"Can't get enough Martha. As for Tennant, 'cos he's the current one, simple as that. It's about putting characters from one medium into a totally different, and utilizing the strengths (and weaknesses) the new medium has to offer. So I gain from a bigger budget, more extras and louder bangs, yet the storytelling has to be as concise, clever and charming as the TV show is, but in a wholly different way. I have now just scared myself beyond belief..."

" Old monsters are all very well, but using the big guns like Daleks, Cybermen, the Master - it's a bit gauche. If you're going to use recognizable elements from the show - and I think you should where the story allows it - [it should be] a story that enables you to go "oooh I could put MONSTER X in here, that'd be cool" over to "oooh I need to write a story about MONSTER X" now and again, because people like to spot elements they're familiar with, then they need to be fun. Our first issue does feature something from the current show, and a later issue or two features something from waaaaay back in the series history, but these things should be done sparingly or it's no longer an event, it's the norm. And normal is dull."

Christmas 1936. Ghost story writer Professor Dunning (Terry Molloy) doesn't believe in the supernatural. So he's more than surprised when an invisible winged demon appears in his drawing room.

The Metropolitan Police's longest-serving officer, Inspector Lionheart (Nicholas Courtney), doesn't believe in the supernatural either, wings or no wings. So he's less than impressed when Russian emigres begin dying impossible deaths all over London.

Together, Lionheart and Dunning must face quarrelsome Generals, sinister clowns and Russian demons as they unravel THE NAZAD CONSPIRACY.