The Bells of Saint John: New Clips / Interview Roundup

Wednesday, 27 March 2013 - Reported by Chuck Foster
A number of clips from the BBC and BBC America have been released to promote Saturday's The Bells of Saint John, joining those that have already been released earlier this week:


Interviews

ITV's entertainment correspondent Richard Arnold spoke to Matt Smith and Jenna-Louise Coleman on this morning's Daybreak, chatting about the return of the series, the character relationships, and what might happen in the 50th Anniversary:
Jenna-Louise Coleman speaking to Richard Arnold, Daybreak 27 Mar 2013 (Credit: ITV)
Matt Smith speaking to Richard Arnold, Daybreak 27 Mar 2013 (Credit: ITV)
Jenna-Louse spoke about the relationship between the two: "Clara has kind of been billed as the impossible woman to the Doctor because she's this unsolved mystery that he doesn't understand, and a woman twice dead. There's kind of a lot going on between the two of them, he's trying to figure her out, she doesn't quite know him, so there's a lot going on." Matt responded to the description of the TARDIS as "the snog box": "(It) gives him a fright and irritates him hugely I think because the idea of snogging in it is just redundant." And on romance: Perhaps, you'll have to wait and see - god knows how he'd react to romance, the Doctor - or my Doctor, anyway!"

When asked about the Doctor's greatest secret, which Steven Moffat promises to reveal in the series finale, Jenna-Louise only said: "It's huge finale episode, it's a great build up into the 50th. It's a homage to the last 50 years, it's pretty epic."

Speaking about the 50th Anniversary special, Matt said: "It's a thrill and a privilege, and I think it's going to be the biggest and best year and the most momentous occasion - we hope - in the show's history. I've read the script and it balances looking back and forward in a glorious way. I've become a fan of the show, in the same way as when you watch it there's that, and there's that, and there's this and there's that." However, Matt wouldn't be drawn on the appearance of past Doctors though!
 
The interviews can be watched in the UK via the ITV Player until the 3rd April (last segment of the show).


Matt Smith was interviewed at London's Apple Store about the series return; this is available to listen to for free via iTunes. Jenna-Louise Coleman made an appearance on the Craig Ferguson show on the 18th March (search YouTube), and has recorded three segments with Access Hollywood on getting ready for the 50th Anniversary. flirting and kissing with the Doctor, and working with Matt Smith. An interview with Steven Moffat was conducted by Ed Stradling for the Gallifrey One convention in February, in which he talks(ish) about the eight episodes coming up, the 50th Anniversary and An Adventure in Space and Time.




FILTER: - Steven Moffat - Matt Smith - Press - Jenna-Louise Coleman - Series 7/33

Book About JNT Causes Media Frenzy

Monday, 25 March 2013 - Reported by John Bowman
A forthcoming biography of former Doctor Who producer John Nathan-Turner has been causing a media stir with newspapers focusing on allegations of sexual exploitation.

JN-T: The Life and Scandalous Times of John Nathan-Turner, written by Richard Marson and to be brought out in May by Miwk Publishing, is based on more than 100 interviews with friends and colleagues as well as inside knowledge by Marson, who has also had access to the entire surviving archive of Nathan-Turner's paperwork and photos.

In its review published on 10th March, SFX predicted a tabloid firestorm thanks to one particular chapter, entitled Hanky Panky, while the current edition of Private Eye, published last week, similarly warned of unfavourable headlines for the BBC, and that's exactly what has happened. A measured book review was published last Friday by The Guardian, but the tabloids have subsequently gone to town on claims that in the 1980s both Nathan-Turner and his partner Gary Downie, a Doctor Who production team member, used their senior roles to prey on male fans - some of whom were under the legal age of consent at the time (Mirror, Mail, and Sun). Marson says himself in the book that he was assaulted by Downie.

Miwk's website includes endorsements for the book from people such as director Fiona Cumming who, with Ian Fraser, says: "Some of the revelations are painful (but) we find this very rounded, well-written and honest." Drama serials manager and later producer Brian Spilsby comments: "I must say you have skewered JN-T precisely. I can vouch for all of the facts and most of the opinions. It's a very accurate - warts-and-all - picture you paint." And David Reid, who was the BBC's head of drama for series and serials from 1981 to 1983, says of the biography: "Quite wonderful on many, many levels. Gripping, fascinating, appalling – and, by the end, truly moving. Immaculate research makes the whole utterly trustworthy. A very good and very well-written book."

Responding to the allegations, the BBC has urged anyone with information to contact the police or the Dame Janet Smith Review, which was set up in the wake of the Jimmy Savile abuse scandal to look into the culture and practices of the BBC while Savile worked there.

Nathan-Turner died in 2002 and Downie in 2006.




FILTER: - People - Merchandise - Books - Classic Series - Press

Doctor Who: first four episodes confirmed

Monday, 18 March 2013 - Reported by Chuck Foster
The BBC have now formally announced details for the return of Doctor Who to television on BBC One on 30th March 2013 (time still be confirmed), along with interviews with the stars Matt Smith and Jenna-Louse Coleman, and lead writer/executive producer Steven Moffat.

Matt SmithHaving run down corridors from every monster imaginable, Matt Smith returns as the Doctor to face old and new foe. But he’s not alone. Along for the ride in his brand new TARDIS is the Doctor’s latest companion, Clara Oswald. Here Matt talks about what he is looking forward to from the epic new series.

I think it is going to be very exciting to introduce Clara to the world and Steven has hit a real vein of form, explains Matt as he chats enthusiastically about the new series.

Along with a new costume this series, the Doctor has a new TARDIS to travel through space and time. Walking on to the new TARDIS was like the first day at school, explains Matt. I actually found it quite difficult as I had got so used to the rhythm of acting on the old one, where I used to slide about on the glass floor, but Michael Pickwoad has done a fabulous job, he continues. This one is more like a machine.

Having lost his first companions, the Ponds, at the hands of the Weeping Angels in New York last year and after a period of mourning the Doctor is joined by a new companion this series, played by Jenna-Louise Coleman, she’s done brilliantly well, says Matt. She’s kind, charming, thoroughly prepared and very brave as an actress. And most importantly of all we get on, which is vital on a show like this. I’m so proud of what she has achieved in the last year, he concludes.

So what do fans have to look forward to this series? An urban thriller, ‘The Bells of Saint John’, brings the series back with a bang as the Doctor’s search for Clara Oswald takes him to modern day London, where wifi is everywhere. But something dangerous is lurking in the signals, picking off minds and imprisoning them. Filming for this James Bond-esque thriller took Matt to Westminster Bridge, the Southbank and St Pauls, amazing, I loved shooting in London, says Matt, there is something so brilliant about having the locations there rather than just adding them in.

Following on from this the second episode, ‘The Rings of Akhaten’, take the Doctor and Clara away from earth and on their first proper adventure… in outer space. Featuring an alien market Matt remarks, it was very ‘Whoey’. We had between 50 to 60 prosthetic aliens, which is something that only really this show can offer, he continues, making it a very unique experience as an actor.

As well as introducing some new monsters, the new series brings back a couple of old monsters in the form of the Ice Warriors and Cybermen, I think it’s good to pay homage to the classic series, says Matt, especially for the fans. This series we have modernised some of the monsters for a whole new generation.

Soggy, like drowned rats, Matt is explaining the shooting experience for the third episode ‘Cold War’, written by Mark Gatiss. Set on a Russian submarine spiralling out of control in 1983 an alien creature is loose on board, having escaped from a block of Arctic ice. They built a submarine and the five-year old in me was like “yeah it’s a submarine!”, says Matt. I loved getting sprayed down at the beginning of the shoot, Matt continues, and it wasn’t a chore as it does so much of the acting for you, making it really authentic. Mark Gatiss has delivered one of the best episodes of the series, he concludes.
Jenna-Louise ColemanThe new series will mark the official introduction of the Doctor’s latest companion, Clara Oswald. Having already appeared in the series opener ‘Asylum of the Daleks’ in September and as Clara in the Christmas special, ‘The Snowmen’, here Jenna explains a little bit about her character and working with monsters.

Very excited, Jenna is talking animatedly about her first series as the Doctor’s companion. It will be fantastic to see the final version with all of the elements put together.

Having made a surprise appearance as one of the Doctor’s most notorious of enemies, a Dalek, in last year’s series opener, audiences have been treated to two different versions of the latest companion.

We’ve had one introduction to Clara in the Christmas special, but not necessarily the same Clara we will see in this series, explains Jenna. But the essence of all the different versions is the same, Jenna continues, she’s very brave and resourceful, a match for the Doctor and an explorer in her own right. She dreams of travelling and seeing the world and wants more than what’s on offer.

So how has Jenna found working with Matt Smith? Just a joy, it really is. He is the most perfect leading man and sets such a lovely tone on set, making the atmosphere so wonderful. There’s not much more you could ask for in your co-star, she says.

The series opener ‘The Bells of Saint John’ is a modern day urban thriller, which sees the Doctor and Clara face a monster in the wi-fi, as minds are uploaded by an organisation run by Miss Kizlet (Celia Imrie). Set in London, Jenna was thrown in to the deep end as she was asked to get on a motorbike… driven by the notoriously clumsy Matt Smith.

I loved shooting in London, says Jenna, it was so much fun. It was one of those moments where I thought “I’m filming Doctor Who, on a motorbike, riding across Westminster Bridge with the Houses of Parliament in the background.” So would Jenna trust Matt to drive her on a motorbike in real life? Well on screen it looks very exciting, but both of us were being very silly as we were so tightly strapped in. I just clung on!

As the newest edition to the show, Jenna explains how this series will take the viewer on the same journey of discovery she experienced when she first joined, especially for episode two ‘The Rings of Akhaten’ which is set on an alien planet. It’s one of my favourite episodes, says Jenna, it’s so weird and wonderful and something that only this show can offer. It show’s Clara for the first time what life with the Doctor will be like. It’s a complete fantasy, she continues, and it’s great for audiences as the story begins again and we get to explore all these strange new worlds together, as well as getting to know the Doctor again.

The third episode, ‘Cold War’, set on a Russian submarine marks the return of the classic Doctor Who monster the Ice Warriors. They were terrifying, exclaims Jenna, I think this is the first time Clara is really, really scared. The whole set was really realistic and built to size, which wasn’t too much of a problem for me, she jokes. So how did they make it look so realistic? Before every take they would come and spray us, the whole make-up process was reversed as they would damp us down in the morning and rub my mascara off! We were soaking wet for two weeks.

So having completed filming and watched most of the episodes, does Jenna have a favourite? I really like 'The Rings of Akhaten' as and it’s the first proper adventure for the Doctor and Clara.
Steven MoffatSo it’s back and with a James Bond-esque urban thriller. Why did you decide to kick-off the new series with a very modern day threat?

It was Marcus Wilson's idea. We were discussing how the first episode of the second run would probably be a contemporary Earth adventure, so the Doctor could meet the modern day Clara - and anyway, I wanted to do Wi-Fi monsters - and Marcus suggested we do a proper urban thriller. The Doctor can never be Bond or Bourne - but if he tried it might look a bit like this.

What else can we expect from the new series?

A haunted house, a submarine, a planet with cool rings, Victorian Yorkshire, a journey to the centre of the TARDIS, Dame Diana Rigg and her daughter Rachael Stirling together on screen for the first time, new Cybermen, and the Doctor's greatest secret revealed.

You are bringing back a couple of classic monsters with the Cybermen and Ice Warriors, are there any new ones to look out for?

Plenty of new monsters! Watch out for the Spoonheads, the Whispermen, and - my favourite - the Vigil. Oh and Neil Gaiman has done something horrible with the Cybermen!

We finally get to meet the Clara that will travel with the Doctor across the series’ eight epic adventures. Can you tell us a little bit about her character?

You've sort of met her, but you sort of haven't. The same shed load of attitude you saw before, the same rapid-fire banter with the Doctor, but this time she's living in modern London with no memory of the Time Lord!

How has the dynamic of the relationship between the Doctor and his companion changed since the introduction of Clara?

It's all new for the Doctor - this time the greatest mystery in the universe is standing right next to him.

What was it about Jenna that made you decide she would be right fit for the role of the new companion?

Casting is a funny process - the right people sort of choose themselves. It happened with Matt a long time ago, and when we saw him bantering with Jenna it happened again. Auditions start with you telling the actor about the character - sometimes they end with the actor telling you. That's what happened with Jenna!

A ghost story, a period drama to end all period dramas and an underwater siege, was it intentional to go as big as possible with this series in the year of the 50th?

We try to make every year the biggest possible, but when you see that big, glittering 50 hanging above you, you start trying even harder. I've been a fan all by my life and I know we have to deliver!

Story Synopses

The synopses and some publicity images have been released for the first four stories, including movie-style posters continuing the theme of the 2012 episodes:

The Bells of Saint John: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)The Bells of Saint John

The Doctor’s search for Clara Oswald brings him to modern day London, where wifi is everywhere. Humanity lives in a wifi soup. But something dangerous is lurking in the signals, picking off minds and imprisoning them. As Clara becomes the target of this insidious menace, the Doctor races to save her and the world from an ancient enemy.

Written by Steven Moffat
Directed by Colm McCarthy
Produced by Denise Paul


The Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity ImagesThe Bells of Saint John: Publicity Images
The Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character PortraitsThe Bells of Saint John: Character Portraits
The Rings of Akhaten: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)The Rings of Akhaten

Clara wants to see something awesome, so the Doctor whisks her off to the inhabited rings of the planet Akhaten, where the Festival of Offerings is in full swing. Clara meets the young Queen of Years as the pilgrims and natives ready for the ceremony. But something is stirring in the pyramid, and a sacrifice will be demanded.

Written by Neil Cross
Directed by Farren Blackburn
Produced by Denise Paul


The Rings of Akhaten: Publicity ImagesThe Rings of Akhaten: Publicity Images
Cold War: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)Cold War

The Doctor and Clara land on a damaged Russian Submarine in 1983 as it spirals out of control into the ocean depths. An alien creature is loose on board, having escaped from a block of Arctic ice. With tempers flaring and a cargo of nuclear weapons on board, it’s not just the crew but the whole of humanity at stake!

Written by Mark Gatiss
Directed by Douglas Mackinnon
Produced by Marcus Wilson


The Cold War: Publicity ImagesThe Cold War: Publicity ImagesThe Cold War: Publicity ImagesThe Cold War: Publicity ImagesThe Cold War: Publicity Images
Hide: Publicity Poster (Credit: BBC/Adrian Rogers/Ray Burmiston)Hide

Clara and the Doctor arrive at Caliburn House, a haunted mansion sat alone on a desolate moor. Within its walls, a ghost hunting Professor and a gifted psychic are searching for the Witch of the Well. Her apparition appears throughout the history of the building, but is she really a ghost? And what is chasing her?

Written by Neil Cross
Directed by Jamie Payne
Produced by Marcus Wilson


Hide: Publicity ImagesHide: Publicity ImagesHide: Publicity ImagesHide: Publicity Images




FILTER: - Steven Moffat - Doctor Who - Matt Smith - Press - Jenna-Louise Coleman - Series 7/33

The Bells of St John heralds Doctor Who's return

Friday, 1 March 2013 - Reported by Chuck Foster
The BBC have confirmed that the second half of Series Seven (termed 7B) will premiere on the 30th March with The Bells of St John, a story written by Steven Moffat and directed by Colm McCarthy. Moffat said:
It's the 50th year of Doctor Who and look what's going on! We're up in the sky and under the sea! We're running round the rings of an alien world and then a haunted house. There's new Cybermen, new Ice Warriors and a never before attempted journey to the centre of the TARDIS. And in the finale, the Doctor's greatest secret will at last be revealed! If this wasn't already our most exciting year it would be anyway!
The episode itself is described as:
Set in London against the backdrop of new and old iconic landmarks, The Shard and Westminster Bridge, 'The Bells of St John' will also establish a new nemesis, the Spoonheads, who will battle the Doctor as he discovers something sinister is lurking in the Wi-Fi.

To tie in with the series return, they have also released a promotional image featuring the Doctor and Clara 'crashing' through the Shard in London:



Both the portrait and landscape versions offer tantalising glimpses of some of the enemies the couple will face in the coming eight weeks ... including the new-look Ice Warriors which have been confirmed as appearing in the third episode. Writer Mark Gatiss said:
I've always loved the iconic Ice Warriors and have been badgering to bring them back for ages. And now they're on a ssssssubmarine! With Russians! I'm a very happy anorak right now.
The episode features guest star David Warner, and resident voice actor Nicholas Briggs has confirmed that he will be bringing the Doctor's old adversary to life.




FILTER: - Press - Series 7/33

WhoSounds TARDIS Speaker System

Tuesday, 19 February 2013 - Reported by Chuck Foster
BBC Worldwide have announced a TARDIS 2.1 sound speaker system to be released by WhoSounds Ltd in April, for use over bluetooth and through a standard 3.5mm auxiliary cable.

WhoSounds - TARDIS SpeakerThe TARDIS Speaker System Launched by WhoSounds Ltd.

Fully scaled and beautifully designed, the speaker is sure to delight all would-be Time Lords, and offers a number of unique features.

A high quality 2.1 sound system is compatible with Bluetooth input as well as audio from any device fitted with a 3.5mm headphone. Whilst two internal full-range speakers housed inside a tuned and sealed chamber with bass provided by a separate drive unit - all powered by an integral 2.1 audio amplifier designed and optimised by an ex-Harmon Kardon sound engineer - for low distortion and high clarity, offers a real treat for audio fans.

The next and previous track selection, volume and separate bass and treble adjustments can also be made via a neat remote control.

And, for a real time travel experience, the ambient LED light positioned on the roof flashes blue when paired with a Bluetooth device, and the speaker also makes the famous TARDIS landing sound.

This fantastic speaker also features a built-in USB port which is capable of delivering up to 1 Amp, making it more than adequate to power and charge Smartphones and tablets.

WhoSounds Ltd. Director, Karl Grimsey, says:
The TARDIS speaker will delight all Doctor Who fans. Far more than just a toy or souvenir, the function and sonic performance of the TARDIS Speaker will wow audio fans too.

Full details on the product can be found via the WhoSounds website.

The speaker units can be pre-ordered directly from the company website, and from other retailers such as the BBC Shop and Forbidden Planet.




FILTER: - Merchandise - WHO50 - Press

The Snowmen: Press Preview Q&A

Thursday, 27 December 2012 - Reported by Chuck Foster
The BBC have made some of the press preview Q&A for The Snowmen that took place on the 18th December available to watch online; the session features Matt Smith, Jenna-Louise Coleman and Steven Moffat interviewed by TV reviewer Boyd Hilton, and then taking questions from the audience, including where the idea of Clara came from, a new-look TARDIS, and how long Matt is going to stay as the Doctor!

A full transcript of the Q&A has also been made available by Ian Wylie.





FILTER: - Online - Series Specials - Press - Series 7/33

The Snowmen: Press Reaction

Thursday, 27 December 2012 - Reported by Chuck Foster
A roundup of selected quotes from the media after the broadcast of The Snowmen on Christmas/Boxing Day. Links to the full review can be found by clicking on the author's name. You can also read our own review here.

Note: reviews can contain spoilers!

UK: The Independent

Overall Moffat has dished out a stronger offering this year. The story was apparently based on a piece written by Douglas Adams. This may the reason why this year was decidedly more comic than previous Christmas specials. The humour is largely thanks to Strax who provided most of the laughs through his Sontaran view of the human race. But it was also more disturbing in a behind-the-sofa way, even at Christmas a little scare isn’t always a bad thing. The Snowmen has now brought the Doctor out of his state of retirement and ready for action again after such a brooding period.

While the episode was enjoyable the problem was that the story feels truncated and rushed. Granted the time frame leaves little room for dalliances but it would have been nice to have seen more of Simeon’s developing relationship with the Great Intelligence. Grant is brilliant as the villain but more of him would have been even better.

UK: The Radio Times

Well, hats off to Steven Moffat. He’s just presented us with alternative abominable snowmen, and not only reintroduced the Great Intelligence but also established how this malignant, disembodied force came into being.

There are lots of lovely images (the Jack and the Beanstalk-like spiral staircase leading to the clouds), and my favourite moment being the truly wonderful effect of the camera (and hence the viewer) following the Doctor and Clara directly through the police box doors into the huge Tardis interior. Has this effect ever been achieved before..? I may have forgotten. And how was it done? Where’s BBC3’s Doctor Who Confidential when you need it!

UK: The Mirror

Suddenly, the Doctor is faced with an intriguing new mystery – one that involves, among other things, soufflés. So where the kids will look forward to it and the fans will discuss it endlessly, maybe the casual watcher will be intrigued enough to follow the Time Lord into his golden year, just to see how the latest curious twist of the twice-dead girl unfolds.

Where this year’s Who snowtacular fails is appealing to the dinner-bloated and mildly disinterested middle viewer. It’ll totally pass by family members who, at 5.15 in the afternoon, just want to sleep for a bit until they feel the need to attack the cold cuts. Through sprout-engorged eyes and a brandy befuddle, it’s a great piece of entertainment but it doesn’t hold up to much sober fanboy scrutiny. It’s miles better than anything else on, but for the casual Christmas viewer there’s little to hold the interest besides noticing how gorgeous the new companion is, and well... maybe the ending.

UK: The Telegraph

It was an enjoyable enough romp, I suppose, and I imagine that reference-spotters had a field-day. There were nods not only to The Snowman but also to Sherlock – cheekily suggested to have been, in “real-life”, the lesbian Silurian Madame Vastra. The shadow of Henry James’s The Turn of the Screw could be detected in the CGI figure of the dead governess, made of ice and snarling “That’s The Way To Do It!”. There were shades of Dickens and CS Lewis and maybe even the smoke-fashioned staircase from the Mary Poppins film too in the episode’s best touch - having the newly refurbished Tardis float above town on a bed of “super-dense water vapour”, reachable only by a vertiginous spiral staircase.

At least twinkly-eyed Matt Smith was on irrepressible form as always, his careworn Doc emerging from ethical hibernation to save the world, again, and exchange repartee with, oh please no, his adopted comedy sidekick Strax (Dan Starkey) of the once terrifying now just silly Sontaran race. The sooner his luscious new companion, revealed as Jenna-Louise Coleman’s Clara – former barmaid and erstwhile Dalek (yes, really) – fills the Pond-shaped void in his life the better but I fear that if Moffat doesn’t rein in his tendencies to make every script a brain-teaser of Sudoku-like complexity, his young audience will melt away, fast.

UK: The Guardian

Welcome back, Merry Christmas, and wow. The Snowmen was easily the finest Christmas special under this regime. After last year's dog's giblets of an episode, it needed to be, but this poetic romp was actually the best since The Christmas Invasion, and possibly better. It had everything we like about Doctor Who (frights, romance, running, a menacing baddie, lizard people) while being just sentimental enough to tick off a lot of things we like about Christmas.

UK: Crave Online

Matt Smith was terrific as always, particularly during the inspired bit when the Doctor briefly impersonates Sherlock Holmes. But as the Doctor is won over by Clara, the audience is as well. And when Clara is lost, the Doctor makes the viewers feel that loss as well.

“The Snowmen” was a rousing “Doctor Who” story that feels like it matters in the long term of the series. A new TARDIS, a new opening sequence and a new companion? That’s the start of a new era for sure. And the prospects for it look good for now.

USA: Los Angeles Times

Clara appears to be a mirror image of the Doctor: fearless, curious and intuitive, a match not only of wits but of shared delight in the power of knowing. That is the perpetual tension that fuels the Doctor. A Time Lord weighted with the wisdom of the ages, believing himself to be the last of his kind, has only his sense of wonder to protect him from the great sorrow born of endless knowledge and experience. Fortunately it is boundless, like his energy, and of all the recent Doctors, Smith best captures the power of willful youthfulness. Not in appearance, though he is the most boyish of the canon, but in resilience, the springiness that allows a child to find miracles in the mundane, to truly believe that today will be better than yesterday.

The world always needs the Doctor, but perhaps never more than on Christmas day.

USA: New York Magazine - Vulture

There can’t be enough praise showered on Coleman at this point, who is quite simply a breath of fresh air for this series, at a time when it so desperately needs it. I’ve not fallen for a new companion this hard and fast since Rose Tyler, who had the benefit of being there when the series relaunched, so that’s not even a fair comparison. This new girl just devours the camera lens; a more photogenic companion we’ve probably never seen. It was easy to understand the Doctor’s reinvigoration through her, because as viewers we were experiencing the same feelings, and the scene in which he gives her the TARDIS key, only for her to be lost seconds later, was a serious tearjerker; that was more moving than anything in “The Angels Take Manhattan.”

I had mad, crazy love for both “A Christmas Carol” and “The Doctor, the Widow and the Wardrobe,” Moffat’s previous holiday outings, and hoped to feel the same about “The Snowmen,” but ultimately didn’t. Yet this episode held a much different function in the series than either of those entries, coming in the middle of a season as it did. Whereas his first two Christmas specials were entirely standalone tales, this one was anything but, steeped in the ongoing storyline as it was. What worked within it worked very, very well, and what didn’t was disastrous.

USA: EntertainmentWise

So, there you have it - it was one intense episode full of adventure and tense scenes, but what would Doctor Who be without all of the chaos? In between such madness the Doctor and Clara even managed to find a moment to embrace in a loving/unexpected kiss and joke around with each other, including Doctor Who doing a one man version of Punch and Judy - what more could you ask for? It gave us all a brilliantly entertaining hour on our Christmas day and I am sure it has left most of us wanting to know what happens next! We will just have to wait very patiently for later on into the year.

USA: io9

... an episode that shows Moffat returning to form with a lot of fun and zaniness bolted onto a pretty successful fairy-tale framework. The overall task of this episode is to relaunch Matt Smith's Doctor with a new(ish) companion and a new(ish) semi-regular supporting cast, and in those terms it works beautifully. The story takes the classic "companion becomes fascinated with the Doctor and learns about him/tracks him down" storyline and does something new and interesting with it. And it advances the Doctor's arc of trying and failing to go it alone, which Moffat has been building since "The God Complex."

USA: Wired

I came away from this episode with a major question: Is Moffat setting us up for a new Doctor romance? Or is there more to Clara than meets the eye? The flirting between her and the Doctor reminds me a lot of the flirtatious relationship he has with River Song, and I wouldn’t put it past Moffat to be playing us. Given that Clara has a remarkable gift for not dying, could she be regenerating somehow? But then why is this the first time “Clara” has seen the TARDIS in this episode. Then again, we’ve never seen the first time that River saw the TARDIS. In “Let’s Kill Hitler”, she knew the Doctor had a time machine and didn’t have the standard “It’s bigger on the inside argument.”

Despite a few short-comings, this years Christmas outing is a good deal stronger than last years rather disappointing “The Doctor, The Widow, and the Wardrobe.” That was an episode with a lot of promise but a story that never seemed to gel. “The Snowman” had a story that, despite a sentimental ending with a families tears defeating the frozen menace, still held together.

USA: The Examiner

It was an excellent episode, and it was a nice and welcome Christmas present for all the fans of the show. The biggest mystery of course (besides the fact that the sonic screwdriver can obviously harden clouds enough to walk on) is Clara. How is it possible for her to be the same person? Because based on her name and the words Clara threw at the Doctor, she is one and the same. The past and the future. How is that possible?

Australia: WA Today

All told The Snowman is a strong Doctor Who episode. Jenna-Louise Coleman, who we first met as Oswin Oswald in Asylum of the Daleks, returns as Clara Oswald, presumably an ancestor. In true Moffat style, we finish the episode knowing a little more, and whole lot less, about her.

Further Reading

Daily Mail, International Business Times(UK), LSMedia(UK), IGN(UK), Forbes(USA), Wall Street Journal(USA), TGDaily(USA), AssignmentX(USA), ComicMix(USA), Blast(USA), Mashable(USA), Boston Standard(USA), TwitchFilm(CA), The Age(AU), The West Australian(AU)




FILTER: - Series Specials - Press - Series 7/33

The Snowmen: publicity coverage

Monday, 24 December 2012 - Reported by Chuck Foster



Jenna-Louise Coleman was a guest on BBC Breakfast this morning, chatting about her impending arrival as Clara in tomorrow's The Snowmen, and how this relates to her previous appearance back in September, in Asylum of the Daleks:
The Clara you will meet in the Christmas Special is living in Victorian London, working in a pub, also living a bit of a double life as a governess looking after some children ...

We've already met Oswin in Asylym of the Daleks ... Basically it's what been referred to as "a soft mystery", and if anybody's hoping to get any answers ... it's something that will be ongoing for quite a while and in true Steven Moffat style you won't really get any answers in the Christmas Special, it will just raise more questions, and get more and more complicated and fascinating.
In a pre-recorded interview with entertainment correspondent Liza Mzimba, she said:
It's a mystery. I've met the Doctor once before, which he doesn't quite know yet, and it all begins to piece together and I keep popping up ...

Talking about the interaction between her character and the Doctor, she said:
It's been a really interesting process for me and for Matt how a new companion will change the Doctor and vice-versa, and trying to find our dynamic and how we're going to move forward with the show. It's been really interesting, like Matt said, the kind of days where he would be discovering things and finding ways in which the Doctor is changing and is different with his new companion.
Matt Smith mentioned the relationship between the two to Lizo:
They're figuring each other out, and it's just wonderful to see it at the start, because it reinvogorates the show. You see these two people meeting, and sussing each other out - so it's about learning how they get on together, and seeing them size each other up.

I think there's always a bit of sexual tension between the Doctor and the companion ... so I hope so!
Matt Smith was interviewed in The Independent, where he also commented on the new relationship:
The Doctor under Amy and Rory eventually became like their pet, he was just this sort of strange pet that could talk, that would sweep in every now and then. He's meeting someone new because he presents himself in a hew light and she forces him to be a different version of himself slightly.

As always with Doctor Who, the essence and heartbeat of the show is the same – old alien, hot chick travel through the universe and get into capers. That will always be the heartbeat of the show and it's whether it’s more flirtatious, whether there's more attraction, whether there's more zing, you'll have to wait and find out. I’m sure we'll cover all that territory.
He also explained a little more about the Doctor's grief at the start of the episode:
There's a great deal of time that's passed in cunning story terms. It's great because you kind of go: "500 years later..." but the burden of that loss will always be with him. Like the burden of losing Rose Tyler or whoever it is – is always with him to some extent. But I think particularly for my Doctor it is. Amy and Rory were so significant. But what I would say as well is I always think it's important for the show for that grieving to have its place but move on. I felt it affected Martha's journey quite a lot that he was always talking about Rose, which is completely understandable, because the Tenth Doctor and Rose had such a wonderful connection but the show has to propel forward back into adventure mode.

Videos

Lizo Mzimba's preview of The Snowmen is available to watch on the BBC News website. The BBC have also released an interview with Matt and Jenna as part of their Adventure Calendar.





FILTER: - Matt Smith - Animation - Series Specials - Press - Jenna-Louise Coleman - Series 7/33

The Snowmen: publicity roundup

Saturday, 22 December 2012 - Reported by Chuck Foster
A roundup of coverage for The Snowmen that has taken place in the past week or so - please note that what follows below includes some plot details that might be considered spoilers.

Interviews

Steven Moffat was a guest on the Simon Mayo Drivetime show on BBC Radio Two on Monday. Talking about Doctor Who's appeal on Christmas Day, he felt the show's accessibility as a "shared live viewing experience" was a great benefit:
... much more so with the Christmas one than with the others, yes, there's a big live audience for it - because, yeah, you watch it as a family. Sometimes people actually watch it later, because their family aren't there - people tend to watch it in groups, that's very true of Doctor Who.

I think Doctor Who is always a bit Christmassy, it's that kind of show, it always feels substantially madder than every other show, and we're always striving to make it an event - so you have to make Doctor Who even more so when it's Christmas Day. One thing I'd say I think it needs to be more accessible to new viewers, because more people are dragged in to watch Doctor Who on that day than on any other occasion it's on.
Talking about an initially melancholy Doctor in the episode, he explained:
What you need to remember is that the last time we saw the Doctor he had lost the Ponds - he lost Amy and Rory - he lost them to the Weeping Angels, and when you begin this story he's in a terrible place, he's in a right old grump, he's retired from saving the universe, he's having nothing to do with anyone, and although there's a building threat to humanity he's having none of it, he's just storming away being a sort of Scrooge.
The full interview is currently available to listen to via a BBC podcast (from 12:50) until Monday.

Ahead of the press screening on Tuesday evening, Matt Smith and Jenna-Louise Coleman popped into the BBC Radio One Breakfast Show hosted by Nick Grimshaw. The duo chatted about their recent trip to New York and Jenna's arrival in the show (1:36:45), and later answered listeners' questions (1:52:55, and a clip is available to watch via the BBC iPlayer and YouTube).

Matt later appeared on ITV1's This Morning (after the first ad break), hosted by Philip Schofield and Holly Willoughby - the first time he'd appeared on the show. He chatted about his inspirations for the character of the Doctor, the enthusiasm of fans, things he kept from the old TARDIS, and of course not really saying what to expect on Christmas Day! Enthusing about guest star Richard E Grant, he said:
He was born to be a Who villain, he pitches it on that perfect level and tone.

The end of the week was rounded off by an appearance by Matt on The Graham Norton Show, but although this was to promote the Christmas Special, as Matt pointed out:
As always, I can't tell you anything, this is the tragedy of the show I'm in is that you come on and you can't actually promote it!
Recorded last month, the show was still able to treat viewers to a brand new clip featuring the Doctor, Clara and Strax.

Norton mentioned that fellow guests Billy Connolly and Jennifer Saunders had once been suggested as potential Doctors, though the former said it wasn't true and the latter said she started the rumours herself!

Matt was also 'required' to kiss a member of the audience by other guest Dustin Hoffman, which the actor only reluctantly agreed to as his mum was watching! A clip of this exchange is available on YouTube and BBC iPlayer.

Matt Smith and Jenna-Louise Coleman on The Radio 1 Breakfast Show with Nick Grimshaw, 18 Dec 2012 Matt Smith on This Morning, 18 Dec 2012 Matt Smith on The Graham Norton Show, 21 Dec 2012

UK Press Screening

The press screening for the episode took place in the evening of 18th December, followed by a Q&A session with Steven Moffat, Matt Smith and Jenna-Louise Coleman, during which the adventure and the further adventures next year were discussed.

As seen in the trailer, the Doctor once again gets a firm kiss from his co-star, and speaking at the Q&A of their on-screen "relationship", Matt said:
I think always with this show and always with this relationship in this show, it will constantly evolve. And it should. And hopefully over the course of the next eight or nine episodes that we see subsequently to this it will evolve even further. We're excited about next year now and getting into that and actually going, "Well, now we know what we know about each other and the way we work and who we are and all the rest of it..." I kind of likened it, Steven, earlier, in an interview, to an arranged marriage. Not that I know what an arranged marriage is like. But it's like, "You're married, have chemistry." Do you know what I mean?
On the other hand, Jenna responded:
I likened it to a blind date. I felt like I was on a blind date... It's like putting two people together. Like, "Oh I know someone you'll really get on with." And then go in to save the world!

The Doctor (Matt Smith) with the new TARDIS interior. Photo: BBCThe new TARDIS interior was also discussed, with Steven explaining how it came about:
It was mainly saying to Michael Pickwoad (production designer), "What would you do with the TARDIS?" But we had a notion because I thought we'd been getting progressively whimsical with the interior of the TARDIS. And I started to think, "Well, why is that? It's not a magical place, it's actually a machine." So we did say 'machine' and actually, potentially, as you'll see more spectacularly later, quite a scary place sometimes. We make a lot of use of that. And it's also a lot easier to shoot, I have to say.”
 
Inevitably, the question of where the team would travel to in the TARDIS came up:
Matt: I'd do a few things. I’d go and pick up Frank Sinatra and Marilyn Monroe. I'd try and marry one of them. Get them to sing to me. And maybe one of them could do both. And then I'd go and see England win the World Cup in '66. And I'd go and visit some sort of Jurassic age, I think.

Jenna: I'd go back to ancient Egypt. I was watching a TV programme – where did the pyramids come from? I'd go find out where they came from. I'd go find out how they were built. And then other than that, maybe New York in the Twenties.

Steven: I'm a perfectly happy man. I'd go right here. I don't want to go anywhere. I'm having too much fun to leave. I'd be terrified. Wouldn't you?

With thanks to Ian Wylie for Q&A coverage - you can read his full report here.

"The Kiss"

The BBC have released a couple of publicity shots to "cherish" the moment(!):

The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman). Photo: BBC The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman). Photo: BBC

Media Coverage (United Kingdom)

Reporting on the preview, Catherine Gee of The Telegraph said:
For all its new features, this is an episode filled with knowing nods to please Who fans, including a reference drawn from elsewhere in the Moffat catalogue, and the return of some of the Doctor’s old friends in the shape of Strax, Vastra and Jenny. Dr Simeon's ominous warning that "winter is coming" also suggests that Moffat may be a Game of Thrones fan. . . . It's not quite as action-packed as previous specials but compared with the other sedate period Christmas Day offerings of Call the Midwife and Downton Abbey, or the impending apocalypse-free episodes of The Royle Family and Strictly Come Dancing, this festive instalment of the sci-fi series will give the post-dinner snoozers a much-needed boost.
Vicky Frost of The Guardian said:
New music, new titles, a fetching new costume, sleek new Tardis interior and, most of all, a new companion, make this year's festive Doctor Who special filled with surprises. . . . It is not as if the 60-minute Christmas special – which perhaps controversially comes sprinkled with a seasonal splash of romance – is unambitious: among the co-stars is Richard E Grant as the deliciously wicked Dr Simeon, a man dreaming of a white Christmas.
Jenna explained a little of her character to Neela Debnath from The Independent:
I think it's one of these things where she meets this guy that she's incredibly interested in and by and wants to know more but there's also something - he has answers that she wants. She wants answers. She's on her own mission. (Clara) is the kind of girl who lives by her own means, she doesn't need other people as much to get by, so she's a bit more of an equal. As soon as she meets him - and he's not the kind of guy that you meet every day - she's interested and wants to know who he is and where he's come from and she doesn't give up and follows that track.
Further coverage of the press screening can be found from the Daily Mail, Evening Standard and Western Mail.

Reviewing the episode, Jonathan Carley of What Culture said:
Put simply, The Snowmen makes the Christmas Special feel fresh again, so much so it may as well be vacuum packed and wrapped with foil. So the firm underpinning of a good script is there, and I can tell you this will reward repeat viewing afterwards to reassess the intricacies of the plot. I myself am looking forward to re-watching on Christmas day if my family can tolerate my smugness. But there is also plenty going on to keep you entertained if you're feeling quite relaxed about it.
Simon Brew of Den of Geek concluded:
The Snowmen certainly bodes very well for the year ahead. It’s a lower key story on the surface, perhaps, albeit an episode that proves once again Moffat's skill for introducing major new characters. It's also an excellent Christmas special, and quite a serious one. And whereas seasonal outings for Doctor Who have proven quite divisive in recent years, we suspect this one is going to have a lot more people on its side. It's very much worth your time.

The Telegraph interviewed Jenna-Louise Coleman while on set last month and chatted about her career leading up to becoming the latest Doctor Who sidekick. In addition, Digital Spy have conducted video interviews with Steven Moffat about writing his third Christmas Special and and how to entice a new audience to the show, and with Matt and Jenna chatting about the Special.

Other general media coverage of The Snowmen include: Daily Mail; Daily Mail(2); The Sun; Independent; Metro; Mirror; Daily Star, and Radio Times.

Media Coverage (United States)

The United States press had their own screening in New York earlier in the month. Alex Zalvin of MTV reported:
This is probably the second best Christmas episode ever after 2010’s superlative A Christmas Carol. Since the latter episode is probably my favourite episode of Who ever, that's certainly putting it in high company. The episode is laugh out loud funny, emotional, and more importantly, captures the spirit of the holidays.

There's a beautiful sequence about halfway through that might be one of the most magical, storybook creations the show has ever done, more on par with a stage play than a TV show, but by golly, it works.

Jenna-Louise Coleman is a brilliant, perfect addition to the cast. Her patter, delivery, and whole demeanor make her a female Matt Smith, and it's brilliant. She matches him line for line, move for move, and if you’re not in love with her by the end of the episode...well...you’ll be in love with her.
Other coverage of the press screening appeared in: Wall Street Journal; io9; Forbes; and Huffington Post.

At an interview held at the BBC America offices (reported by CNN), Jenna was quizzed about her experiences of entering the very public world of Doctor Who:
You see "it" everywhere and you're used to it, like I was used to seeing Matt's face all over the place. But, when I was auditioning, being sat on the Tube and you see the posters, and it was always like he was pointing at me. There's not very much time to analyze as you go. It is only now that I feel like I've just been playing with all my mates for the last couple of months, and then suddenly, I'm like, "but people are going to see this," you know?

"This" life is so exciting on a daily basis. Everything's so dramatic every day, and it's the end of the world every week. You're either running or there's a snow machine or rain machine, or you're in a harness and you're on wires. ... On an off day, I find that I get bored quickly, like, "Where's the Cybermen?"
Jenna also revealed that she had auditioned for the show before, and what her grandmother thought!
I auditioned for Amy's best mate in it, and was pretty close to getting the part, and my grandma was absolutely devastated I didn't. So, we came back around, and I don't think she can believe it, actually. It is quite surreal for her, and she's quite looking forward to meeting Matt.
As previously reported, Matt and Jenna also undertook a Q&A for BBC America's Doctor Who Tumblr, fielding questions from the social networking community.

With Doctor Who having made the cover of TV Guide this December, the magazine also spoke to the two stars about their first jobs, what they do in their free time, their favourite current and childhood television shows, awkward moments, and what stands out for them in the Christmas Special.

Entertainment Weekly discuss Doctor Who and The Snowmen in their latest InsideTV podcast. Other US-based coverage included: Miami Herald; Tulsa World; San-Antonio Express; and Winston-Salem Journal; Seattle Times.




FILTER: - Steven Moffat - Matt Smith - Series Specials - Press - Jenna-Louise Coleman - Series

It's Showtime! Episode Two

Tuesday, 11 December 2012 - Reported by Chuck Foster
BBC One launched "Christmas" this evening with a live display of festive show imagery projected onto BBC Television Centre during tonight's edition of The One Show, including a virtual TARDIS bursting its way out of the building!

Light Up Christmas!Light Up Christmas!Light Up Christmas!

The show was immediately followed by the second 'episode' of their festive campaign fronted by Rob Brydon and Sarah Alexander, featuring the Doctor being chased by Miranda Hart with mistletoe, and concluding with Mrs Brown returning in the TARDIS (seen dematerialising in episode one) to announce "Relax, I've just been to the future - it all turns out fine, Rob!". It's Showtime! The Doctor/Miranda segment will also be shown as a separate trailer as part of the publicity over the next couple of weeks.

It's Showtime! Episode TwoIt's Showtime! Episode TwoIt's Showtime! Episode Two







FILTER: - Specials - Press - BBC