I'm proud that we're one of the first international broadcasters to give access to our shows in a perfectly packaged app. This launch is an important route to market in our strategy of pursuing multiple platforms for our programmes and brands, taking British programmes to new digital audiences around the world. Today marks a significant next step on a digital journey that has already seen 12m BBC Worldwide apps downloaded across brands as diverse as Lonely Planet and Good Food.

Based on the soaring success of the UK's pioneering BBC iPlayer service, the app combines technical innovation with editorial creativity to transport users to the heart of the BBC and British television and on a journey of discovery, wherever and whenever they want. We have an exciting vision for what this service could become and will develop it based on feedback from within the markets.

Samsung is committed to delivering a wide range of local and international content direct to Australian homes through Samsung Apps. Samsung Smart TVs and Blu-ray players are changing how consumers perceive the TV experience in their home.

It’s wonderful writing for Matt, he’s such a fantastic actor and a genuinely lovely guy. He’s about the same age as me, we’re from the same town and we’ve got a lot of friends in common, so it was great to work with him. And as The Doctor, I admire him so much. I’m a huge fan of what he’s done on the show, I would say he’s 'my Doctor'.

To think that John Barrowman – you know, a British television guy – and I’m now
riding my bike through Warner Brothers and people are going "heyyyy!"

Steven Moffat is one of a select band of writers and producers who is almost as famous as the stars who appear in his shows.

Not content with being the showrunner on the BBC's biggest-selling global hit, Doctor Who, he was also the co-creator, along with League of Gentlemen star Mark Gatiss, of one of BBC1's most acclaimed new dramas of last year, Sherlock.

Moffat, a long-time Whovian, began his TV career with the Bafta-winning children's show Press Gang and was best known for BBC2 sitcom Coupling before taking over from Russell T Davies on the time-travelling show. He also co-scripted new Steven Spielberg film, The Adventures of Tintin: The Secret of the Unicorn.

Karen read twice for him at auditions and he was impressed with her charisma and her natural instincts. "More importantly, she can do the text convincingly and she feels as if she comes from that Sixties British Mad Men world," Lloyd added.

Synopsis: Bill Maitland, a middle aged lawyer, struggles to avoid the harsh truths of his life and keep a hold on reality. As those closest to him begin to draw away, he puts himself on trial to fight for his sanity.

I left Doctor Who, because I could not get along with the senior people. I left, because of politics. I did not see eye-to-eye, with them. I didn't agree with the way things were being run. I didn't like the culture that had grown up, around the series. So, I left. I felt, over a principle. I thought to remain, which would have made me a lot of money and given me huge visibility, the price I would have had to pay, was to eat a lot of shit.

I'm not being funny about that. I didn't want to do that and, it comes to the art of it, in a way. I feel that if you run your career and-we are vulnerable as actors and, we are constantly humiliating ourselves auditioning. But, if you allow that to go on, on a grand scale. You will loose, whatever it is about you and, it will be present in your work.

If you allow your desire to be successful and visible and financially secure – if you allow that to make you throw shades on your parents, on your upbringing, then you’re knackered. You’ve got to keep something back, for yourself, because it’ll be present in your work. A purity or an idealism is essential or you’ll become– you’ve got to have standards, no matter how hard work that is. So it makes it a hard road, really.

You know, it’s easy to find a job when you’ve got no morals, you’ve got nothing to be compromised, you can go, ‘Yeah, yeah. That doesn’t matter. That director can bully that prop man and I won’t say anything about it’. But then when that director comes to you and says ‘I think you should play it like this’ you’ve surely got to go ‘How can I respect you, when you behave like that?’

So, that’s why I left. My face didn’t fit and I’m sure they were glad to see the back of me.

The important thing is that I succeeded. It was a great part. I loved playing him. I loved connecting with that audience. Because I've always acted for adults and the suddenly, you're acting for children. Who are far more tasteful, they will not be bullshitted. It's either good, or it's bad. They don't schmooze at after show parties, with cocktails.