William Lucas 1925-2016

Monday, 18 July 2016 - Reported by Marcus
The actor William Lucas has died at the age of 91.

William Lucas played Range in the 1984 Doctor Who story Frontios. It was a role he took over shortly before the story was recorded following the murder of the original actor Peter Arne.

Lucas's best known role was playing Dr James Gordon in the TV series The Adventures of Black Beauty, which ran on ITV from 1972-1974. The series, continuing the adventures of the horse from the famous novel by Anna Sewell, regularly topped the TV charts with its iconic theme tune seared into the memories of children from the era.

Lucas began his career in 1948 as an assistant stage manager at Chesterfield civic theatre. Several years in repertory followed before his television breakthrough in 1955 playing the blackmailing car dealer Reg Dorking in the crime thriller Portrait of Alison. He reprised the role in the film version later the same year.

For the next forty years he was a regular on British television, appearing in over 100 different drama productions. He played John Friend in The infamous John Friend, Detective Inspector Mitchell in Flower of Evil and Days of Vengeance and Eddie Prior in The Prior Commitment. He had regular roles in Coronation Street as well as the ill fated El Dorado.

In 1990 he returned to his most famous role playing Dr Gordon in The New Adventures of Black Beauty.

He was still working into the new century with parts in episodes of Last of the Summer Wine, Doctors and The Bill.

William Lucas died on Friday 8th July. He is survived by his second wife Camilla and by Daniel and Thomas, the sons of his first marriage.




FILTER: - Classic Series - Obituary

Classic Series Costumes Up For Sale

Wednesday, 1 June 2016 - Reported by Marcus
A number of costumes and props from the classic series of Doctor Who are up for auction in the Bamfords Film and Memorabilia Sale, taking place in Derby on Wednesday 8th June 2016.

Items include a Cyberman costume from the 1982 story Earthshock; a Thal space suit costume from the 1973 story Planet of the Daleks; a space pack worn by Peter Davison in the 1983 story Enlightenment; a Dalek Trooper costume from the 16984 story Resurrection of the Dalek; a Magma Beast costume from the 1984 story The Caves of Androzanii; a Soldeed costume from 1979 story The Horns of Nimon; an Ice Warrior costume from the 1974 story The Monster of Peladon; and a Mara Snake Effigy from the 1983 story Snakedance.

A number of small props and collectables are also available.

Full deails on the Bamfords website.





FILTER: - Auctions - Classic Series

Alec Wheal 1934 - 2016

Sunday, 22 May 2016 - Reported by Marcus
The BBC have announced the death former Senior Camera Operator, Alec Wheal, at the age of 81

Alec Wheal worked on at least 159 episodes of Doctor Who, mainly as Senior Camerman, or as it was later known, Camera Supervisor.

The Camera Supervisor led the team of five or six camera operators, during the studio recordings of classic era Doctor Who. The role was important as Studio Camera Operators had only the studio day to absorb the director's camera script and instructions, before recording each Doctor Who episode in the evening.

They would work closely with the Director to make sure the required shots and effects could be recorded during each studio recording session. Each recording had a strict 10pm cut off and any mistakes would lead to shots being missed or expensive overruns.

Alec Wheal led the Camera teams on most Doctor Who stories from Destiny of the Daleks in 1979 right through to The Greatest Show in the Galaxy in 1988.

Fifth Doctor, Peter Davison paid tribute.
As the senior Cameraman, Alec Wheal was the rock of the studio recordings of Doctor Who, both during my time, and throughout the seventies and eighties. We developed an understanding, so that in those moments of panic as the clock ticked round to ten pm the end result was always as good as it was.
As well as Doctor Who, Wheal worked on programmes such as EastEnders, Last of the Summer Wine, Just Good Friends, The Tripods, Black Adder, Grange Hill and Fanny by Gaslight.




FILTER: - Classic Series - Obituary

Moments in Time: Time Waits For No Man - Except One

Saturday, 14 May 2016 - Reported by Chuck Foster
The TV Movie (Credit: BBC)It was twenty years ago today that, after some six plus years off screen, a new, feature length episode of Doctor Who was to make its US premiere. It introduced us to a new Doctor in Paul McGann, a new Master in Eric Roberts, a new TARDIS interior, and a whole new look and feel that the regular series had never been able to achieve.

It was also a new experience for Doctor Who to receive a simultaneous nationwide broadcast through the FOX network, something it hadn't previously been able to achieve in the country over the course of its 20+ years availablity through some commercial and many PBS-affiliated channels. With such exposure and publicity what could possibly go wrong?

In hindsight, looking at the US television "battlefield" of the time, it is perhaps easy to see why the fresh-faced "backdoor" pilot never made it into a full series: its 'mere' 8.3 million viewers only ranked it a 9% share/70th position against strong opposition on rival channels, and was considered a failure by the powers that be.

However, back then it was a also time of optimism and celebration for Doctor Who fans, and in this special Moments In Time members of the Doctor Who News team past and present reflect their feelings on the build-up to the "FOX Original Movie" on Tuesday May 14th at 8:00pm ...

Shaun Lyon, the founder of the Gallifrey One convention in Los Angeles (now in its 28th year) - and editor of what is now Doctor Who News back when it was part of Outpost Gallifrey (the website he ran between 1996 and 2009) - reminisces on a time two decades past:
How quickly time flies... doesn't seem possible that it's been 20 years since the TV Movie / The Enemy Within / the return to TV / call it what you will. For a 15 year period bookended only by the fantastic efforts of Virgin Publishing, BBC Books and Big Finish Productions, it was really the apex of a very long uphill battle, and although it didn't end up moving beyond one film, it certainly changed the course of Doctor Who forever.

The TV Movie was the first real effort - before Davies, before Moffat, before Eccleston and Tennant and Smith and Capaldi - to modernize and broaden Doctor Who's appeal to the wider audience on both sides of the Atlantic. To this day, it's claimed to have been a failure... abject nonsense, its ratings in both the UK and US were respectable. Definitely a product of its time, its journey shortened out of the gate by the vagaries of American TV politics and changing viewer attitudes. But it was the event that gave us Paul McGann and Daphne Ashbrook and Yee Jee Tso and Philip Segal - people whose involvement with the Doctor Who franchise have continued to this day, part of the family as much as Tom Baker or Sylvester McCoy.

As thrilling as it was to be a fan at the time, and for our fan group here in LA to assist with the premiere at the Directors Guild of America (our convention's TARDIS was on display there, and it's the same TARDIS that was featured in the TV Guide Magazine article the week of the debut), I was honored to contribute in a very small way to the production; as noted in Segal and Gary Russell's excellent book Regeneration, I caught a minor goof ("a Time Lord has 12 lives" was changed to "13" at my suggestion, based on the fact that Peter Davison called himself the fourth regeneration in "The Five Doctors") during a pre-screening in Segal's office. Imagine how that felt to me to see it happen on the big screen during the DGA premiere. I'll cherish that moment forever.

And who would have thought it would continue to have an impact all these years later? You only need look at the ongoing popular Big Finish series with Paul McGann at the helm that run to this day... and of course, that amazing, out-of-the-blue Night of the Doctor special with McGann's long awaited regeneration scene into John Hurt (nobody could ever have seen that coming!) Still a bit of a controversy to this day over the whole 'half-human' thing, but definitely remaining popular just as long because of the charm McGann displayed in one 90 minute film..

If the transition from "classic" to "new" Doctor Who could be described as a migration from one continent to another, The TV Movie is the stepping stone on the journey... the Bering land-bridge of Doctor Who, leading a wandering series into its new horizons forever. We're so lucky it happened the way it did, and it'll still bear fruit for many years in the future.

Steven Warren Hill, who took over the legacy of Outpost Gallifrey's forum with Gallifrey Base in 2009, reflects:
My friend Dennis hosted a viewing at his place for all of us longtime Doctor Who fans. I remember setting at least two VCRs at home to record the movie, and bringing a third VCR with me so I could be in control of at least one of the recordings. There were probably about ten of us there, and we all went quiet as the movie started. I don't know about the others, but I had tears in my eyes after the intensity of the operating room scene. Sure, we'd seen the Doctor "die" before but this time it was scarily real and quite affecting. When I got home that night, I had to watch again from the start to the end of that scene before I could go to bed.

Recently I devoted a lot of time writing the portion of the forthcoming book Red White and Who: The Story of Doctor Who in America that talks about the movie. I believe we've gone into greater detail than ever before in analyzing why it failed to get decent ratings in the United States. It was interesting researching the topic, and dredging up memories of things like long-forgotten promotional spots (on both television and radio). In hindsight, its place in the grand scheme of everything Doctor Who couldn't be more perfect - many of us desperately wanted a new series to come out of it, but if that had happened, how long could it possibly last? It turns out that the one-off was exactly what we needed, even if we didn't think so at the time. If it had gone to series then, we might not have a series now.

Longtime fan and sometime Doctor Who News contributor Josiah Rowe remembers:
You have to remember that in those days Doctor Who was largely unknown in the US. If people had even heard of it, they knew it as "that weird British thing on PBS". But in spring of 1996, things were suddenly different. There was a story in the Washington Post! There was an article in TV Guide! (No cover, of course; that wouldn’t happen until 2012.) It’s nothing compared with the ubiquity of Doctor Who today, but at the time it seemed revolutionary.

I set my VCR to record from 8:00 to 10:00 PM on the local FOX station, and watched eagerly. I grinned at every continuity reference, from the Daleks (who did not sound as high-pitched on American broadcast as they did in the UK and on the eventual DVD release) to the Doctor’s toolbox (lovingly recreated from the 1983 Doctor Who Technical Manual). I looked askance at the half-human business, but had no problem with the kissing — unlike many fans at the time!

The TV movie is now seen as a false start for bringing Doctor Who back to TV, but for all its flaws it’s gorgeously shot and brought us the marvelously exuberant Eighth Doctor. And it showed that Doctor Who could be more than a quaint little shot-on-video series, beloved by a few but ignored by most.

Jarrod Cooper, organiser of the Hurricane Who conventions that take place in Orlando, Florida, recalls:
The Wilderness Years were a sad and lonely time for a Doctor Who fan in a small town in South Alabama. The local comic shop only received one copy of Doctor Who Magazine and the local used book shop had to special order the Virgin New Adventures and Target books, for why would they actually stock those? But that was it. The local PBS affiliate had ceased airing the show shortly after the end of the Classic Series' run. It was a dark time indeed. But then, there were rumblings in DWM that there was a movie coming. Possibly a series.

I still remember the moment that the TV Movie excitement hit me full force. It was the moment that I saw the first insert in TV Guide for the movie. It was simple, no more than a quarter of a page basically teasing that there would be more information in the following issue. But it was there, in the main TV listings magazine. I don't know why, but for some reason seeing that in print in TV Guide made it real. Doctor Who was returning.

On that May night, I sat with my VCR ready and an open mind. The pre-credits rolled and there was everything that I had been missing. The TARDIS. A new Doctor. The Master. The Sonic Screwdriver. Who cared if I was missing Roseanne?? So what if the Master can now be held at bay by a fire extinguisher and the Eye of Harmony is now a weird room in the TARDIS? For two hours I sat transfixed.

Little did we know what seeds were being planted that night. I was blissfully unaware of the years of novel and audio adventures that were in store for me alongside this Doctor. All I knew was for that one night, we had a light in the dark. Our show was back, and it was about time.

Benjamin Francis Elliott, the previous 'incarnation' of This Week in Doctor Who, explains his own regenerative experience:
I knew the movie was coming because I'd seen a copy of DWM (and I never came across DWM back then). Plus, it was in the TV Guide. I was looking forward to it. My family was (they all liked Tom Baker and Peter Davison). Then - May 14 - catastrophe ...

My parents found a college scholarship that I'd be a shoo-in for - due May 15th, and insisted I fill it out before I could see the movie. Did I mention the form required you to type it up on a typewriter? So, the movie begins, and the whole family (except me) is watching live. I finished the form and got to join in - right after the regeneration. Odd way to start the film. we got it on VHS, so I saw the McCoy section the next day. It was the last Doctor Who (and maybe the last piece of TV) I saw before going onto the internet for the first time. The last time before I encountered fandom. The Internet has strengths and weaknesses. I certainly didn't get spoiled on plot points without it.


TV Guide: 11th May 1996 (Credit: TV Guide, with thanks to the Gallifreyan Embassy/Doctor Who: Podshock)
TV Guide: 11th May 1996 (Credit: TV Guide, with thanks to the Gallifreyan Embassy/Doctor Who: Podshock)
TV Guide article on the TV Movie. 11th May 1996.
Reproduced with thanks to the Gallifreyan Embassy/Doctor Who: Podshock
Extract from the Washington Post, 14th May 1996:

He has two hearts and 13 lives, he flits around the galaxy in a flying phone booth and he's half-human on his mother's side. Who is he? Exactly. He is Who -- Doctor Who, hero of a BBC fantasy series that first materialized in 1963, ran for 20 years and was imported by many public TV stations here.

Doctor Who is a man whose time has come and keeps coming; now the Fox network is trying to revive him for a new series, starting with a two-hour movie pilot, "Doctor Who," tonight at 8 on Channel 5. As opposed to the old BBC show, a basically tacky-looking thing shot in a TV studio, the new movie, filmed mostly in British Columbia, is splashy and spectacular, with a certain Jules Verney quality to it.

It's certainly got more wit and zip than most of the things that go thunk in the night on Fox.

...

The plot may sound ridiculously complicated, but it all pretty much boils down to the perpetual war between good and evil. Matthew Jacobs's script has lots of bright, fetching touches, and director Geoffrey Sax keeps things whirling so speedily that disbelief is easily suspended. Some of the special effects and editing tricks are true dazzlers.

Daffy though it be, "Doctor Who" dabbles in matters of time, space and mortality in ways that aren't completely superficial. The Doctor's goal, he says, is "to hold back death," and if Who doesn't do it, who will?


What is often forgotten in the mists of time, however, is that the television movie was produced in Vancouver, Canada, and even had its world premiere broadcast by CITV on Sunday 12th May. Mike Doran, a Canadian fan with a keen interest in the history of Doctor Who in the country, relates:
The return of Doctor Who in 1996 was so different than in 2003-05. Paul McGann was already on location in Vancouver before his casting and the production was officially announced. A co-produced American series/movie had been in development for years but it was finally happening and it was being made in Canada. What's more we'd only have to wait for four months until it aired. Even then here were location reports and pictures being posted on-line as production took place. I later found out that the house of a friend in Kits Beach was scouted to be the home of Dr. Grace Holloway. Right around the corner from Hadden Park where the Doctor and Grace would kiss.

TVM tapes - 20 years on! (Credit: Mike Doran)
TVM tapes - 20 years on!
By April there were promos running on Fox affiliate from Buffalo, New York. Lots of promos! I found myself watching and taping more Fox shows that I could have ever imagined just to get glimpses of what was to come. Toronto was not going to be lucky enough to get an early airing like Edmonton did on May 12th but word came down that a TV station in Hamilton, Ontario was going to simulcast the movie on May 14th. The day before broadcast I scoured a newsstand that specialized in out of town newspapers looking for any coverage and TV listings magazines with Doctor Who on the cover.

When the day came a group of us gathered at the house of a friend to watch the movie together. The funny part was that the host wasn't even a Doctor Who fan and he didn't live somewhere convenient to get to, he just had the biggest and nicest TV of anybody we knew. I brought a VCR with me so I could meticulously edit out the ads as we watched. At home a second VCR rolled for a back-up copy with ads intact. When it was over the consensus in the room was that McGann was great, the movie itself average. We wanted to see more but as the months passed it was clear that we wouldn't. By the time 2003 rolled around I'd come around to being happy about that.


Just under a fortnight later, Doctor Who was to make a return to its ancestral home - but how would fans there find the fresh interpretation of a very British legacy ...

Coming Soon: He's Back, And It's About Time




FILTER: - Canada - Classic Series - Eighth Doctor - Moments in Time - USA

Jon Rollason 1931-2016

Tuesday, 23 February 2016 - Reported by Marcus

The actor Jon Rollason has died at the age of 84.

Jon Rollason is best known in Doctor Who, for playing Harold Chorley, the television journalist who covered the attacks on the London Underground in the 1968 story The Web of Fear. The recovery of the story in 2013 gave a new generation of fans the chance for to appreciate his contribution to the story.

Jon Rollason was born in Birmingham, where he began his acting career working in the Birmingham Rep.

In 1955 he got his first role on television, appearing in The Children of the New Forest. In 1962 he played Dr. Martin King in three episodes of The Avengers. He had recuring roles in Swizzlewick, Z Cars and Softly Softly before joining Coronation Street in 1966 as Dave Robbins, a teaching colleague of Ken Barlow.

He wrote two episodes of Crossroads and in 1969 created a two-part series Special Project Air for the BBC, starring Peter Barkworth, produced by Doctor Who's Peter Bryant and with music by Dudley Simpson.

Jon Rollason died in hospital on the morning of February 20th and is survived by his second wife, Janet, and three children.




FILTER: - Classic Series - Obituary

Robert Banks Stewart 1931-2016

Friday, 15 January 2016 - Reported by Marcus
The writer and producer Robert Banks Stewart has died at the age of 84.

Robert Banks Stewart is best known to Doctor Who fans as the creator of the Zygons, but his body of work encompassed far more than the shape shifting body snatchers, creating some of the most loved series on British Television.

Born in Edinburgh, Banks Stewart started his profession life as a journalist, but his interests always lay in television scripts. In the 1950's he worked for both Pinewood Studios and Thames Television providing scripts for series such as Danger Man, The Human Jungle, Top Secret, The Sweeney and The Avengers. He wrote 5 episodes of Arthur of the Britons for HTV.

In 1975 he was asked to write for Doctor Who and came up Terror of the Zygons, as story that went on to be one of the most fondly remembered of the original series. The Zygons would return for the show's 50th Anniversary special in 2013, their success ensuring a full return in the most recent series of the show.

Due to the triumph of Zygon script he was asked to write the six part conclusion to the series, coming up with The Seeds of Doom, introducing the Krynoid and the deranged horticulturist Harrison Chase.

In 1979 he created the detective series Shoestring. Set in Bristol the series was a major success for the BBC, toping the ratings and running for two series. When leading actor Trevor Eve declined to stay with the show, Bank Stewart created another series, Bergerac, set this time on the island of Jersey and starring John Nettles as the eponymous detective and recovering alcoholic who liked to drive his vintage sports car while solving crimes. The series would run for 9 years and would feature Louise Jameson as Jim Bergerac's girlfriend Susan Young.

In the 1980's he became a producer, working on the first series of Lovejoy. In 1991 he produced and adapted, H. E. Bates' novel The Darling Buds of May for ITV, which gained one of the highest ratings for a new series in the history of British Television. Banks Stewart was instrumental in casting the unknown Catherine Zeta Jones in the role of Mariette.

Robert Banks Stewart died at home on Thursday after suffering from cancer. He is survived by three sons from his second marriage and a daughter from his first.




FILTER: - Classic Series - Obituary

Face of Evil - BBC Four Ratings

Thursday, 31 December 2015 - Reported by Marcus

The BBC Four repeat of the 1977 story The Face of Evil, had mixed fortunes according to unofficial overnight viewing figures.

Part one on Monday had an average of 141,000 viewers, above the timeslot average of 79,000. Part Two, which followed directly had an average of 183,000 watching, below the timeslot average of 268,000.

However just 56,000 tuned in for Part Three on Tuesday evening, rising to 88,000 for the story's conclusion.

Final figures will be released next week, and will include those who recorded the programme and watched it later.

Parts one and Two had an Appreciation Index score of 84 with Parts Three and Four scoring 83.




FILTER: - Classic Series - Ratings - UK

On the Twelfth's Day of Christmas

Friday, 25 December 2015 - Reported by Chuck Foster
As darkness descends across the United Kingdom, the country's viewers will settle down to recover from afternoon excesses in front of the television to watch what has become a traditional festive line-up on the box: Eastenders, Call The Midwife, Strictly Come Dancing, Mrs Browns Boys, and of course Doctor Who - which reaches its tenth anniversary of Christmas adventures at 5:15pm.

However, to misquote another anniversary's line of dialogue, that isn't how it all started. And, to steal a phrase from another franchise enjoying a successful return this year, there is another ... as fifty years ago today the Doctor, Steven and their latest waif in time Sara were to discover Christmas Day themselves!

Now into its third year on television, Doctor Who's regular Saturday schedule meant that in 1965 it would coincide with the 25th December. At this point the Doctor and company had been embroiled in an audacious plan by the Daleks to take over the universe by means of a Time Destructor, and some six episodes in had already seen two previous TARDIS travellers killed. With a Christmas audience of the 1960s as fickle as those of today at watching television on the day (and certainly without the myriad ways to catch-up we can now enjoy) it was decided to take a festive detour from the main complex plot and "cut-away" from the Daleks to a light-hearted interlude instead.

Unlike the modern Christmas adventures this was an episode never meant to be taken seriously, or indeed take itself seriously. So, rather than the inhabitants of Skaro, the Doctor is instead apprehended by the inhabitants of a Northern England police station, who have to contend with a man who loses his greenhouse; and once he's 'escaped' its off to encounter madcap antics in a Hollywood film studio, as he and his travelling companions are chased by a number of colourful characters! In comparison with festive adventures of more recent times, it might seem a strange approach to a Doctor Who episode now - but it was produced in an era of light entertainment, slotted into contemporary programming, and wouldn't have felt too out of place for cosy Christmas television viewing of the time!

The Doctor wishes a very merry Christmas in The Feast of StevenDue to its (then) unique status as a light-hearted Christmas episode, The Feast of Steven wasn't included in any overseas package sales, and with episodes seldom repeated Saturday 25th December 1965 became the only time that anyone in the world were able to experience the tale in its original form. Fortunately the soundtrack survives, so fans can still 'live' that first dalliance with festive Who - including the Doctor's little message in the closing moments:

Here's a toast. A Happy Christmas to all of us.
Incidentally, a Happy Christmas to all of you at home!


Happy 10th and 50th anniversaries to a Christmas Doctor ...
Whose twelfth incarnation embarks upon a twelfth festive adventure!


Doctor Who around the world on Christmas Day


Unlike 1965, in 2015 Doctor Who can be enjoyed around the world 24x7. However, there is still a nostalgic feeling to watching 'live' on television, and there is plenty of episodes to be caught around the world today!

In the United Kingdom, morning-risers can enjoy the tenth Doctor's last adventures as Watch broadcasts the specials from The Next Doctor onwards. Meanwhile, in the lead-up to The Husbands of River Song on BBC One during the afternoon viewers can then immerse themselves in a classic "base-under-siege" type adventure as Horror Channel show the appropriately named Horror of Fang Rock at 3:00pm (and/or at 8:00pm if they prefer to avoid the traditional enemy, Coronation Street!).

In Northern America, both BBC America and SPACE have turned their channels over to Doctor Who, with today seing a re-run of Series Nine in preparation for their own premiere of Husbands at 9:00pm. More locally in the United States, viewers could then switch over to catch The Hand of Fear on Retro TV at 10:00pm, and those in Oklahoma could then watch Robot of Sherwood at 11:00pm. Earlier in the day, UNC in North Carolina show the final two episodes of The Time Monster from 5:00pm, whilst EBRU finish off the ninth Doctor with Bad Wolf/The Parting of the Ways, also from 5:00pm. The final episode for Christmas Day is The Brink of Disaster, a first Doctor outing courtesy of KMOS in Missouri.

In Europe, BBC First in the Benelux countries will show Before The Flood just after midday with The Girl Who Died later this afternoon; BBC Entertainment in Europe and the Middle East had an early morning adventure with The Time of the Doctor; and BBC HD in Poland and the Nordic countries stay festive with The Snowmen, The Doctor, The Widow and the Wardrobe and The Best of the Christmas Specials. German viewers can catch Before the Flood, The Girl Who Died and The Woman Who Lived on FOX from 4:15pm, or the continuing adventures of the Torchwood team in Children of Earth on SyFy. And in Denmark DR3 will "Face The Raven" as that episode premieres in the country at 8:10pm.

For the rest of the world, FX in India goes festive with A Christmas Carol, The Doctor, The Widow and the Wardrobe, The Time of the Doctor and Last Christmas, whilst PRIME in New Zealands catches up with The Girl Who Died and The Woman Who Lived. TV Cultura in Brazil have Vincent and the Doctor in Portuguese, and for the Doctor's friends, Jeem in the Middle East provides an Arabic outing for Sarah Jane Smith with Mona Lisa's Revenge in the evening.

The continuing adventures of the Doctor can be followed around the world via This Week in Doctor Who!




FILTER: - Broadcasting - Classic Series - First Doctor - International Broadcasting - Series S

The Underwater Menace: North American Release Update

Friday, 4 December 2015 - Reported by Dan Collins
The Underwater Menace (Credit: BBC)In a previous article Doctor Who News reported that The Underwater Menace would be getting a January 19, 2016 release date in North America. At the time BBC Home Entertainment and Warner Home Video, the North American distrubutor for Doctor Who, hadn't confirmed a release date. Tvshowsondvd.com is now reporting that Amazon.com has updated The Underwater Menace page to show a March 1, 2016 release. No official confirmation has been received from the BBC or Warner Home Video so all release dates will be considered tentative.




FILTER: - Canada - Classic Series - Blu-ray/DVD - Patrick Troughton - Second Doctor - USA

The Underwater Menace surfaces on iTunes

Tuesday, 27 October 2015 - Reported by Chuck Foster
The Underwater Menace (iTunes)The Underwater Menace, the (currently) last "classic" Doctor Who story which was officially released on DVD yesterday in the United Kingdom, has also been made available digitally via iTunes.

In addition to the story itself (which comprises of the two existing episodes two and three and reconstruction of the first and last), the package also includes the behind-the-scenes documentary A Fishy Tale, and also both parts of Television Centre of the Universe (the first part of which originally featured on The Vistitation: Special Edition). The package is rounded off with the Photo Gallery.


The DVD itself also features commentaries and interviews presented on an alternative audio-track, and also includes the existing scenes from the two missing episodes that were recovered from Australian censor clips in 1998. The episodes themselves are presented after being restored via the VidFire process (which is not present in the digital versions).

You can read our review of the DVD here, and also purchase it via our Amazon Shop.

(with thanks to Julian Bashford)


Competition

To be in with a chance to win a copy of the DVD of The Underwater Menace, courtesy of BBC Worldwide, simply answer the following question:
Who was the director originally slated to make The Underwater Menace?
Please send your answers along with your name, address and where you heard about the competition (news site, news app, other website, etc.) to comp-fishy@doctorwhonews.net with the subject "You're not turning me into a fish!". The competition is open to UK residents only, closing date: 8th November 2015. Only one entry per household will be accepted.




FILTER: - Classic Series - Competitions - Blu-ray/DVD - Online - Second Doctor