The seventh instalment in our series looking at events leading to the creation of a true TV legend.

As stated in our previous feature, having joined the BBC in December 1962 as its new Head of Television Drama, Sydney Newman, pictured below, had been somewhat dismayed from the off, feeling that most of the directors, although perfectly nice people, were stuck in old-fashioned ways. He needed to implement long-overdue changes to re-energise the department - and a newly-published report helped the "new broom" do just that.

The Pilkington Committee, chaired by glass magnate Sir Harry Pilkington, had been appointed in July 1960 to look into the organisation of the entire broadcasting industry and programmes. It eventually reported in June 1962, and among its recommendations it said that the BBC should be awarded a second national TV channel as an alternative to what was perceived as a populist approach by the BBC (whose Television Service had begun regularly-scheduled electronically-scanned programmes on 2nd November 1936 and was renamed and restyled BBC tv in 1960) and its commercial rival ITV (which began broadcasting on 22nd September 1955, initially in the London area). As a result, BBC2 (as it was originally styled) would be launched on 20th April 1964, with BBC tv becoming BBC1.

Then, in January 1963 - 50 years ago this month - Newman received some very welcome news. He would later recall being summoned to the office of Kenneth Adam, the BBC's Director of Television, to be told that as a result of BBC2 being given the go-ahead the Drama Department would now have a 40 per cent budget increase. Newman said: One of the far-reaching decisions Newman made during January 1963 was to disband the Children's Department at the BBC, meaning that every children's drama programme would now be made by the Drama Department.

Further fundamental changes to working practices followed. Newman had found the Drama Department an unwieldy beast and impossible to control by himself. He therefore took the decision to break it down into three separate departments: Series, Serials, and Plays - each of which had its own head with direct control but doing his bidding.

In addition, Newman gradually abandoned the all-in-one producer/director role, replacing it with the production-team style used greatly by ITV and, hitherto, to a far lesser degree by the BBC. Directors would be appointed - either from staff or on a freelance basis - to make individual episodes or programmes, whereas producers would now act in a more executive capacity, with total financial and artistic control over a specific project. A story editor would also form a permanent part of the team, and their job would be to find writers and work with them to produce scripts. A move that would take some three months to fully put into place, this brave new world of drama production would ultimately see the Script Department become mostly redundant, leading to its eventual closure.

During March 1963, Newman would also hold talks with Donald Baverstock, pictured left, newly promoted from being BBC tv's Assistant Controller of Programmes to the role of Chief of Programmes for BBC1 (in anticipation of the launch of BBC2), and Joanna Spicer, pictured far left, the Assistant Controller (Planning) Television, on the need for a new drama serial to plug an important gap in the Saturday-evening schedule.
Here's what Newman would later say about it: Among the possibilities was a series centring on two lads in a boys' school, but Newman later settled on a science-fiction show. He gave a general outline of his idea to Baverstock and Spicer, who were extremely positive about it, and Newman subsequently asked Donald Wilson, head of the still-remaining Script Department, to think of format ideas for a 52-week science-fiction series made up of shorter serials. A meeting in Wilson's office was then scheduled for 26th March to talk about suggestions for the new series, using as the basis for discussion the April 1962 and July 1962 Survey Group reports concerning science-fiction.

Back in December the BBFC classified a trailer for Second Doctor story The Ice Warriors - this trailer has now been confirmed for the forthcoming The Aztecs - Special Edition DVD, though it should be noted that, as the name implies, the trailer illustrates a release that is "Coming Soon". Restoration Team member Steve Roberts clarified:
Though the trailer indicates that the story is to be released, there is no indication as yet if the new DVD presentation will also feature animated recreations of the missing episodes two and three in the same way as this week's release of The Reign of Terror. Steve Roberts has reported previously, however, that the DVD would include the reconstruction of those episodes that appeared on the original VHS release back in 1998.

The official confirmation of story releases beyond The Aztecs will be announced later in the year.

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Meanwhile, the colour restoration work undertaken on The Mind of Evil is almost complete, with the Restoration Team reporting on Monday: "At TV Centre, grading episode one of The Mind of Evil - back in colour and looking stunning!". Unlike episodes two to six, which contained the chromadot information enabling Richard Russell to restore their original colour, the first had no such detail and needed to be painstakingly coloured from scratch by Stuart Humphryes and Peter Crocker.

The fruits of everybody's efforts will be premiered at the BFI on 10th March. The DVD release of the story has yet to be announced.

The BBC has announced that actor David Bradley will play William Hartnell in the upcoming docudrama An Adventure in Space and Time, detailing events leading to the creation of Doctor Who fifty years ago.

Bradley is best known for playing Hogwarts caretaker Argus Filch in the Harry Potter film series. He is also an established theatre actor with a career that includes a Laurence Olivier Award for a supporting role in a production of King Lear.

This won't be Bradley's first involvement with the worlds of Doctor Who. He played Solomon in last year's episode Dinosaurs on a Spaceship and provided a Shansheeth voice in the 2010 Sarah Jane Adventures story Death of the Doctor.

An Adventure in Space and Time will tell the story behind the creation of Doctor Who and the many personalities involved. The BBC’s Head of Drama Sydney Newman, credited with the creation of the show, will be portrayed by Shakespearean actor Brian Cox, who voiced the elder Ood in the 2009 Doctor Who episode The End of Time.

Doctor Who's first producer, Verity Lambert, will be played by Call the Midwife star Jessica Raine (shortly to appear in one of this year's episodes), while the director of the first serial, Waris Hussein, will be played by Sacha Dhawan, best known for his appearances in The History Boys and Last Tango In Halifax. (Some photos of Waris and Sacha together can be seen courtesy of the Radio Times.)

Commenting on his upcoming role, Bradley said:
The one-off 90-minute BBC Two drama has been written by Doctor Who writer and actor Mark Gatiss, who will also act as executive producer alongside Steven Moffat and Caroline Skinner. Gatiss said:

The readthrough for the drama took place yesterday, with Gatiss describing the day as "thrilling and moving". Filming starts at the beginning of February at BBC Television Centre before moving to Wimbledon Studios. It is being produced by Matt Strevens (Misfits, Skins) and directed by Terry McDonough (Breaking Bad, The Street).

The film is a co-production between BBC America and BBC Cymru Wales and will air both sides of the Atlantic in November, after being premièred at the BFI in London.

The actor Bernard Horsfall has died at the age of 82.

He appeared in 14 episodes of Doctor Who, alongside the second, third and fourth Doctors.

Born on 20th November 1930 in Bishop's Stortford, Hertfordshire, Horsfall had a long career in film and television in the UK, including roles in the feature films On Her Majesty's Secret Service, Gandhi and Braveheart.

He appeared in many classic television dramas including Casualty, Agatha Christie: Poirot, The Bill, The Jewel in the Crown, Juliet Bravo, Minder, When the Boat Comes In, Within These Walls, Jackanory, Elizabeth R, Doomwatch, Out of the Unknown, Softly Softly, Dr. Finlay's Casebook and Z Cars. He also played the respected doctor Philip Martel in the Channel Islands wartime drama Enemy at the Door, which ran for 26 episodes between 1978 and 1980.

Horsfall's first appearance in Doctor Who came in the 1968 story The Mind Robber, where he played Lemuel Gulliver, encountered by the second Doctor in the Land of Fiction.

After a small role as the First Time Lord in the final Troughton story The War Games, Horsfall returned to the series in 1973, playing the Thal Taron in the six-part story Planet of the Daleks, working with the third Doctor to defeat the Daleks on the planet Spiridon.

His final role in Doctor Who is arguably the one he is most famous for, playing Chancellor Goth in the 1976 story The Deadly Assassin. His most famous scene involved a battle with the fourth Doctor inside the Matrix with the climax of episode three showing the Doctor being held underwater by Goth. The sequence prompted complaints from the TV campaigner Mary Whitehouse and was edited from repeat showings.

Horsfall returned to the world of Doctor Who in 2003 when he played Arnold Baynes in the Big Finish audio play Davros.

The actor, who was due to attend the 2013 Gallifrey One convention next month, collapsed and died this morning.

Diamond Comics, the main distributor for comic books in North America, has published a preview of the first issue of IDW's new Doctor Who comic, Doctor Who: Prisoners of Time. The first five pages of issue #1 can be read in PDF format here.

As previously reported, Doctor Who: Prisoners of Time is written by Scott and David Tipton. Each issue will feature each of the eleven Doctors in turn, with art by a different artist. The first issue's art is by Simon Fraser; the second issue, featuring the Second Doctor, will be illustrated by Lee Sullivan; Mike Collins will tackle the Third Doctor in the third issue, and the fourth issue will have art by Gary Erskine. Artists on the remaining issues have yet to be announced.

Interested readers can find interviews with both the Tiptons at Comic Book Resources, with Scott Tipton at Comic Book Therapy, and with Simon Fraser at downthetubes.net (though some readers may consider some of the promotional material in those interviews to be spoilers).

The first issue will be available in comic stores and via download at Comixology.com this Wednesday, January 30. North American readers who prefer their comics in old-fashioned paper-and-ink format can find their nearest comic store via the Comic Shop Locator.

The guest line-up for next month's celebratory screening of The Tomb of the Cybermen at the BFI Southbank was announced today.

The event, which takes place on Saturday 9th February at 2.30pm, will see seven people make up the Q&A panels. They are:

• Deborah Watling - companion Victoria in Tomb
• Anneke Wills - First and Second Doctor companion Polly
• Shirley Cooklin - Kaftan in Tomb
• Bernard Holley - Peter Haydon in Tomb
• Michael Kilgarriff - the Cyber Controller in Tomb and Attack of the Cybermen
• Michael Ferguson - director of stories during the First, Second, and Third Doctor eras
• Michael Troughton - Patrick Troughton's son and biographer

Part of the organisation's Doctor Who At 50 season to mark the show's milestone anniversary, it sold out to BFI members before tickets went on general release.

Throughout 2013, the BFI is showing a story per Doctor as well as digitally-restored prints of the two Dalek films. It will also be premièring An Adventure In Space And Time - a 90-minute BBC Two docudrama about the show's creation, written by Mark Gatiss, which is due to start shooting next month.

Marking the Third Doctor's era, the première of the colour-restored story The Mind of Evil plus a discussion takes place on Sunday 10th March at 2pm. Tickets will go on general sale on Tuesday 12th February at 11.30am. BFI members get priority booking plus discounts on ticket prices and are exempt from booking fees. An annual membership currently costs £30 - down from £40. This special offer expires at the end of February - click here for more details.

The Splendid Chaps podcast is now available on its website.  As previously reported, to celebrate 50 years of Doctor Who,  John Richards (creator/writer of the ABC1 sitcom Outland, Boxcutters podcast) and Ben McKenzie (Channel 31′s Planet Nerd, Dungeon Crawl, ‘patron saint of geek comedy’ – T-Squat magazine) have joined forces to host a year-long performance/podcast project, entitled "Splendid Chaps", in Melbourne, Australia.
Each month, from January to November 2013, John and Ben will record a live Doctor Who panel discussion – one for each of the eleven Doctors – with a different theme, special guests, musical and comedy performances and loveliness. These will also be edited into podcast episodes, released on the 23rd of each month.

The highlight of the first podcast, featuring the first doctor, includes Alexandra Tynan (nee Sandra Reid) talking about her designs for the Cybermen, in both The Tenth Planet and The Moonbase, and also the filming of the first doctor's regeneration scene. The podcast is also available at iTunes.

Both David Troughton and Murray Gold were winners at the BBC Audio Drama Awards 2013 this evening.

The event - a celebration of audio drama on air and online - was hosted by David Tennant at BBC Broadcasting House. He said: Troughton was named Best Supporting Actor for his portrayal of the Earl of Leicester in BBC Radio 3's Singles and Doublets, while Gold's Kafka the Musical, which aired on Radio 3 and starred Tennant in the title role, won the Tinniswood Radio Drama Award 2012 for best radio drama script. Tennant was named Best Actor in last year's BBC Audio Drama Awards for his portrayal of Kafka in the production.

The BBC awards covered audio dramas first broadcast in English in the UK between 1st October 2011 and 31st October 2012 – or first uploaded/published for free listening online in the UK during the same period.

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Last Wednesday's National Television Awards saw Colin Morgan win the Drama Performance: Male gong for Merlin, while Coronation Street, produced by Phil Collinson, won the Serial Drama trophy, Downton Abbey, starring Hugh Bonneville and Penelope Wilton (who presented the Best Actor award to Andrew Scott for Betrayal on Radio 4 at this evening's BBC Audio Drama ceremony), claimed the Drama title, and Paul O'Grady: For The Love Of Dogs won the Factual Entertainment award.

The 50th Anniversary season of classic Doctor Who stories on UKTV in Australia and New Zealand continues with The War Machines.

The four-part story is broadcast on Sunday 27th January at 4:15pm (New Zealand) and 4:30pm (Australia). New Zealand has another screening for The War Machines on Monday 28th January at 4:00am.

The 1966 story was first broadcast in Australia in 1967. New Zealand viewers saw it in 1969.

This is the fourth story to be aired as part of the channel's celebration of the First Doctor this month. It follows earlier screenings of An Unearthly Child, The Aztecs and The Dalek Invasion of Earth.

UKTV is showing stories every Sunday throughout the year in the lead-up to the anniversary in November.

From next week the focus shifts to the Second Doctor, with The Tomb of the Cybermen scheduled for 3rd February, followed by The Dominators (10th), The Mind Robber (17th), and The Seeds of Death (24th).

Up-and-coming broadcasts from both 20th and 21st Century series of Doctor Who can be found via UKTV's Doctor Who sections for Australia and New Zealand.

BBC Worldwide have released a number of videos to tie in with The Reign of Terror coming out on DVD next Monday.

In Animating the Doctor, lead animator Chris Chapman from Planet 55 Studios demonstrates the process of bringing the First Doctor to animated life in his attire as a regional officer from the Provinces. Travelling with the Doctor is a creation by the company of the First Doctor within the TARDIS as he prepares to undertake his travels. Finally, A glimpse inside the First Doctor's TARDIS presents a brief colour animation of the console room as it was imagined during the first season of the show.