When Shaun asked me to pen a new story with Lucy and Hobo encountering the Borad and some animal hybrids at Bristol Zoo, it turned out to be a two-fold blessing. Not only did I get to spend more time with two characters I really love to write, but it gave me an excellent excuse to go to Bristol Zoo for ‘research’, just a few days before it closed down! The more I saw and learned about the Zoo and its history, the more clear it became that it was the perfect setting for a Lucy Wilson adventure. I hope I did such a special place justice.

First it was The Brigadier and the Bledoe Cadets paired with Lucy Wilson and the Bledoe Cadets and now… When it came time to discuss what our next crossover would be, Shaun suggested Lucy meeting up with Edward Travers and HG Wells. Then came the old ‘who to write it’, which almost always results in Shaun suggesting John Peel. I was on board with that, and knew John would be up for the challenge…

Writing the story was… interesting. The two books had to have separate plots that interlinked, and yet still made sense if read alone – which obviously took a bit of planning! And the last couple of chapters (the wrap-up) had to be the same, obviously, but told from two different perspectives. The only way I could imagine doing this was to write both books together as a single manuscript, so that I could be sure that the pacing worked out and the overlaps occurred at the same time in each tale, and then leave the two respective editors to disassemble the manuscript into two books. Hey, I wasn't going to do all of the work! I was expecting the process to be challenging, but because the editors and I had worked it out beforehand, it actually proved to be a lot smoother and easier than I had feared. And also a great deal more fun.

The main theme of the book is memories. Lucy has travelled to Melbourne, Australia, in 1985 but has lost most of her memories. She can’t remember where or when she came from, or even who she is. Particularly important are the lost memories of her grandfather, Brigadier Lethbridge-Stewart. In 1985, she befriends a boy named Matty who also has repressed memories. Weaving all those memories into the story as they begin to be reclaimed was the concept that inspired the novel.

 

Much of the book’s setting is based around my own teenage years. I grew up in the suburbs of Melbourne, Australia. The library and lifesaving club mentioned in the book were places that I used to ride my bike to. And, just like the characters in this book, in 1985 I attended Aussiecon 2, the 43rd World Science Fiction Convention, as Melbourne was the host city. It was heaps of fun, taking these elements from my formative years, and weaving them into Memories of the Future.

I was really excited when I was told that I’d be able to use UNIT. in Memories of the Future. I ended up giving UNIT. an Australian branch. In my mind, they are off having other adventures around Australia now that Lucy has returned to her own place and time.”

 

What better inspiration for a kid’s story than evil Koala Bears? I had so much fun stepping into the world of Lucy Wilson, and throwing her into a time travel adventure with one of Australia's greatest mythical monsters, the legendary drop bears!

It's Gremlins meets a tour through Australia's rich history – from a trip to the Pleistocene era through to the 2000 Sydney Olympics. It was an honour to follow up a wonderful story by George Ivanoff and I hope Rampage of the Drop Bears delights fans, young and old!

First it was The Laughing Gnome, and then Bloodlines… and now… When it came time to discuss what our next crossover would be, Shaun suggested Lucy meeting up with Edward Travers and HG Wells. It was a great idea, and made a nice change from her bumping into her grandad. First we had Lucy without Hobo, then we tried to shake things up with the last crossover by not actually having Lucy in it at all (sort of), so this time we knew we definitely wanted Lucy and Hobo. Then came the old ‘who to write it’, which almost always results in Shaun suggesting John Peel. I was on board with that, and knew John would be up for the challenge…

When I was just starting my writing career, Terry Nation offered me a lot of advice. One piece was this: ‘If an editor ever asks, “Can you write me this?” always say yes. Then panic. And then go away and work out how you'll do it.’ (He never took very much seriously.) But it was good advice, and made me accept some writing assignments I would otherwise have passed up. It was very applicable in this case, where I was asked to write two interlinked novels simultaneously and for different age groups – certainly nothing I would have attempted without being asked!

John has written plenty for us so far, but he hadn’t done a Travers & Wells, and as I knew it was time to start thinking ahead, and working just how many books I actually wanted the series to be, it seemed John was the perfect choice to just go away and get on with the writing while I worried about the future.

The characters were interesting – Professor Travers, explorer and scientist, matched with a young and somewhat naive Herbert George Wells – possessing great imagination, but very little actual experience. They're still learning to act as a team, and being thrown into bizarre and dangerous situations. And the challenge of writing something that would have the vague flavour of Wells' stories without actually copying him was intriguing. Writing the story was… interesting also. The two books had to have separate plots that interlinked, and yet still made sense if read alone – which obviously took a bit of planning! And the last couple of chapters (the wrap-up) had to be the same, obviously, but told from two different perspectives. The only way I could imagine doing this was to write both books together as a single manuscript, so that I could be sure that the pacing worked out and the overlaps occurred at the same time in each tale, and then leave the two respective editors to disassemble the manuscript into two books. Hey, I wasn't going to do all of the work! I was expecting the process to be challenging, but because the editors and I had worked it out beforehand, it actually proved to be a lot smoother and easier than I had feared. And also a great deal more fun.

Being presented with two books, one not a Lucy Wilson, was interesting. It took a bit of wrangling to work out how to edit them. Andy edited both first, with his main focus on the Travers & Wells story, and then I primarily focused on the Lucy Wilson story, making sure everything still linked. We tweaked things in places, playing around with the respective perspectives. I think we’ve all pulled it off, and as this crossover sets up a big shift in the Lucy Wilson books, I’m looking forward to seeing what people make of it.

When it became apparent that the themes and events depicted in Spheres of Influence too closely echoed current events, Andy Frankham-Allen and I quickly came to the decision that to release it at this time would be, at the very least, insensitive. Putting it on hold did mean bringing forward the rest of 2022’s books, and finding a replacement. Fortunately, Andy quickly solved that problem by commissioning a third Brendon novel, turning the first three titles into a loose trilogy. For myself, I decided it would be a nice idea to reprint The Forgotten Son with a new cover, to hopefully make up a little for the delay. I must stress, however, that the content remains the same from the previous revised version.

This is another of those books which started an idea that came up through discussions with Shaun – a good two years ago, at least. It was a while before I realised it was the perfect fit for Sarah. I’d been wanting to do another novel with her, and she came back for a short story in The Laughing Gnome: The HAVOC Files, so it was great when she agreed to do another novel for us. The only real prerequisite, other than the core idea, was that it had to be set during the Brig’s time at Brendon when he’d lost all memory of the Doctor.

I adore writing for the Brigadier, and being able to explore different facets of this much-loved character has been great fun. When I was offered another novel in the series, this one set in 1979 and during the Brig’s post-army career as a school teacher, I immediately said yes. It’s an honour to be asked to contribute a novel to the final season of Lethbridge-Stewart novels, which has proved to be a terrific series of stories.

I wanted to explore how he deals with strange goings-on when he has forgotten so much, and when he doesn’t have his soldiers to call on to help. My brief was to write a psychological thriller, in which the Brig’s identity and life is stolen from him. The novel allowed me to explore the nature of identity theft, and memory loss, and the combined uneasiness of not being able to trust your own mind. I added a set of identical twins to the mix, a boy at Brendon, and a girl at a local comprehensive. They are at the cusp of their own change from creepy kids who enjoy playing tricks on people, to young adults facing choices.

The setting was apposite because of the feeling of being on a cusp of change, but without knowing its direction. In that, it parallels much of today’s politics. I found it cathartic to explore similar themes of being seduced by the apparent certainty of authoritarianism — even with the attendant feeling it could turn on its own to destroy at a moment’s notice. 1979 proved to be a watershed year in Britain. The full assault on the unions, LGBTQIA people, and appeals to jingoism of the worst kind were all yet to come; and for a while the political turmoil that brought much of the UK to a standstill ceased. It’s hard to think that in this day and age of TV-on-demand, the stations that are now ITV were off air for much of the year. 1979 was an amazing year for British pop music. Punk began to segue into the New Romantic movement, and rap, reggae and disco attracted huge numbers of fans. It was fun delving into the music of the time through a few of the kids who are important during the story.

I was partially inspired by a German poster of a classic British film. My last Candy Jar cover I did was for the UNIT anthology, Operation Wildcat. It was very flash, bang, wallop. Because of this, I enjoyed tackling a more psychological concept for this book.”

I love situations like this, because they focus everyone’s creative energies. It started with a quick conversation with Shaun Russell just before Christmas. Shaun felt we needed to add a bit more value for our readers, and I was keen to make sure we weren’t just replicating the (successful) formula of the Lethbridge-Stewart HAVOC Files books. So, the collection has expanded from 9 stories to 13. But we didn’t want to delay the publication, as it had already been announced for pre-orders, so I had to work quickly.

What are a writer’s second-favourite words to hear? Would you like to write me a story about…? (The writer hopes that they are attached to his absolute favourite words: Here’s an inordinately large amount of money, but they so rarely are!) So, when I was asked, "Would you like to write a UNIT story, with dinosaurs in it?", how could I refuse? (As you can see, I couldn’t)

Then came the inevitable dance of what the editor liked and what I felt happiest writing. “Would you include this?” “Can I use that instead?” That continued until we were both comfortable. Then it was time to buckle down and do the actual writing – which, for the writer, is where the fun really begins. Getting into the mood, resurrecting beloved characters and doing horrible things to them…

I had an idea for a story to act as a coda to Invasion of the Dinosaurs. John, being the great writer he is, turned that on its head and came up with Here We Go Again, set just before Invasion of the Dinosaurs! However, Ian Ball – who is the second of three new writers in the collection – ran with some of the ideas I’d pitched to John, while developing some threads set up in Here We Go Again. Ian has written The Ptower Bridge Pterror, so we’ve ended up book-ending Invasion of the Dinosaurs.

It's simple. When UNIT calls, you answer! Honestly, what writer could resist the chance to craft their own corner of this world and leave a footprint in the sand next to the Brig? For my story I wanted to explore what happens in the aftermath of a UNIT adventure, the price paid by ordinary soldiers who defend Earth alongside the extraordinary heroes we know about, and what happens when one of them doesn't quite measure up to the high standards we expect. It’s a little dark, a little weird, but hopefully a part of the world of UNIT you’ll enjoy discovering.

 

Chris immediately came back with a cracking idea that put the Brigadier centre stage. It felt like I’d lit the blue touch paper – he produced the goods really quickly! As with John’s and Ian’s stories, I was also able to ensure some minor continuity between Chris’ Honourable Discharge and Martin Parker’s Old Fowlkes’ Home.

Martin had pitched a story for the Lethbridge-Stewart range, which was unused. It became clear the story could be adapted relatively simply to work as a UNIT story instead. It’s not always easy to adapt stories in this way. You’ve got two choices, basically: you adapt / re-write as you go along, leaving alone what already works – which can be fiddly and frustrating, or you put aside everything you’ve already written and start the piece again from scratch. Neither option is necessarily any quicker to deliver. But there was a lot I liked about the story as it was, and I was keen not to lose that. So, I encouraged Martin to concentrate on the aspects we agreed needed wholesale re-writes.

It’ll be great to get my story out there with readers. It’s a bit longer than the others in the collection, I think, but we’ve worked to keep it tight and focused. I had to learn not to be precious about the story as it already was. Best of all, I can imagine it being on TV. I think when you’re writing material like this, with established characters, that’s the most important thing – to be able to picture it easily in your head. I hope the readers will, too.

I enjoyed Chris’ short story at the time, and was amused to find he originally ended it in the ‘present’, setting up a sequel. A common thing among new authors – trying to set up some future work for themselves. I remember removing that end scene and telling Chris that if we’re gonna do a sequel, let’s do one properly instead of simply setting it up. Also, by removing the set-up in the short story, we leave things open for new ideas to develop in the meantime.

After Candy Jar Books released my short story in late 2019, Andy got in touch when he was mapping out the latest Lethbridge-Stewart series and asked if I would like to submit a pitch for one of the stories. Vampires of the Night featured Professor Travers and was set during World War II, and I originally had a short scene thirty-odd years later with Lethbridge-Stewart and Anne, discovering something that hadn’t been quite resolved at the end of the story. The scene got cut but, about six hours after I got the initial email from Andy about the novel pitch, I think we had both reached the same conclusion – he followed up, asking if I wanted to do the sequel I had previously hinted at.

 

Given the United Nations is a global organisation, I wanted to create a problem that had its focus in the UK but was also happening around the world. Being an Aussie, I did throw in a couple of things from Down Under, but the core of the story is set in England’s north, so the focus remains on the Lethbridge-Stewart characters with sojourns to other countries to show similar things happening elsewhere.

 

It’s all about laying the foundations for the end of the series, as the band finally starts to break up (in a very dramatic sense), which the final series will build upon as things on the international stage start to become even more precarious. But Blue Blood does much more than that; it tells an exciting story, a bit of a mystery, introducing some fun new characters to the LSverse and, eagle-eyed observers will notice, a nice link back to a popular Doctor Who story from 1989.”

When I got the brief, I decided to produce an atmospheric piece, but one that was still vibrant and colourful. I went for bright sidelights and a sunset rather than night sky, and pushing the colour on the radio telescope in a non-realist but striking way (I hope!).

It was really important to me to get Samson right on this cover. I really like his character and I wanted to create a good portrait. One of the things Candy Jar have been really successful with is introducing strong (I hate this term) minority characters but treating them in a realistic period-way without denigrating them or making them in any way ‘token’. I hope I’ve done Samson justice.

It was fun creating the other characters, too. The female character had to be fairly scary without being too gory and not falling into the titillation trap with the tears in the dress. Merrin had to look alarmed without becoming a caricature, so I hope I struck the right balance. An enjoyable commission and I’m really looking forward to the book.

Candy Jar has already set a standard for short story collections with The HAVOC Files books. The UNIT Files will continue in that vein. There are a lot of aspects – personal or otherwise – of life in UNIT that haven’t been covered on TV or within spin-off media published to date. That opens up a deep well of potential material that really suits the short story medium. I think we’ve pulled together a collection of pieces for this first UNIT Files that truly reflects that.

Everyone who was able to contribute seemed hugely fired-up by the opportunity and pitched some tremendous ideas. My story in The Benton Files book sparked an idea for a pair of linked situations within Benton’s career, so I’ve used those shorter ‘scenes’ to book-end the collection.

I’ve enjoyed Simon’s work on other projects, and I was keen to introduce some new voices early on in the UNIT range. Simon had a basic concept inspired by a recent trip to the Shetlands Islands. I knew I needed to bottle that inspiration, and we quickly worked out a storyline together (along with a punning title). As expected, what Simon delivered was spot on.

I’ve loved writing for the Brigadier, and when the opportunity came to contribute a story involving more of the UNIT family I leapt at it. Sergeant Benton was, for me, the obvious choice to focus on as an ordinary squaddie facing extraordinary foes.

I grew up with the original UNIT stories, and later spent a fair proportion of my law enforcement career alongside serving and former special forces soldiers. Some of the tales they shared about their training made me wonder about the adventures prospective UNIT soldiers might face and what qualities the organisation would look for in new recruits.

My dad was a staff sergeant, so I’ve always been hugely fond of the UNIT stories on TV. That also means that any time there’s a chance to do a UNIT or Brigadier story I’m happy to join up and do my duty.

My contribution, Shadow, is set early in Benton’s time with UNIT. He’s still learning how things work and the brass at UNIT are still getting to know him. I wanted to do a story that gave him a chance to show there was a lot more to him than just snapping to attention and saying ‘Sir’. He wouldn’t survive – and indeed thrive – in UNIT if he wasn’t resourceful and capable as well as brave. It let me have a bit of a delve into what Benton thought he was getting into in those early days.

I approached James just as he was completing work for Andy Frankham-Allen on The Overseers. He was very buoyed up from the experience and eager for the next challenge.

Doctor Who, while rightfully focusing on the Doctor and his companions, leaves us some tantalising clues about what UNIT and its troops are up to in the background – including how personnel are managed, trained and promoted. Although he holds a number of positions across his various appearances, usually Benton is referred to as sergeant – it’s the rank he seems stuck with! At last, we can find out how he took on this mantle and what challenges he had to overcome.

When Tim kindly asked me to contribute to the first UNIT adventures at Candy Jar, my head flooded with bonkers ideas for the Brig and Benton. Where I ended up was Bong Joon Ho’s The Host in West Wales and the most fun I've had writing a story in a long time. I can't wait to see what my fellow writers have in store for the team too!

I was delighted to be asked to contribute to The UNIT Files and to have the opportunity to write for the Brigadier once again. Not only that, I got to write for one of my favourite characters from Doctor Who – Sergeant Benton – in a story that explores just how the members of UNIT are considered by their armed forces peers.

It’s always a pleasure working with Martin. His creativity is second-to-none and our readers seem to appreciate his style.

As always Richard has done us proud. His work just gets better and better.

From the first time I read James’ first short story, Piece of Mind, I knew I had found a very good author. And it was after his second short, Latent Image for The Laughing Gnome anthology, that I knew it was time to test him on a novel. By that point plans were underway for the final eight Lethbridge-Stewart novels, which meant if I was going to use James, there would be no better time. James’ inventiveness is matched easily by his enthusiasm, and that shows in his writing. It took a few attempts to break his story, slotting in a few new elements and characters, but when the idea was locked down, James’ true skills came on full display.

I’ve loved spending time reading about these characters over the past few years and was thrilled to be able to write a couple of short stories featuring some of them. I was then asked to pitch a story for a full novel, and was quite overwhelmed to be selected. This will be my first published novel. Nothing quite prepares you for the task, so I’m grateful for the guidance Andy has provided throughout.

It had been some time between finalising the outline and the first pass edit of the completed novel, time during which I had worked on a lot of other projects, so in many ways it was a nice surprise to read James’ book. I recalled only bits of the outline. What I discovered was some very sharp writing, in a book that exemplifies the what Lethbridge-Stewart (and indeed Doctor Who) does best, telling a good adventure story by playing on common fears and issues with modern culture. An even more clever task, considering the book is set in 1971.

Chapter planning was a great intermediate stage, although I’ve learned that these have to evolve as things progress and new ideas emerge. Spending an even more immersive time with these characters has been a pleasure. They have always felt so real, especially in the face of extraordinary things, and I feel privileged to have contributed one of their full adventures, especially as the series heads to its conclusion.

I’ve taken the chance with The Overseers to show off (and embellish!) some of our own local history here on the South Coast of England, while also exploring some very contemporary debates about surveillance and control. A few news stories have even broken during the time I’ve been writing that seem frighteningly close to the fiction. That blurry boundary between reality and speculation is an ideal one for our team of familiar characters to navigate. Likewise, the point between the past and the future, where each exerts a pull, is a great one to have taken them, and I hope readers enjoy going there too.

I loved the ICUs the moment I read the brief – it's such a brilliantly simple idea, yet incredibly creepy: big brother on legs. I felt there should be a big bold drawing of an ICU with gun arm raised to catch the readers eye, whilst the rest of the montage hinted at scenes from the story. The speeding Volkswagen T2 Camper gave the cover a sense of movement, and all that was needed was Anne and Lethbridge-Stewart to complete the design.

It’s always a privilege going through entries and, as you can imagine, it was extremely difficult choosing a winner, but we felt that Peter’s stories were outstanding.

We have always offered entrants the opportunity to send in two stories, but not until now have we felt obliged to use both of them. Peter’s stories were both equally brilliant that we didn't really have a choice. Peter instinctively understands the characters of Professor Travers and Anne, and offers a new perspective on their lives. We look forward to working with him in the future.

In the Lucy Wilson books we usually include a flashback prologue; basically Lucy sitting on the Brig's knee as he recounts a fantastical story from his action-packed past. Susan has taken this concept and lovingly expanded it. As a co-creator of the series, I felt that this story was a joy to read!

Lucy and Hobo have really grown as characters since Sue Hampton masterfully introduced them in Avatars of the Intelligence. Since then we’ve seen them thwart an invasion of Mirror Clowns, end the TV career of Billy Bandrel, meet the Quarks, help the Brigadier save the universe, visit Fang Rock, and even witness Lucy’s birth. But now Lucy and Hobo are taking on their greatest challenge – and this time they need help!

Enter Joshua Benton, Reisha Travers and many more – the Children of January!

For one reason or another, I seem to have spent a lot of time with Lucy Wilson and Hobo over the past two years! It wasn’t planned that way, that’s just how it’s worked out. For me, at least, it’s been a joy. Lucy and Hobo are great characters to write for and build stories around. But since The Brigadier and the Bledoe Cadets was published, the next planned step for me was always The Children of January.

The Children of January was never going to be just another Lucy Wilson Mysteries book. Shaun gave me the title and a shopping list of things he wanted the book to contain. This included quite a large cast of characters. In fact, there’s even a guest appearance from a certain well-known warrant officer! Shaun then left me to turn his shopping list into an engaging Lucy Wilson Mysteries book. It was a challenge, for sure, but hopefully I’ve succeeded.

The Brigadier and Benton meeting for the first time seems such a momentous occasion in the Doctor Who universe. And we never saw it on screen. Of course, the Brigadier has a history of meeting much-loved characters off-screen. We never see the moment he first meets the Doctor in The Web of Fear, for example. And Benton is already a UNIT corporal when he shows up in The Invasion. But how did Benton join UNIT? The first story Into the Fire helps bridge that gap.

As we approach 2022, we will soon be wrapping up the Lethbridge-Stewart range of novels. It’s been a great journey, but it’s time to move on to our planned next phase.

Launching a series of books based around UNIT, and featuring the Brigadier and Benton, is by far my biggest creative challenge yet. But what an amazing opportunity it is! When Shaun telephoned and offered me the role of range editor, I remember thinking, "If I turn this down I know I’ll always regret it." So here I am, excited, enthused, immersed and loving every minute of it.

UNIT owes a debt to the work of Andy, and everything he established with the Lethbridge-Stewart books. UNIT won’t be a direct continuation of these novels, largely because the cast will change, and we don’t want new readers to feel they need to have read the Lethbridge-Stewart books first, but I hope the two ranges will complement each other. And if we get new readers jumping onboard with UNIT, it would be great if they feel they want to check out what else Candy Jar has done previously. Personally, I want to tell stories that will appeal to fans of Doctor Who, but also to readers who enjoy action-adventure stories in general. Character-driven narratives, grounded in their contemporary world, but with a modern inclusive awareness.

How wonderful it is to have The Benton Files narrated by Benton himself, the fabulous John Levene.You can hear John’s love and enthusiasm for the character of Benton as he narrates Into the Fire and Car Wars. I really hope people enjoy both versions ofthis release. Also, I’d like to thank Richard Young for such a gorgeous cover. He has really done us proud this time.