The BBC have moved to the next stage of their disposal of London's Television Centre today with an announcement that the site has formally been placed onto the market.
Chris Kane, the Head of BBC Workplace, said:
Our key objective is to maximise value to the BBC. With high investor demand for commercial property in London and a shortage of landmark sites as distinctive as Television Centre, we anticipate strong competition for both conventional and innovative proposals.
Television Centre is seen by many as the 'home' of the BBC and the source of many successful series over the decades since its opening in 1960, including of course "classic Doctor Who"; however, the Corporation has been planning the sale of the site since 2007, citing the need to "reduce the property portfolio" in order to "deliver a smaller but fitter organisation." Today, Richard Deverell, W12 Programme Director, commented:
Television Centre has played an extraordinary and central role in the history of the BBC, which will not be forgotten. Our primary aim of the sale is to maximise the value to the BBC and Licence Fee payer whilst ensuring the teams and operations based there are successfully relocated.
Last year, the BBC's in-house magazine Ariel reported that the partially listed landmark "could form the centrepiece of a community of media organisations, performing arts groups, facility providers and even fashion houses." Today, the press release re-iterated that "apart from a conventional sale, the Corporation is keen to investigate opportunities for redeveloping Television Centre that preserve the key listed elements of the iconic building, but also afford the opportunity to establish a hub for creative businesses and a visitor destination."
The annual Portal Awards have been announced by Airlock Alpha, with Doctor Who once more well represented within the various categories.
Best Actor sees Matt Smith nominated for his role as The Doctor; he will face competition from Andrew Lincoln (The Walking Dead), Sean Bean (Game of Thrones), Joshua Jackson (Fringe), and Eddie McClintock (Warehouse 13). This award was won overwhelmingly by David Tennant last year with some 68% of the vote (with second place going to John Barrowman with 10%!).
Similarly, Best Actress sees co-star Karen Gillan pitted against Lena Headey (Game of Thrones), Anna Torv (Fringe), Paula Malcomson (Caprica), and Summer Glau (The Cape). Gillan lost out last year to Eve Myles for her portrayal as Gwen Cooper in Torchwood: Children of Earth.
Doctor Who itself is nominated for Best Television Series, which it won last year (Torchwood came second). This year sees it up against Fringe, Game of Thrones, Stargate: Universe and The Walking Dead. Also, The Doctor's Wife has been nominated in the Best Television Episode category, facing episodes from Fringe, Stargate: Universe, Game of Thrones and Caprica.
Alex Kingston has been nominated for Best Television Special Guest, an award she won last year for The Time of Angels; this time her role in Day of the Moon is being recognised, and she faces competition from another Doctor Who guest, Michael Gambon for A Christmas Carol. Christopher Lloyd and Leonard Nimoy are also nominated for Fringe, plus Michael Rosenbaum for Smallville.
The late Elisabeth Sladen has been nominated for the Gene Roddenberry Award which honours lifetime achievement; the other nominees are H.G. Wells, J.J. Abrams, Rick Berman and Gene L. Coon.
The full list of categories are available from Airlock Alpha, and fans will be able to vote from the 25th June until 24th July.
BBC America have now revealed the winner of their Where's The TARDIS? competition: announced during broadcast of the mid-series finale, A Good Man Goes To War, last night saw the Bull Family from Wisconsin succeed over hundreds of submissions to the competition, with entrants sending in pictures of the TARDIS in strange and exotic places.
Where's the TARDIS Contest Winner: the Bull Family, BBC America, via YouTube
A variety of the many entries can be seen on the Where's The TARDIS? website.
Over in the UK, police boxes have featured a number of times in the National Shed of the Year awards held by Cuprinol's We Love Sheds, and this year sees one through to the finals. It was built by design engineer John Williams from Newport, who said:
We had a wendy house in our garden, but when our three kids we're too old for it, we dismantled it. The space left was the right shape for a Tardis. It was either that or a Dalek, and my wife, Fiona, hates Daleks, so she reluctantly agreed. It was probably the better option as we can use it to store garden furniture.
It’s the same size inside unfortunately. I’ve not yet worked out how to make it bigger. I don’t think I’m clever enough to work that out. I think I would be a multi-millionaire if I could do that.
I built it as a tribute to a programme that has inspired me since I was seven and to add an element of quirkiness to my garden. I'm keeping my fingers crossed.
His competition includes a Bygones Museum in Scratby, Norfolk by Dad's Army enthusiast Darren Stride, a Diner and "The George and Dragon". The winner will be announced on the 4th July.
Another TARDIS garden shed in the news originated from student Luke Palmer, who built his own as part of a school technology project. The project took some four months to complete and cost around £1000.
The trend continues, as Zachary Smith got a surprise for his fifth birthday in the form of his very own TARDIS! It was built by his father, Lee, who said:
I have had the idea to do this for a long time as Zachary's such a big fan. But there's not many people who can say they have a Tardis in their back garden so I quite like the kudos.
I was considering connecting it to the basement (to make it bigger on the inside), but thought better of it.
Zachary's mother Anna added:
We just didn't have time to finish it for his birthday so the next day I took Zachary out and Lee and my father brought it over in pieces from a garage in Yeovil where they had made it.
Zachary was absolutely gobsmacked when he saw it. He's been thrilled ever since.
He's a huge Doctor Who fan and loves Matt Smith. We managed to get together an authentic costume for him too. All his friends compete to see who is going to be the Doctor when they visit now.
Herne Bay in Kent is the subject of a couple of "TARDIS" projects initiated by local prop-maker Jason Onion to honour Anthony Coburn - credited with inventing the Doctor's 'home' - who lived there until his death in 1977.
As widely reported in the press, one aim is to place a police box on the seafront; the other is to install one within the local library to inspire and encourage future writers. Both are currently being considered for planning permission.
Jason added:
I feel that there's a lot going for Herne Bay - there's a lot of rich heritage for this town. I'm donating a full size replica of the 1963 version of the tardis to Children in Need and also to Herne Bay library, so it's all going to be linked up together.
When fans think of Doctor Who, they are going to think of Herne Bay too.
The project was also covered in a local news film by BBC South East.
Finally, a success story in the world of preservation. Back in 2009 the media covered the plight of a police box in Somerton, Newport, which whilst a Grade II listed building was in danger of completely collapsing due to "concrete rot". However, a Cadw grant at the beginning of 2010 was made available to restore the box, which can now be seen once again standing in all its glory!
Last month we reported on a series of tie-in designs for Doctor Who, available on t-shirts, mugs and folder bags; with A Good Man Goes To War now broadcast these latest designs have been added to the series and are available through a number of retailers.
Doctor Who: A Good Man Goes To War had a final rating of 7.51 million viewers, 2 million more than the initially reported overnight figures.
The audience share was 31.0%
The final figure is much more accurate than the overnight one, and includes all those who record the programmme and watch it within a week. It does not include iPlayer viewings.
Official ratings should be released tomorrow which will give the chart position of the episode, likely to be around 20th for the week.
The mid-series finale A Good Man Goes to War has debuted in Australia to excellent ratings. TV Tonight reports that the episode averaged 815,000 viewers in the five major capital cities. It won its timeslot and was the top rating drama and ABC programme for the day. 'A Good Man' was the third highest rating programme for the day overall (only beaten by two commercial evening news programmes). The corresponding Confidential Cutdown also rated a very strong 619,000 viewers in the five major capitals (8th highest rating programme for the day overall). These overnight figures, however, do not include regional, rural and time-shifted viewers and hence significantly understate the actual national ratings.
A variety of items from the classic series of Doctor Who have been listed by Bonhams for their forthcoming Entertainment Memorabilia auction, taking place in Knightsbridge on 29th June 2011 from 1:00pm.
Lot 111: Jon Pertwee's Inverness cape, in charcoal herringbone, frock with matching striped lining, black velvet collar, five buttons and three pockets, capelet with blue braid edging and purple lining, with background information including a copy of the Radio Times, 20-26 November 1993, the front cover featuring Pertwee wearing the cape.
This was worn on-screen for the 30th anniversary episode, Dimensions In Time, and can be seen on the cover of the Dr. Who Annual, 1996, in Jon Pertwee's autobiography, the Dr. Who Magazine and several BBC videos. It was originally purchased at the Longleat auction in August 1996, which included a number of items from Jon Pertwee's widow. The cape was Lot 64 in the auction.
Episode Seven, with related memo, cast/set list and twenty-five numbered, mimeographed pages, some annotated.
Estimate: £200-300, €230-340
Lot 112: A TARDIS key, originally constructed in plastic board, moulded in silicon and finally cast in grey-coloured resin, with central symbol of the Pydonian seal, with chain, together with a statement of authenticity from The Model Unit, confirming this was one of several made for the 1988 season, starring Sylvester McCoy as the Seventh Doctor, key 6.5cm (2½in) long.
Featured in the Tom Baker story broadcast in 1979, this is one of six such paintings produced. According to information received, this particular painting hung in the Dr. Who production office during the 1980s.
Lot 116: costumes from Resurrection Of The Daleks, 1984, prison guard/prison ship uniforms, comprising a black fabric/vinyl Dalek trooper's cap; a white medical boiler suit, neck inscribed in ballpoint Robert Goodman, badge to right sleeve, with belt; a helmet, fibreglass/plastic, interior foam padding, mesh front; a khaki boiler suit with maching belt and felt cap, neck inscribed in ballpoint Mike Vinden, Operational badge (and old Bonhams label) to right sleeve.
Estimate: £300-400, €340-460
Lot 117: costumes from Resurrection Of The Daleks, 1984, prison guards/prison ship uniforms, comprising: a helmet, fibreglass/plastic with interior foam padding and mesh grill; an orange boiler suit, neck inscribed in ballpoint Kevin O'Brien, right sleeve with Maintenance badge to right sleeve, with belt and felt cap; two similar khaki boiler suits with Operational badge to sleeve, with belts, one inscribed John Adam Baker, the other Sneh Gupta; and a red, yellow, black and grey quilted vinyl jacket, shoulders with metal rings, with black belt.
Estimate: £300-400, €340-460
(with thanks to "Alyd")
UPDATE - The hammer prices were as follows:
Jon Pertwee's cape: £4,800 War Games script: £420 Dalek film posters: £660 City of Death Mona Lisa: £2,400 TARDIS model: £900 Resurrection of the Daleks costumes (Lot 116): £1,320 Resurrection of the Daleks costumes (Lot 117): £1,140
NB: No price was given for the TARDIS key. It is unknown if this means it failed to sell.
Big Finish have revealed that the new companion to accompany the Sixth Doctor in his audio adventures will be played by Lisa Greenwood. She will be reprising her character of Philippa (Flip) Jackson, who was introduced in Jonathan Morris's story The Crimes of Thomas Brewster, released earlier this year.
The role was announced by Big Finish at their convention taking place in Barking today; recording for her adventures commenced last week, with three tales expected to be released from January 2012. Their website has since been updated about the news, with executive producer Nick Briggs saying:
We worked with Lisa for one day on The Crimes of Thomas Brewster, and line producer David Richardson and I were of the same mind. She was great, and she'd make a perfect companion. Flip is young, brave, fun but she has a lot to learn - and the Doctor takes on something of a Professor Higgins role in her life.
On television, Greenwood is to be a series regular in the forthcoming Kudos series for the BBC, The Hour, and has previously appeared in Doctors, The Bill, and Silent Witness.
The actor Bernard Cribbins has been awarded an OBE in the Queen's Birthday Honours list, released today; he receives the honour for Services To Drama.
Cribbins has been an actor for over fifty years, having appeared in films like The Railway Children and Daleks: Invasion Earth 2150AD, television roles including Fawlty Towers: The Hotel Inspectors, and remembered by a generation as a presenter of Jackanory and the voice of the Wombles.
Of course, for Doctor Who fans he is now firmly part of the 'family' as Donna Noble's comradely grandfather Wilfred Mott, from his brief appearance in Voyage of the Damned to achieving fully fledged "companion status" - not to mention the inadvertent cause of the Tenth Doctor's demise - in The End of Time.
The actor said:
You can't go through life expecting to get prizes. You just get on with things, which is how it should be. It's a great surprise. I'm completely gobsmacked really. My dad would have been absolutely delighted.
Having previously released a commentary on the closing scene of A Good Man Goes To War, the BBC have now released a second video with director Peter Hoar, this time offering his insight to the opening scenes of the mid-series finale. As before this is presented as an in-vision commentary. Please note the videos explicitly discuss the plot of the episode, so will be a spoiler for those who have yet to see it.
Peter Hoar - opening scene in-vision commentary, BBC, via BBC Website
Peter Hoar - closing scene in-vision commentary, BBC, via BBC Website