Frank Skinner confirmed for Doctor Who role

Friday, 16 May 2014 - Reported by Chuck Foster
Frank Skinner (Credit: BBC)The BBC today announced that comedian Frank Skinner will be playing a role in the new series of Doctor Who. The Room 101 presenter, who previously cameoed in Peter Davison's 50th Anniversary's tribute The Five(ish) Doctors Reboot, is to feature in the episode written by Jamie Mathieson, whose story is in the current filming block directed by Paul Wilmshurst.

Skinner, a long-term fan, said:
I love this show. I subscribe to Dr Who magazine, I've got a TARDIS ringtone, a five-foot cardboard Dalek in my bedroom and when I got the call saying they wanted me to read for the part, I was in the back of my tour bus watching episode three of The Sensorites. I am beyond excited.
Lead writer and executive producer Steven Moffat commented:
It's no secret that Frank's been pitching vigorously to get into Doctor Who for a while. He's been volunteering to be 'third monster on the left' as long as I've been in this job. But now, in Jamie Mathieson's sparkling script, we finally have a part that can showcase all of Frank's famous wit and charm. Hopefully he'll get out of my garden now.
Mathieson commented on the casting on his blog:
I was a stand up for a living for quite a few years. When I was trying to figure out how to do it in 1996, his first two stand up videos were part of my boot camp, so there is a nice synchronicity for me to be writing lines for him to deliver nearly twenty years later.

The episode will also feature the return of two more 'classic' series guest stars: Janet Henfrey appeared as Mrs Hardaker in the seventh Doctor adventure The Curse of Fenric in 1989; and Christopher Villiers hails back to the fifth Doctor era, appearing as Hugh in 1983's The King's Demons. Other guest stars announced include David Bamber (Rome, What Remains) and Daisy Beaumont (The Armstrong and Miller Show, A Touch of Cloth, You, Me, and Them).





FILTER: - Steven Moffat - Guest Stars - Production - Series 8/34

Twelfth Doctor Radio Times cover debut

Tuesday, 13 May 2014 - Reported by Chuck Foster
Radio Times (17-23 May 2014) (Credit: Radio Times)The new Doctor, as played by Peter Capaldi, makes his debut as a Radio Times front cover this week - the second Doctor Who related one this year (so far) as the show once again promotes the BAFTA Television Awards, which take place live on BBC One this coming Sunday 18th May at 8:00pm. It is one of the nominees in the Radio Times Audience Award that is open to a public vote - The Day of The Doctor is up against Broadchurch, Breaking Bad, Educating Yorkshire, The Great British Bake-Off and Gogglebox. Voting closes at midday, 15th May.

There is a 16 page guide to this year's BAFTA TV awards, and the magazine also includes a feature on Doctor Who, with lead writer/executive producer Steven Moffat discussing writing The Day of the Doctor, revealing how it was the most "difficult" and "terrifying" thing he has ever written!

Speaking about how Capaldi came to be chosen as the new Doctor, he said:
When you choose a Doctor, you want somebody who is utterly compelling, attractive in a very odd way. None of the Doctors are conventionally attractive, but they’re all arresting. Handsome men don’t quite suit. Matt Smith’s a young, good-looking bloke from one angle but is actually the strangest looking man from another. You need that oddity; you need somebody who is carved out of solid star, really. Doctor Who is a whopping great star vehicle, despite the fact it changes star every so often.

The Radio Times is on sale from today.

(with thanks to the Radio Times)




FILTER: - Steven Moffat - Peter Capaldi - Radio Times

Twelfth Doctor costume revealed

Monday, 27 January 2014 - Reported by Chuck Foster
The BBC have released the first promotional image of the costume for the Twelfth Doctor, as played by Peter Capaldi.

The Twelfth Doctor costume revealed (Credit: BBC/Steve Brown)

Commenting on his costume, Capaldi said:
He's woven the future from the cloth of the past. Simple, stark, and back to basics. No frills, no scarf, no messing, just 100 per cent Rebel Time Lord.
Lead writer and executive producer Steven Moffat added:
New Doctor, new era, and of course new clothes. Monsters of the universe, the vacation is over - Capaldi is suited and booted and coming to get you!
Charlotte Moore, Controller of BBC One, commented:
Peter Capaldi's Doctor is officially recorded in history today with the unveiling of his new costume. It's sharp, smart and stylish - The Twelfth Time Lord means business.




FILTER: - Steven Moffat - Twelfth Doctor - Peter Capaldi - Press

Filming begins on Series Eight

Tuesday, 7 January 2014 - Reported by Chuck Foster
Production on the eighth series of Doctor Who in the 21st Century is now in full swing, with filming taking place in Cardiff at the Roath Lock studios and on location in Cardiff. The BBC have announced details of the first couple of episodes to be filmed, alongside the first official image of new Doctor Peter Capaldi alongside Jenna Coleman:

Peter Capaldi and Jenna Coleman begin filming on Series 8 (Credit: BBC/Adrian Rogers)

Arriving on set in Cardiff to begin filming, Peter Capaldi said:
New job, first day, slightly nervous. Just like the Doctor, I'm emerging from the TARDIS into a whole other world.
Steven Moffat, Lead Writer and Executive Producer, added:
First the eyebrows! Then, at Christmas, the face! Coming soon, the whole Doctor. In the Cardiff studios, the Capaldi era begins.
Ben Stephenson, Controller of Drama Commissioning, said:
Excitement and anticipation fills the air as Peter Capaldi’s Doctor takes control of the TARDIS for the very first time today. It’s going to be one hell of a ride and I can't wait for the journey to start.
Charlotte Moore, Controller BBC One, commented:
A new year, a new face, a new Doctor! 2014 has arrived and it's Peter Capaldi's time so let the adventures begin!

Moffat has written the first episode of this series, which is directed by Ben Wheatley. Wheatley is a newcomer to Doctor Who, but his previous work includes The Wrong Door and Ideal. The director will also undertake the following episode, which has been written by Phil Ford, whose previous credits include The Waters of Mars for Doctor Who, as well as several episodes of Torchwood and The Sarah Jane Adventures. Other confirmed production crew include Brian Minchin (The Time of The Doctor) as executive producer alongside Moffat, and the return of producers Nikki Wilson (The Waters of Mars, The Sarah Jane Adventures) and Peter Bennett (several episodes from Series 5 and also Torchwood: Children of Earth).

Filming is expected to continue until August 2014.


As reported above, filming has commenced on location in Cardiff, which revealed other characters involved with the opening episode.
Filming took place at the Maltings in Cardiff this morning, a location recognisable in Doctor Who from its previous appearances in stories such as Gridlock, A Good Man Goes to War and especially The Next Doctor. This time around it was dressed to represent a wharf, and filming also included the now familiar "Paternoster Gang" of Madame Vastra, Strax and Jenny, as played by Neve McIntosh, Dan Starkey and Catrin Stewart.

Strax, Jenny and Vastra, as played by Dan Starkey, Catrin Stewart and Neve McIntosh (Credit: Simon Clements, via Twitter) Madame Vastra, as played by Neve McIntosh (Credit: Ryan Farrell, via Twitter)




FILTER: - Steven Moffat - Peter Capaldi - Series 8/34

BFI: Final panel video for Doctor Who At 50 season

Tuesday, 7 January 2014 - Reported by John Bowman
A video of part of the guest panel session from the BFI's final event of its Doctor Who At 50 season was uploaded to the organisation's YouTube channel today.

Held on Sunday 8th December to mark the Matt Smith era, it featured big-screen showings of The Eleventh Hour and The Name of the Doctor followed by an on-stage interview with Steven Moffat, Mark Gatiss, Saul Metzstein, and Dan Starkey, conducted by season co-curator Justin Johnson.

The 12-minute extract from the discussion can be seen below:





FILTER: - Steven Moffat - Special Events - UK - Online - BFI - WHO50

Doctor Who Celebration: The Eleventh Hour panel full video

Sunday, 22 December 2013 - Reported by Melad Moshiri
An extended video featuring two of the Eleventh Hour panels at the Doctor Who Celebration has been published on the BBC's 50 Years of Doctor Who website.

Filmed at the Excel in London on the 24th November and presented by Matthew Sweet, the panel brought together Matt Smith, Jenna Coleman, Steven Moffat and Nick Hurran following the celebratory broadcast of The Day of the Doctor. The team discussed the most notable scenes in the 50th anniversary special involving Tom Baker, past Doctors, the regeneration of John Hurt into Christopher Eccleston and the brief appearance of Peter Capaldi.

Teased was The Time of the Doctor Christmas special, which executive producer Steven Moffat described as Matt Smith's "finest ever performance as the Doctor and possibly the finest performance ever by a Doctor". Moffat also talked of a world without Doctor Who (also available as a separate YouTube video).

Set over the course of three days from November 22nd to the 24th at the Excel, the event saw fans from around the world and stars from the show attending the celebration in honour of the show as part of its anniversary weekend.





FILTER: - Steven Moffat - Peter Capaldi - Matt Smith - Jenna Coleman

A 50th anniversary to remember: Flashback to the first glimpse of a Dalek

Saturday, 21 December 2013 - Reported by John Bowman

Fifty years ago today on Doctor Who the companion Barbara Wright - as played by Jacqueline Hill - became the first of the TARDIS crew to encounter a Dalek, in the cliffhanger to the episode The Dead Planet.

At the time, only Barbara saw it in full and she didn't know that it was a Dalek either. The 6.9 million TV viewers could only see a plunger - as wielded by assistant floor manager Michael Ferguson - advancing menacingly on her, but this tantalising glimpse of an unknown alien horror, coupled with Barbara's piercing scream and sheer terror at what she had encountered, became an iconic moment in the programme.

The following episode would see the full introduction of the creatures that would become an instant hit with audiences and make the show a genuine talking-point, propelling it to international success and guaranteeing its longevity.

To mark today's special anniversary, though, the official site has uploaded a video of current showrunner Steven Moffat looking back at the 1975 story Genesis of the Daleks. It follows the release by the site earlier this week of a video of Moffat praising the 1988 adventure Remembrance of the Daleks. Both of them were recorded last year as part of a series in the run-up to the broadcast of Asylum of the Daleks.

In it, Moffat says of Genesis:
What a brilliant idea! The Doctor goes back in time to avert the creation of the Daleks . . . What a marvellous pitch for a story! At the time I saw Genesis of the Daleks I thought this is the best Doctor Who story ever done, I really did then . . . This is a different standard from everything that was around it. I loved what was around it, but this was better. Terry Nation not only has the cheek to invent the Daleks, he invents Davros as well – the best humanoid-ish villain Doctor Who's ever had. Brilliant dialogue from both Terry Nation and I know with a little help from Robert Holmes too. It was a different story that one. That one stood out as something, something else.


Following the popularity of our An Unearthly Series feature that marked the 50th anniversaries of milestone events leading up to the broadcast of the show's first episode, Doctor Who News will be celebrating significant moments in time relating to the series after its début on 23rd November 1963.




FILTER: - Steven Moffat - Doctor Who - Classic Series

Blue Peter sonic device contest winners announced

Thursday, 19 December 2013 - Reported by John Bowman
The three winners of the Blue Peter competition to design sonic devices to be used in Doctor Who were announced today on the CBBC magazine show's Christmas special.

Last month, viewers aged between six and 15 were invited to come up with gadgets that could be used by the characters Commander Strax, Madame Vastra, or Jenny Flint - and the show received some 3,600 entries over 12 days.

The winners were revealed on today's edition as 13-year-old Connor from Somerset, 11-year-old Arthur from Hampshire, and seven-year-old Amber from Kent. (No surnames were given.) They were chosen by a panel of judges that included Doctor Who's head writer and executive producer Steven Moffat, producer Nikki Wilson, production designer Michael Pickwoad, and brand account manager Edward Russell, Blue Peter editor Ewan Vinnicombe and series producer Ellen Evans, plus CBBC presenter Chris Johnson.

Connor designed a sonic gauntlet for use by Jenny. His intricate invention included a tumbler to make locks fall apart, a radioactivity measurer and receiver dish, and a watch that shows the conductivity of metal in a lock. Moffat said that the design was a multi-purpose toolkit that fitted in your arm and could do a whole manner of things:
We love this because it looks really cool. It looks quite steam-punk – it looks Victorian, but looks technological at the same time, and I can just imagine Jenny Flint when she goes out in the morning needing something like that on her arm.
Arthur's design was a sonic lorgnette – a pair of handheld eyeglasses - for Commander Strax. It included an X-ray lens for seeing inside people and objects, a thermal lens for detecting people, and a sonic light. Moffat called it a beautiful design that was perfect for Strax:
You feel you want to pick it up and hold it, but it's also about the other side of his life because - of course - Strax is a nurse and this allows him to examine his patients and see what's wrong with them. I think it will be very funny seeing Strax's big clumsy hands holding that.
Amber's winning device for Madame Vastra was a sonic hat pin that works as a remote control for her carriage but can also turn into a sonic sword that increases in size with the flick of a special switch, and Moffat said:
The sonic hat pin is a glorious idea. It can actually summon her carriage just by plucking it out of her hat, and she can lock it as well. It's funny, it makes absolute sense and it's got a little dinosaur feather in it, which sells it to me.
In an interview recorded for the show, he said:
All the finalists, they've all won because every single one of these ideas is good enough to be in Doctor Who . . They're all brilliant . . . There were so many stories there, that's what impressed me. It wasn't just the idea or the drawing or something simple, it was the whole back story to what this does, what its limitations are, what it costs you, how it gives you something. It's more than just design, it's actual narrative, and a huge exercise of the imagination.
Vinnicombe told BBC staff magazine Ariel:
The Doctor Who production team gave us a great opportunity. They offered us the option of three characters, which was brilliant because it gave every child a chance to design for their favourite one.
The winners joined Blue Peter presenters Barney Harwood, Lindsey Russell and Radzi Chinyanganya in Salford and will also be invited to Cardiff to see their devices being used on the Doctor Who set.

A video message of congratulations from actors Dan Starkey, Neve McIntosh and Catrin Stewart, who portray Strax, Vastra and Jenny respectively, was played during the show, with the trio saying they were looking forward to using the new devices in the series.

The winning designs are shown here:


and are also featured, along with the designs that were runners-up, in an online gallery, while the programme is currently available to watch in the UK via the BBC iPlayer (go to 16:44).





FILTER: - Steven Moffat - Doctor Who - Competitions

Steven Moffat in praise of Remembrance of the Daleks

Wednesday, 18 December 2013 - Reported by John Bowman
With the 50th anniversary of the first appearance of the Daleks on TV screens fast approaching, a video tribute by Doctor Who's current showrunner Steven Moffat to their last story during the classic era - Remembrance of the Daleks - was posted today by the BBC on the programme's official site.

In the piece, he says of the 1988 four-parter:
Terrific script, terrific, pacy, very modern, very of-its-time script, very, very well directed and with one of the best spaceship landings we've had in Doctor Who. Back in the day when they had no CGI, when they barely had post-production, a spaceship landing in a school playground . . . they did it superbly. Genius! And a superlative story.
Moffat's comments were recorded last year as part of a mini series in which he talked about the Daleks in general to publicise their return in Asylum of the Daleks and, in subsequent video posts, looked at what he considered to be the best and most significant Dalek adventures.





FILTER: - Steven Moffat - Online - Seventh Doctor - Second Doctor - First Doctor - Classic Series

The Time of the Doctor: More details and pictures

Thursday, 12 December 2013 - Reported by John Bowman
A video interview with Matt Smith plus question-and-answer sessions with Jenna Coleman and Steven Moffat form part of a media pack released today to promote the forthcoming Christmas special The Time of the Doctor.

Also in the pack is a question-and-answer session with Orla Brady, who plays the character Tasha Lem.

In his interview, Smith reflects on his last episode playing the Doctor and how it felt emotionally.


A partial transcript has also been made available:
Can you first tell us a little bit about the Christmas special?

The Christmas special for me is a bitter-sweet episode because I'm leaving, but Steven [Moffat] has written a brilliant, adventurous, funny episode and I'm really thrilled with it. It feels wonderfully Christmassy.

What did you want from your last episode?

I think it's good for the Doctor to go out with a bang, a crash and a wallop. I'm pleased it's really funny and mad. When I got to the last 20 pages and it was quite a hard read for me, but I hope it's going to be a belter.

We've got a great director in Jamie Payne and some really lovely double-hand stuff with me and Jenna [Coleman]. Steven's managed to tie in plot points and narratives that have been threaded through over years and I think that's ingenious.

Emotionally, how did it feel to be doing your final performance?


It felt very emotional to be doing my final episode. My mother is mortified, honestly she was at the front of campaigning for me to stay and wasn't happy when I said I was going to leave. But, when you've got to go, you've got to go.

Of course, it's very sad for me in many ways because everything is the last time. It's the last read-through, the last time I put on the bow tie and the last scene in the TARDIS. But the show is about change and I had lunch with Peter Capaldi shortly after the announcement and I think he's just going to be incredible. He has the most brilliant ideas. As a fan, I'm genuinely excited to see what he's going to do because I think he's going to do something extraordinary.

So you're still going to be a fan?

Yeah, absolutely. I'll be a fan. I'm very grateful to Steven Moffat and that whole team up in Wales for the past four years and you know I want the show to go from strength to strength, which it will. It might take me a couple of weeks to get my head around it. I think it was the same for David and I think it was the same for Karen, when she watched Jenna come in. I don't think it's easy, but it's not my show, it's the fans' show, so I'll be a fan and then it will be my show.

Have you been given anything by the fans as a leaving present?

I was doing a promo shoot for the 50th and these two girls came on set. They had made me this book which must have had 50 or 60 letters in, saying thank you for Doctor Who, for being part of it. Things like that are amazing. I've said it before, the fans of this show are really spectacular and they've made this an extraordinary journey for me and I'm very, very grateful. I don't think there's another set of fans like it.

Can we expect some nods to past series with this Christmas special? Are we referencing old specials?

With Doctor Who you're always looking back and forward at the same time, because you tend to be jumping around. I don't want to give too much away, but obviously when you look at my tenure over the last four years, there are stories and plot points and villains in there that are particular to my Doctor and I think he's got to face all that.

Steven Moffat sets the scene for the special, reflects on Matt Smith's era, and looks ahead to the new one.
Can you set the scene for this Christmas episode?

It's his final battle and he's been fighting it for a while. The Doctor is facing the joint challenge of a mysterious event in space that has summoned lots of aliens to one place and helping Clara cook Christmas dinner. There are also elements from every series of Matt's Doctor, which will come to a head in this special. Things that we've laid down for years are going to be paid off.

How was the read-through?

It was emotional. I think possibly the beginning of the end is more emotional than the actual end. It was the same with "The Angels Take Manhattan", when Karen and Arthur left. The read-throughs are the moments that tend to get people because obviously the shoot dissolves into what we hope will be a tremendously exciting wrap party.

Did you know what you wanted Matt's last words to be?

I didn't think I would go that way, but a couple of months before I wrote it I did say to Mark [Gatiss] that I thought I knew what his last moment would be. And indeed his last line. But if it didn't fit the scene I wouldn't crowbar it in. I've had the vague storyline in place for a long while.

What episodes or scenes do you think will define Matt's time as the Doctor?


I think "The Eleventh Hour" was such an extraordinary debut. Everybody for a year of poor Matt Smith's life had been saying, "Total mistake. He's far too young." Then he came in and he was brilliant. "Vincent And The Doctor" was also such a lovely episode and I was thrilled Richard Curtis was able to write for the show. There's the physical comedy that Matt has brought and of course fish fingers and custard. I think his relationship with his own TARDIS in "The Doctor's Wife" was gorgeous.

What do you think distinguishes Matt from the other Doctors?

I think he does old Doctor better than anybody else. It's not an accident. It's something he very, very consciously thought about. Because he was the youngest Doctor Matt said, "He's only got young skin. Nothing else is young." I think Matt makes you think very believably that he is this ancient being.

The Christmas special will introduce the next Doctor, played by Peter Capaldi. What was it about Peter that you thought was right for the role?

He's one of the best actors in the country and is very beloved. I was at the BAFTAs shortly before we were contemplating Peter and heard the cheer he got from the audience. Nobody has a bad thing to say about him and that's not a minor issue when it comes to casting a Doctor. They've got to be lovely. And he's a huge fan of Doctor Who. So we asked and he was incredibly excited to come and audition. We didn't tell him that he was the only person auditioning because that would be oddly pressuring.

Did you deliberately aim to cast an older Doctor?

It wasn't the reason I cast Peter but I do think if we'd cast another Doctor as young as Matt - because Matt's been so good at being The Young Doctor - I'm not sure what another one would have done. They'd have to have either been deliberately different or just repeat him.

Jenna Coleman talks about how tough it was to say goodbye, what she'll miss about working with Matt Smith, and her reaction to hearing that Peter Capaldi had been cast as the next Doctor.

How did you find the readthrough? Was it emotional?

It was a very emotional read-through. Just going through the process of saying goodbye was difficult. The script itself is very emotional, but also joyous. But saying those words and saying goodbye was never going to be easy.

Is there a sense from the start of the episode that we're moving towards a regeneration?

It's very much an adventure, but it goes off on a different track. People watching will know that it's Matt's last episode, but it doesn't loom over from the start.

We were introduced to Clara as the impossible girl last year. Are we going to find out more about her family background?

Absolutely. I think there had to be a sense of mystery last year to make the plot work. What's really interesting is that it does feel like we're starting again and we get to see her home life as well as her life with the Doctor.

From a few pictures that have been released there are some of you cooking Christmas dinner. Have you ever done that in real life?

My mum does the Christmas cooking. It couldn't be any other way.

Are you looking forward to filming next year with Peter?


It will be a different show next year. We have a bit of a gap before we start filming the new series, so I have time to get my head around it all. Me and Peter will get together before Christmas to start rehearsing and the scripts will start coming in. I think when I came in there was just a week off in production where Arthur and Karen left, so that would have been a strange shift.

This episode is very much about Matt and the 11th Doctor and Clara and the 11th Doctor and their last adventure together. I have no idea where we're going to next series!

Where will you be watching the special this year? Will you be at home?

Yeah, I think so. Last year the whole family got a cottage together where mum still did the Christmas cooking. We'll definitely all be together.

What was your reaction when you heard the next Doctor was Peter Capaldi?

It was kind of that moment "Of course, makes sense." It's funny as I don't think he was one of the names that was originally being speculated about and it wasn't until the week before that his name came up. He's going to be so different to Matt and take the show in an interesting direction.

When were you told?

Matt and I were told together during the royal visit to Roath Lock studios. We could tell something was going on and we managed to pin the producers down and get it out of them!

How hard was it to keep the secret?

I think I've learnt my lesson in that the best thing to do is not to tell anybody and then you don't have your own paranoia that you've let something out.

What will you miss about working with Matt?

Everything! When you're reading a scene with him he can turn anything on its head. He's so inventive, clever and very funny. There's just so much that I'll miss about him.

Orla Brady talks about her character and what it was like working with Matt Smith.

What drew you to the role of Tasha Lem?

So you're sitting in your dressing room on an ordinary day (well, ordinary for an actress) playing a normal person who makes breakfast and loses her purse sometimes. Then along comes a call to play a galactic nun and whizz around the universe with Matt Smith. Now what girl wouldn't be drawn to that?

Can you tell us anything about how we first meet your character?

The Doctor goes to see Tasha as they are old friends. He needs her help and knows he will find it with her, as although she is fearsomely powerful she is loyal to her friend.

What can you tell us about your costume and make-up? Did you work closely with the costume designer?

The designer Howard Burden knows the Doctor Who world inside out and had an image of Tasha that I loved from the start, so there was very little need for me to suggest anything. I just climbed into it really. Emma Cowen created a look that was a little spooky, referencing "Blade Runner" a little. We both wanted her to look as she is described in the writing: imposing, human, but with a touch of alien.

In this special a whole host of the Doctor's most famous enemies come together, including Cybermen, The Silence, Weeping Angels and Daleks - how did you find filming opposite these monsters? Have you had to do anything similar for previous roles?

Most of my acting life I have played ordinary women so obviously monsters haven't factored much. However, I did love getting to face off with one of this lot in "The Time Of The Doctor".

How did you find working with departing Doctor Matt Smith?

Joyous. I had heard through friends that he was a nice guy - and he is - but what struck me most is how enthusiastic and engaged he was in his role, in every single scene we played. It so often happens that someone playing a character for years sits back a bit. He didn't. He was as full of energy and inventiveness as someone on their first day and it was truly good to be around.

Did you meet the next Doctor Peter Capaldi?

Yes. Peter came to set for the first time and it was good to see him again as we had briefly played boyfriend and girlfriend years ago and he was hilarious. He has an air about him, that man. Can't wait to see what he will do with his Doctor.

How was it filming in Cardiff?


Would it be obvious to say rainy? It was a place I had never been to, I didn't know anyone and was staying in a hotel which can be a bit glum. However, the thing I discovered about Cardiff is that it is the friendliest place I have ever been. Ever. The Capital of Friendly. I could live there now I think . . . but I would buy a new raincoat.

And finally, where will you be watching the Christmas special?

My mum and brothers are insisting on watching it on Christmas Day, but I find it excruciating to watch things I'm in with other people, so I will go for a pint with a friend.

In addition, seven more pictures from the episode were released, shown above and here:
Weeping Angel. Image: BBC/Adrian RogersDaleks. Image: BBC/Adrian RogersCybermen. Image: BBC/Adrian RogersSilent. Image: BBC/Adrian RogersArt. Image: BBC/Adrian RogersArt. Image: BBC/Adrian Rogers




FILTER: - Steven Moffat - Time and the Doctor - Matt Smith - Jenna Coleman