I jumped at the chance. That's the first time somebody's ever written anything for me; it was very humbling. It's quite an honour," he added." [Belfast Telegraph, 1 Mar 2013]

Karen Gillan is to join American comedy series NTSF:SD:SUV for its third series, appearing as Daisy, described as the team's "Q" expert. The series is due to be broadcast in from July. [Radio Times, 22 Mar 2013]

David Warner and Lisa Bowerman can be seen in The Wizard, a short film written by Simon Guerrier for Hat Trick and Bad Teeth's Short and Funnies short comedy film competition.

Classic-era companion actors Carole Anne Ford and Frazer Hines will be joining Graham Norton on his BBC Radio 2 show on Saturday 6th April.

They will be talking about the Destiny of the Doctor CDs, and radio show producer Malcolm Prince told Doctor Who News that the actors will be the first of many Doctor Who-related guests on Norton's radio programme this year to mark Doctor Who's 50th anniversary.

Destiny of the Doctor is a year-long series of new audio dramas from BBC AudioGo being produced by Big Finish as part of the anniversary celebrations. Each Doctor will have his own story in the run-up to the anniversary itself in November.

In the AudioGo dramas, Hines, who played Jamie McCrimmon alongside the Second Doctor, stars in Shadow of Death, which was released last month, while Ford, who portrayed the Doctor's granddaughter Susan, is in Hunters of Earth, released in January.

Questions to the duo can be submitted via graham.norton@bbc.co.uk

The show runs from 10am to 1pm and they are scheduled to be on air at 11.30am, but please note that running orders are subject to change.

It should be available to listen to worldwide via the BBC iPlayer. A clip of the interview will be posted on the radio show's site afterwards, along with the weekly podcast.

A forthcoming biography of former Doctor Who producer John Nathan-Turner has been causing a media stir with newspapers focusing on allegations of sexual exploitation.

JN-T: The Life and Scandalous Times of John Nathan-Turner, written by Richard Marson and to be brought out in May by Miwk Publishing, is based on more than 100 interviews with friends and colleagues as well as inside knowledge by Marson, who has also had access to the entire surviving archive of Nathan-Turner's paperwork and photos.

In its review published on 10th March, SFX predicted a tabloid firestorm thanks to one particular chapter, entitled Hanky Panky, while the current edition of Private Eye, published last week, similarly warned of unfavourable headlines for the BBC, and that's exactly what has happened. A measured book review was published last Friday by The Guardian, but the tabloids have subsequently gone to town on claims that in the 1980s both Nathan-Turner and his partner Gary Downie, a Doctor Who production team member, used their senior roles to prey on male fans - some of whom were under the legal age of consent at the time (Mirror, Mail, and Sun). Marson says himself in the book that he was assaulted by Downie.

Miwk's website includes endorsements for the book from people such as director Fiona Cumming who, with Ian Fraser, says: "Some of the revelations are painful (but) we find this very rounded, well-written and honest." Drama serials manager and later producer Brian Spilsby comments: "I must say you have skewered JN-T precisely. I can vouch for all of the facts and most of the opinions. It's a very accurate - warts-and-all - picture you paint." And David Reid, who was the BBC's head of drama for series and serials from 1981 to 1983, says of the biography: "Quite wonderful on many, many levels. Gripping, fascinating, appalling – and, by the end, truly moving. Immaculate research makes the whole utterly trustworthy. A very good and very well-written book."

Responding to the allegations, the BBC has urged anyone with information to contact the police or the Dame Janet Smith Review, which was set up in the wake of the Jimmy Savile abuse scandal to look into the culture and practices of the BBC while Savile worked there.

Nathan-Turner died in 2002 and Downie in 2006.

It has been announced that Comic Relief has so far raised £75,107,851 - the highest amount raised on the night by the charity fundraiser in its 25 years!

As usual, the evening's programme featured a host of especially recorded sketches featuring popular series characters, which has often included appearances or "minisodes" related to Doctor Who. This year saw the Doctor pop up in One Born Every Minute, a scene with the cast from Call The Midwife where he arrives to warn an expectant mother of the potential threat caused by her unborn twins, John and Edward ... Matt Smith then appeared on stage at BBC Television Centre as a 'preview' to the 3D 50th Anniversary Special, though ended up having to fend off the attentions of presenter Claudia Winkleman.

Later in the evening, Davina promised co-presenter John Bishop a kiss the same way she had received from David Tennant during the 2009 evening - and the actor was on hand to give John a surprise!


The high-definition Call the Midwife sketch is available to purchase via Apple iTunes. The followup encounter between Matt and Devina has been publised by Comic Relief on YouTube. A number of other related videos can be viewed below: