William Lucas 1925-2016

Monday, 18 July 2016 - Reported by Marcus
The actor William Lucas has died at the age of 91.

William Lucas played Range in the 1984 Doctor Who story Frontios. It was a role he took over shortly before the story was recorded following the murder of the original actor Peter Arne.

Lucas's best known role was playing Dr James Gordon in the TV series The Adventures of Black Beauty, which ran on ITV from 1972-1974. The series, continuing the adventures of the horse from the famous novel by Anna Sewell, regularly topped the TV charts with its iconic theme tune seared into the memories of children from the era.

Lucas began his career in 1948 as an assistant stage manager at Chesterfield civic theatre. Several years in repertory followed before his television breakthrough in 1955 playing the blackmailing car dealer Reg Dorking in the crime thriller Portrait of Alison. He reprised the role in the film version later the same year.

For the next forty years he was a regular on British television, appearing in over 100 different drama productions. He played John Friend in The infamous John Friend, Detective Inspector Mitchell in Flower of Evil and Days of Vengeance and Eddie Prior in The Prior Commitment. He had regular roles in Coronation Street as well as the ill fated El Dorado.

In 1990 he returned to his most famous role playing Dr Gordon in The New Adventures of Black Beauty.

He was still working into the new century with parts in episodes of Last of the Summer Wine, Doctors and The Bill.

William Lucas died on Friday 8th July. He is survived by his second wife Camilla and by Daniel and Thomas, the sons of his first marriage.




FILTER: - Classic Series - Obituary

Pearl Mackie On Set

Thursday, 23 June 2016 - Reported by Chris Harding
The first offical views of  Pearl Mackie on set has been released through the Official Doctor Who Twitter account.  The first is an image showing her with script in hand and ready to shoot Series 10, in which she plays Bill.
This was accompanied by a 30 second video in which Mackie gives a quick tour of the location shoot, including a view of assembled fans and crew preparing fake snow ahead of shooting. 




FILTER: - Pearl Mackie - Production - Series 10/36

Series 10 filming begins next week

Tuesday, 14 June 2016 - Reported by Chuck Foster
Matt Lucas and Stephanie Hyam guest star in Series 10The BBC have released details on forthcoming writers and guest appearances for the next series of Doctor Who, due to start filming in Cardiff from Monday next week.

Matt Lucas will be reprising his role as Nardole, which he played in last year's Christmas Special, The Husbands of River Song. Commenting on his return to Doctor Who, he said:
I’m chuffed to bits that Nardole is returning to the TARDIS for some more adventures. I loved acting with Peter and I’m excited to work with Pearl.

Steven Moffat, lead writer and Executive Producer, added:
Delighted and slightly amazed to be welcoming Matt Lucas back on to the TARDIS - and this time it’s not just for Christmas, he’s sticking around. One of the greatest comedy talents on planet Earth is being unleashed on all of time and space.

Moffat is writing the first episode in the new series, which will be directed by Lawrence Gough (who directed Pearl Mackie's introduction as Bill in Friend from the Future. Peter Bennett returns as producer, with Brian Minchin as executive producer. The second episode will also see the return of Frank Cottrell Boyce, who previously penned In The Forest Of The Night in the 2014 series.

Further writers announced for the series include Sarah Dollard who wrote last year's Face The Raven, Mike Bartlett (writer for the multi-award winning Doctor Foster, and veteran Doctor Who writer Mark Gatiss.

In addition to Lucas, Stephanie Hyam has also been announced for a guest role in the new series; the actress appeared in the New Year's Day Sherlock as Jane, and also played Charlotte in Peaky Blinders and Lily Clarke in Jekyll & Hyde.



Today also saw the first read-through for the series take place:






FILTER: - Guest Stars - Production - Series 10/36 - Steven Moffat

Classic Series Costumes Up For Sale

Wednesday, 1 June 2016 - Reported by Marcus
A number of costumes and props from the classic series of Doctor Who are up for auction in the Bamfords Film and Memorabilia Sale, taking place in Derby on Wednesday 8th June 2016.

Items include a Cyberman costume from the 1982 story Earthshock; a Thal space suit costume from the 1973 story Planet of the Daleks; a space pack worn by Peter Davison in the 1983 story Enlightenment; a Dalek Trooper costume from the 16984 story Resurrection of the Dalek; a Magma Beast costume from the 1984 story The Caves of Androzanii; a Soldeed costume from 1979 story The Horns of Nimon; an Ice Warrior costume from the 1974 story The Monster of Peladon; and a Mara Snake Effigy from the 1983 story Snakedance.

A number of small props and collectables are also available.

Full deails on the Bamfords website.





FILTER: - Auctions - Classic Series

Alec Wheal 1934 - 2016

Sunday, 22 May 2016 - Reported by Marcus
The BBC have announced the death former Senior Camera Operator, Alec Wheal, at the age of 81

Alec Wheal worked on at least 159 episodes of Doctor Who, mainly as Senior Camerman, or as it was later known, Camera Supervisor.

The Camera Supervisor led the team of five or six camera operators, during the studio recordings of classic era Doctor Who. The role was important as Studio Camera Operators had only the studio day to absorb the director's camera script and instructions, before recording each Doctor Who episode in the evening.

They would work closely with the Director to make sure the required shots and effects could be recorded during each studio recording session. Each recording had a strict 10pm cut off and any mistakes would lead to shots being missed or expensive overruns.

Alec Wheal led the Camera teams on most Doctor Who stories from Destiny of the Daleks in 1979 right through to The Greatest Show in the Galaxy in 1988.

Fifth Doctor, Peter Davison paid tribute.
As the senior Cameraman, Alec Wheal was the rock of the studio recordings of Doctor Who, both during my time, and throughout the seventies and eighties. We developed an understanding, so that in those moments of panic as the clock ticked round to ten pm the end result was always as good as it was.
As well as Doctor Who, Wheal worked on programmes such as EastEnders, Last of the Summer Wine, Just Good Friends, The Tripods, Black Adder, Grange Hill and Fanny by Gaslight.




FILTER: - Classic Series - Obituary

Moments in Time: Time Waits For No Man - Except One

Saturday, 14 May 2016 - Reported by Chuck Foster
The TV Movie (Credit: BBC)It was twenty years ago today that, after some six plus years off screen, a new, feature length episode of Doctor Who was to make its US premiere. It introduced us to a new Doctor in Paul McGann, a new Master in Eric Roberts, a new TARDIS interior, and a whole new look and feel that the regular series had never been able to achieve.

It was also a new experience for Doctor Who to receive a simultaneous nationwide broadcast through the FOX network, something it hadn't previously been able to achieve in the country over the course of its 20+ years availablity through some commercial and many PBS-affiliated channels. With such exposure and publicity what could possibly go wrong?

In hindsight, looking at the US television "battlefield" of the time, it is perhaps easy to see why the fresh-faced "backdoor" pilot never made it into a full series: its 'mere' 8.3 million viewers only ranked it a 9% share/70th position against strong opposition on rival channels, and was considered a failure by the powers that be.

However, back then it was a also time of optimism and celebration for Doctor Who fans, and in this special Moments In Time members of the Doctor Who News team past and present reflect their feelings on the build-up to the "FOX Original Movie" on Tuesday May 14th at 8:00pm ...

Shaun Lyon, the founder of the Gallifrey One convention in Los Angeles (now in its 28th year) - and editor of what is now Doctor Who News back when it was part of Outpost Gallifrey (the website he ran between 1996 and 2009) - reminisces on a time two decades past:
How quickly time flies... doesn't seem possible that it's been 20 years since the TV Movie / The Enemy Within / the return to TV / call it what you will. For a 15 year period bookended only by the fantastic efforts of Virgin Publishing, BBC Books and Big Finish Productions, it was really the apex of a very long uphill battle, and although it didn't end up moving beyond one film, it certainly changed the course of Doctor Who forever.

The TV Movie was the first real effort - before Davies, before Moffat, before Eccleston and Tennant and Smith and Capaldi - to modernize and broaden Doctor Who's appeal to the wider audience on both sides of the Atlantic. To this day, it's claimed to have been a failure... abject nonsense, its ratings in both the UK and US were respectable. Definitely a product of its time, its journey shortened out of the gate by the vagaries of American TV politics and changing viewer attitudes. But it was the event that gave us Paul McGann and Daphne Ashbrook and Yee Jee Tso and Philip Segal - people whose involvement with the Doctor Who franchise have continued to this day, part of the family as much as Tom Baker or Sylvester McCoy.

As thrilling as it was to be a fan at the time, and for our fan group here in LA to assist with the premiere at the Directors Guild of America (our convention's TARDIS was on display there, and it's the same TARDIS that was featured in the TV Guide Magazine article the week of the debut), I was honored to contribute in a very small way to the production; as noted in Segal and Gary Russell's excellent book Regeneration, I caught a minor goof ("a Time Lord has 12 lives" was changed to "13" at my suggestion, based on the fact that Peter Davison called himself the fourth regeneration in "The Five Doctors") during a pre-screening in Segal's office. Imagine how that felt to me to see it happen on the big screen during the DGA premiere. I'll cherish that moment forever.

And who would have thought it would continue to have an impact all these years later? You only need look at the ongoing popular Big Finish series with Paul McGann at the helm that run to this day... and of course, that amazing, out-of-the-blue Night of the Doctor special with McGann's long awaited regeneration scene into John Hurt (nobody could ever have seen that coming!) Still a bit of a controversy to this day over the whole 'half-human' thing, but definitely remaining popular just as long because of the charm McGann displayed in one 90 minute film..

If the transition from "classic" to "new" Doctor Who could be described as a migration from one continent to another, The TV Movie is the stepping stone on the journey... the Bering land-bridge of Doctor Who, leading a wandering series into its new horizons forever. We're so lucky it happened the way it did, and it'll still bear fruit for many years in the future.

Steven Warren Hill, who took over the legacy of Outpost Gallifrey's forum with Gallifrey Base in 2009, reflects:
My friend Dennis hosted a viewing at his place for all of us longtime Doctor Who fans. I remember setting at least two VCRs at home to record the movie, and bringing a third VCR with me so I could be in control of at least one of the recordings. There were probably about ten of us there, and we all went quiet as the movie started. I don't know about the others, but I had tears in my eyes after the intensity of the operating room scene. Sure, we'd seen the Doctor "die" before but this time it was scarily real and quite affecting. When I got home that night, I had to watch again from the start to the end of that scene before I could go to bed.

Recently I devoted a lot of time writing the portion of the forthcoming book Red White and Who: The Story of Doctor Who in America that talks about the movie. I believe we've gone into greater detail than ever before in analyzing why it failed to get decent ratings in the United States. It was interesting researching the topic, and dredging up memories of things like long-forgotten promotional spots (on both television and radio). In hindsight, its place in the grand scheme of everything Doctor Who couldn't be more perfect - many of us desperately wanted a new series to come out of it, but if that had happened, how long could it possibly last? It turns out that the one-off was exactly what we needed, even if we didn't think so at the time. If it had gone to series then, we might not have a series now.

Longtime fan and sometime Doctor Who News contributor Josiah Rowe remembers:
You have to remember that in those days Doctor Who was largely unknown in the US. If people had even heard of it, they knew it as "that weird British thing on PBS". But in spring of 1996, things were suddenly different. There was a story in the Washington Post! There was an article in TV Guide! (No cover, of course; that wouldn’t happen until 2012.) It’s nothing compared with the ubiquity of Doctor Who today, but at the time it seemed revolutionary.

I set my VCR to record from 8:00 to 10:00 PM on the local FOX station, and watched eagerly. I grinned at every continuity reference, from the Daleks (who did not sound as high-pitched on American broadcast as they did in the UK and on the eventual DVD release) to the Doctor’s toolbox (lovingly recreated from the 1983 Doctor Who Technical Manual). I looked askance at the half-human business, but had no problem with the kissing — unlike many fans at the time!

The TV movie is now seen as a false start for bringing Doctor Who back to TV, but for all its flaws it’s gorgeously shot and brought us the marvelously exuberant Eighth Doctor. And it showed that Doctor Who could be more than a quaint little shot-on-video series, beloved by a few but ignored by most.

Jarrod Cooper, organiser of the Hurricane Who conventions that take place in Orlando, Florida, recalls:
The Wilderness Years were a sad and lonely time for a Doctor Who fan in a small town in South Alabama. The local comic shop only received one copy of Doctor Who Magazine and the local used book shop had to special order the Virgin New Adventures and Target books, for why would they actually stock those? But that was it. The local PBS affiliate had ceased airing the show shortly after the end of the Classic Series' run. It was a dark time indeed. But then, there were rumblings in DWM that there was a movie coming. Possibly a series.

I still remember the moment that the TV Movie excitement hit me full force. It was the moment that I saw the first insert in TV Guide for the movie. It was simple, no more than a quarter of a page basically teasing that there would be more information in the following issue. But it was there, in the main TV listings magazine. I don't know why, but for some reason seeing that in print in TV Guide made it real. Doctor Who was returning.

On that May night, I sat with my VCR ready and an open mind. The pre-credits rolled and there was everything that I had been missing. The TARDIS. A new Doctor. The Master. The Sonic Screwdriver. Who cared if I was missing Roseanne?? So what if the Master can now be held at bay by a fire extinguisher and the Eye of Harmony is now a weird room in the TARDIS? For two hours I sat transfixed.

Little did we know what seeds were being planted that night. I was blissfully unaware of the years of novel and audio adventures that were in store for me alongside this Doctor. All I knew was for that one night, we had a light in the dark. Our show was back, and it was about time.

Benjamin Francis Elliott, the previous 'incarnation' of This Week in Doctor Who, explains his own regenerative experience:
I knew the movie was coming because I'd seen a copy of DWM (and I never came across DWM back then). Plus, it was in the TV Guide. I was looking forward to it. My family was (they all liked Tom Baker and Peter Davison). Then - May 14 - catastrophe ...

My parents found a college scholarship that I'd be a shoo-in for - due May 15th, and insisted I fill it out before I could see the movie. Did I mention the form required you to type it up on a typewriter? So, the movie begins, and the whole family (except me) is watching live. I finished the form and got to join in - right after the regeneration. Odd way to start the film. we got it on VHS, so I saw the McCoy section the next day. It was the last Doctor Who (and maybe the last piece of TV) I saw before going onto the internet for the first time. The last time before I encountered fandom. The Internet has strengths and weaknesses. I certainly didn't get spoiled on plot points without it.


TV Guide: 11th May 1996 (Credit: TV Guide, with thanks to the Gallifreyan Embassy/Doctor Who: Podshock)
TV Guide: 11th May 1996 (Credit: TV Guide, with thanks to the Gallifreyan Embassy/Doctor Who: Podshock)
TV Guide article on the TV Movie. 11th May 1996.
Reproduced with thanks to the Gallifreyan Embassy/Doctor Who: Podshock
Extract from the Washington Post, 14th May 1996:

He has two hearts and 13 lives, he flits around the galaxy in a flying phone booth and he's half-human on his mother's side. Who is he? Exactly. He is Who -- Doctor Who, hero of a BBC fantasy series that first materialized in 1963, ran for 20 years and was imported by many public TV stations here.

Doctor Who is a man whose time has come and keeps coming; now the Fox network is trying to revive him for a new series, starting with a two-hour movie pilot, "Doctor Who," tonight at 8 on Channel 5. As opposed to the old BBC show, a basically tacky-looking thing shot in a TV studio, the new movie, filmed mostly in British Columbia, is splashy and spectacular, with a certain Jules Verney quality to it.

It's certainly got more wit and zip than most of the things that go thunk in the night on Fox.

...

The plot may sound ridiculously complicated, but it all pretty much boils down to the perpetual war between good and evil. Matthew Jacobs's script has lots of bright, fetching touches, and director Geoffrey Sax keeps things whirling so speedily that disbelief is easily suspended. Some of the special effects and editing tricks are true dazzlers.

Daffy though it be, "Doctor Who" dabbles in matters of time, space and mortality in ways that aren't completely superficial. The Doctor's goal, he says, is "to hold back death," and if Who doesn't do it, who will?


What is often forgotten in the mists of time, however, is that the television movie was produced in Vancouver, Canada, and even had its world premiere broadcast by CITV on Sunday 12th May. Mike Doran, a Canadian fan with a keen interest in the history of Doctor Who in the country, relates:
The return of Doctor Who in 1996 was so different than in 2003-05. Paul McGann was already on location in Vancouver before his casting and the production was officially announced. A co-produced American series/movie had been in development for years but it was finally happening and it was being made in Canada. What's more we'd only have to wait for four months until it aired. Even then here were location reports and pictures being posted on-line as production took place. I later found out that the house of a friend in Kits Beach was scouted to be the home of Dr. Grace Holloway. Right around the corner from Hadden Park where the Doctor and Grace would kiss.

TVM tapes - 20 years on! (Credit: Mike Doran)
TVM tapes - 20 years on!
By April there were promos running on Fox affiliate from Buffalo, New York. Lots of promos! I found myself watching and taping more Fox shows that I could have ever imagined just to get glimpses of what was to come. Toronto was not going to be lucky enough to get an early airing like Edmonton did on May 12th but word came down that a TV station in Hamilton, Ontario was going to simulcast the movie on May 14th. The day before broadcast I scoured a newsstand that specialized in out of town newspapers looking for any coverage and TV listings magazines with Doctor Who on the cover.

When the day came a group of us gathered at the house of a friend to watch the movie together. The funny part was that the host wasn't even a Doctor Who fan and he didn't live somewhere convenient to get to, he just had the biggest and nicest TV of anybody we knew. I brought a VCR with me so I could meticulously edit out the ads as we watched. At home a second VCR rolled for a back-up copy with ads intact. When it was over the consensus in the room was that McGann was great, the movie itself average. We wanted to see more but as the months passed it was clear that we wouldn't. By the time 2003 rolled around I'd come around to being happy about that.


Just under a fortnight later, Doctor Who was to make a return to its ancestral home - but how would fans there find the fresh interpretation of a very British legacy ...

Coming Soon: He's Back, And It's About Time




FILTER: - Canada - Classic Series - Eighth Doctor - Moments in Time - USA

Heaven Sent Nominated for Hugo

Tuesday, 26 April 2016 - Reported by Marcus
Doctor Who: Heaven Sent, has been nominated for a 2016 Hugo Award.

The episode, shown last year, written by Steven Moffat and directed by Rachel Talalay , starred Peter Capaldi in an highly aclaimed, almost single handed, performance.

Doctor Who is competing against Universal's Grimm, Marvel Television's Jessica Jones, DHX Media's My Little Pony and Kripke Enterprises's Supernatural to win the prestigious award for Best Dramatic Presentation (Short Form).

Six Doctor Who episodes have previously won a Hugo Award, including The Doctor's Wife, The Pandorica Opens/The Big Bang and The Waters of Mars. Last year the episode Listen was nominated, but lost out in the final voting.

The winners of the 2016 Hugo will be announced on Saturday, August 20, at the MidAmeriCon II Hugo Awards Ceremony held in Kansas City, Missouri.
Best Dramatic Presentation (Short Form): Nominations
  • Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
  • Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf(Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
  • Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions;Netflix)
  • My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)
  • Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)




FILTER: - Awards/Nominations - Series 9/35

New companion reveal on SPACE tomorrow

Friday, 22 April 2016 - Reported by Chuck Foster
Canadian broadcaster SPACE have announced that they will be also be revealing who will play the new companion in Doctor Who tomorrow afternoon, during a re-run of the last three episodes of the previous series on the channel (which saw the departure of the Doctor's former fellow time-traveller Clara).

The three episodes will be shown twice, from 10:00am and 1:20pm - with the broadcasts scheduled in Eastern Daylight Time this places the end of Hell Bent at about the same time as half-time during the F.A. Cup game in the United Kingdom, meaning that the announcement will be very close to the latter's!





FILTER: - Canada - Publicity - Series 10/36

New companion to be announced during Match of the Day on Saturday

Thursday, 21 April 2016 - Reported by Chuck Foster
Match of the Day: Everton vs Manchester United F.A. Cup Semi-Final, 23rd April 2016 (Credit: BBC One)The BBC have announced that they plan to reveal who will playing the latest sidekick to join Peter Capaldi in the TARDIS in Doctor Who this coming Saturday, 23rd April, during the half-time interval of the F.A. Cup Semi-Final match between Everton and Manchester United that will be shown live on BBC One from 4:50pm.

With kick-off due at 5:15pm this is likely to feature just after 6:00pm.




FILTER: - BBC - Leading News - Publicity - Series 10/36

Series Nine - Full Live +7 Figures

Monday, 18 April 2016 - Reported by Marcus
Live +7 Figures are finally available for the whole of Series Nine of Doctor Who.

The Live+7 figure is calculated by the BBC to try to get an accurate estimate of the total unique audience for an episode of a programme. Unlike official BARB figures the Live+7 uses data to include those who watched one of the broadcast repeats of the episode and those who watched the episode on iPlayer all within 7 days of the original transmission.

The figures show an average of 60% of the audience watch Doctor Who on the day of transmission, either as a Live broadcast or as a delayed viewing via a PVR. The number is slightly higher for the series finale and the Christmas spacial. A further 26% of the audience watch the programme, via a recording, within 7 days of the original transmission. The highest delayed viewing was for The Zygon Invasion.

Around 11% on average watch on iPlayer, although this dropped to around 5% for the Christmas special.

The number watching a scheduled repeat dropped sharply this series, from an average of 4% last year, to an average of just 1.3% this year. The decline of the audience watching on BBC Three caused the BBC to cancel the regular repeat on BBC Three from episode four onwards. The only repeat was the late night. signed version on BBC Two, which had an average of 40,000 viewers.

Overall Doctor Who's total Live +7 ratings are down around 1.5 million on the 2014 figures, to average a total of around 6.7 million watching each episode.

The overall chart position for each week ranged from 13th for The Magician's Apprentice down to 30th for Sleep, the lowest chart position since the series returned in 2005. The lowest chart position in the series history was 170th for the second episode of Full Circle in 1980. The only episode this year to make the top ten was the Christmas Special, The Husbands of River Song, which came in 8th.

Full ratings data can be found on the Doctor Who Guide





FILTER: - Ratings - Series 9/35