It’s always nice to have John Peel back. He’s an old hand at novel writing, and without fail always delivers a strong first draft. More often than not, in fact, it requires little or no rewrites, usually a few touch-up edits. With the end in sight, we knew we had to prepare the way for Lethbridge-Stewart to become the Brigadier, and for his transfer from the Fifth to UNIT. To the end I worked alongside the authors of the final series to develop stories that would see the transition take place, show the fans why it was necessary for UNIT to be set-up to protect not just the UK, but the world itself. This book, like the previous Spheres of Influence, is a step towards that end…

We’d planned these final books some time ago, and I’d forgotten some of the smaller details, since obviously I had worked on many titles in the meantime. So it was a nice surprise when characters from bdw titleoth John's The Grandfather Infestation and On His Majesty’s National Service made an appearance. I hope it will be equally surprising and exciting for the long-time readers of the range, to see things coming full circle. It’s apt, I feel, that these characters in particular should return, tying John Peel’s contributions to the series in nice little bow.

I had tremendous fun while writing On His Majesty's National Service and introducing some new characters to the world of Lethbridge-Stewart, so when I was asked to write another entry in the series, I couldn't resist bringing some of them back again to help him out. Or are they helping him?”

I wanted to write something a bit different this time around, though, so I decided to avoid the customary alien invasion theme. This time around, the aliens aren't determined to conquer the Earth – but what they have in mind might be a greater disaster than a simple invasion. It was also fun working with Jonathan Blum (with a bit of assistance from Simon Forward) to find ways to link these final books together, to walk the path to UNIT…

The title often changes between first announcement and eventual release, and this one was no exception. Originally it was called United Nations, which would be followed up by Jonathan Blum’s Intelligence Taskforce. However, due to the need to turn Jon’s novel into two books (more on that when Jon’s book is due), I decided it made sense to assign both titles to Jon’s novels. Thus, John Peel’s needed a new title. It took a while, but I eventually suggested It Came from the Isle of Man to fit in with the B-movie influence behind the chapter titles contained within the book. John approved it immediately.

This cover was slightly different to my earlier ones in that rather than an idea of what the story elements were, I was given a passage of the novel to illustrate. The description of the sea monster is vivid and when I sat down to design it, I was influenced by one artist in particular. Way back when, when I was at school, a favourite artist of mine was Rowena Morrill, who sadly died a couple of years ago. She painted strange, fantasy hybrid creatures that had an otherworldly colour palette perfect for this subject, I felt. The scale of the creature is helped with the poor Minke victim, though I did move the ship closer than in the story for visual impact. Lethbridge-Stewart was always a hands-on sort and Andy asked for him to be in action mode. What better than showing him running into battle, urging his men forward? The breaking ice behind him hints at a location for the story, and there is a clue to another location for the keen Doctor Who fan.

I do like the Scots Guard hat (glengarry) so am pleased I was able to paint it. I find it can be quite tricky to get right in the way it sits on the head as the angles look wrong. Fortunately, I have one (too small for me, unfortunately) but it fits a polystyrene bust I have (don’t ask!). This allowed me to get it just right. I’m a big believer in reference material; you can guarantee that if you get something wrong someone will always notice. This caused quite the headache when trying to draw Lethbridge-Stewart’s service revolver, as I’d chosen an angle that I couldn’t find any reference of, so had to piece it together as best I could. I hope I’ve got it right!

I’ve been really fortunate with my association with the Lethbridge-Stewart books. I bought the first one and loved it; so much so that I felt the urge to create some fan art. Andy saw it and later offered me a try-out. So not only am I a fan, Andy give me the opportunity to become a part of it. It is sad for me to know this is my last cover as the series draws to a close, but what a ride it’s been! Massive thanks to Andy for creating such an enjoyable series of books, and for taking a chance on me. (I know he will want to edit this out, but I hope it stays)

The reaction we’ve had about the first book centred on the fact that it featured a strong female lead character, who our readers seem to have wholeheartedly embraced, working alongside classic Doctor Who characters such as Professor Travers and Brigadier Lethbridge-Stewart. The latest short story takes a new twist, and brings the iconic film actor and director, Orson Welles into the mix.

There’s a famous Spitting Image sketch from years ago,” Tom adds, “where they basically said that Orson Welles lived his career in reverse, starting with the remarkable success of Citizen Kane and ending with financing being more than scarce for anything he wanted to direct.

The Analysis Bureau did exactly what we wanted, launching a spin-off title from our Lethbridge-Stewart books, and has created a team of characters who not only exists in their own universe, but also embrace characters, both human and otherwise from the worlds of Doctor Who, who we have under license. It was only natural to bring them back as soon as we could.

Chris painted the image of Capaldi in time for the LFCC when he was invited to be a guest at the Heavy Metal stand as he knew Peter was attending. Capaldi was one of my favourite doctors and we both liked his gruffness and welcomed a return to an older representation of the Doctor. Chris remarked how much he enjoyed painting his characteristics – the eyes being particularly a feature as Capaldi’s look is quite striking. Chris liked to draw interesting, older faces as ‘they were a more interesting subject’ to paint.

Before Chris sadly passed away, we had been discussing doing something else, but this never came to pass. Since then, knowing that we had one more piece of artwork, I wanted to showcase this. We are now releasing this version of the book to celebrate his life.

After defending a space station from a Cyberman incursion, the Doctor and Jamie learn that young astrophysicist Zoe wishes to join them on their travels. To give her fair warning of the dangers she may face, the Doctor places the TARDIS outside time and space and uses a mind projector to share one of their most harrowing adventures…

And so, Jamie is forced to relive his encounter with the Daleks at their most evil and calculating. In a complex plot that dragged him from modern-day London to Victorian times and finally, to the Dalekworld of Skaro, he endured ordeals that tested his courage, strength – and his friendship with the doctor – to the limit. He presents his own version of some of those events to Zoe; events that still anger him.

And while fact and fiction blur inside the TARDIS, a malevolent force watches from outside. Soon, Jamie finds himself lured from the safety of the ship into dangers that could end Zoe’s travels before they begin – and all their lives, as well.

When Shaun asked me to pen a new story with Lucy and Hobo encountering the Borad and some animal hybrids at Bristol Zoo, it turned out to be a two-fold blessing. Not only did I get to spend more time with two characters I really love to write, but it gave me an excellent excuse to go to Bristol Zoo for ‘research’, just a few days before it closed down! The more I saw and learned about the Zoo and its history, the more clear it became that it was the perfect setting for a Lucy Wilson adventure. I hope I did such a special place justice.

First it was The Brigadier and the Bledoe Cadets paired with Lucy Wilson and the Bledoe Cadets and now… When it came time to discuss what our next crossover would be, Shaun suggested Lucy meeting up with Edward Travers and HG Wells. Then came the old ‘who to write it’, which almost always results in Shaun suggesting John Peel. I was on board with that, and knew John would be up for the challenge…

Writing the story was… interesting. The two books had to have separate plots that interlinked, and yet still made sense if read alone – which obviously took a bit of planning! And the last couple of chapters (the wrap-up) had to be the same, obviously, but told from two different perspectives. The only way I could imagine doing this was to write both books together as a single manuscript, so that I could be sure that the pacing worked out and the overlaps occurred at the same time in each tale, and then leave the two respective editors to disassemble the manuscript into two books. Hey, I wasn't going to do all of the work! I was expecting the process to be challenging, but because the editors and I had worked it out beforehand, it actually proved to be a lot smoother and easier than I had feared. And also a great deal more fun.

The main theme of the book is memories. Lucy has travelled to Melbourne, Australia, in 1985 but has lost most of her memories. She can’t remember where or when she came from, or even who she is. Particularly important are the lost memories of her grandfather, Brigadier Lethbridge-Stewart. In 1985, she befriends a boy named Matty who also has repressed memories. Weaving all those memories into the story as they begin to be reclaimed was the concept that inspired the novel.

 

Much of the book’s setting is based around my own teenage years. I grew up in the suburbs of Melbourne, Australia. The library and lifesaving club mentioned in the book were places that I used to ride my bike to. And, just like the characters in this book, in 1985 I attended Aussiecon 2, the 43rd World Science Fiction Convention, as Melbourne was the host city. It was heaps of fun, taking these elements from my formative years, and weaving them into Memories of the Future.

I was really excited when I was told that I’d be able to use UNIT. in Memories of the Future. I ended up giving UNIT. an Australian branch. In my mind, they are off having other adventures around Australia now that Lucy has returned to her own place and time.”

 

What better inspiration for a kid’s story than evil Koala Bears? I had so much fun stepping into the world of Lucy Wilson, and throwing her into a time travel adventure with one of Australia's greatest mythical monsters, the legendary drop bears!

It's Gremlins meets a tour through Australia's rich history – from a trip to the Pleistocene era through to the 2000 Sydney Olympics. It was an honour to follow up a wonderful story by George Ivanoff and I hope Rampage of the Drop Bears delights fans, young and old!

First it was The Laughing Gnome, and then Bloodlines… and now… When it came time to discuss what our next crossover would be, Shaun suggested Lucy meeting up with Edward Travers and HG Wells. It was a great idea, and made a nice change from her bumping into her grandad. First we had Lucy without Hobo, then we tried to shake things up with the last crossover by not actually having Lucy in it at all (sort of), so this time we knew we definitely wanted Lucy and Hobo. Then came the old ‘who to write it’, which almost always results in Shaun suggesting John Peel. I was on board with that, and knew John would be up for the challenge…

When I was just starting my writing career, Terry Nation offered me a lot of advice. One piece was this: ‘If an editor ever asks, “Can you write me this?” always say yes. Then panic. And then go away and work out how you'll do it.’ (He never took very much seriously.) But it was good advice, and made me accept some writing assignments I would otherwise have passed up. It was very applicable in this case, where I was asked to write two interlinked novels simultaneously and for different age groups – certainly nothing I would have attempted without being asked!

John has written plenty for us so far, but he hadn’t done a Travers & Wells, and as I knew it was time to start thinking ahead, and working just how many books I actually wanted the series to be, it seemed John was the perfect choice to just go away and get on with the writing while I worried about the future.

The characters were interesting – Professor Travers, explorer and scientist, matched with a young and somewhat naive Herbert George Wells – possessing great imagination, but very little actual experience. They're still learning to act as a team, and being thrown into bizarre and dangerous situations. And the challenge of writing something that would have the vague flavour of Wells' stories without actually copying him was intriguing. Writing the story was… interesting also. The two books had to have separate plots that interlinked, and yet still made sense if read alone – which obviously took a bit of planning! And the last couple of chapters (the wrap-up) had to be the same, obviously, but told from two different perspectives. The only way I could imagine doing this was to write both books together as a single manuscript, so that I could be sure that the pacing worked out and the overlaps occurred at the same time in each tale, and then leave the two respective editors to disassemble the manuscript into two books. Hey, I wasn't going to do all of the work! I was expecting the process to be challenging, but because the editors and I had worked it out beforehand, it actually proved to be a lot smoother and easier than I had feared. And also a great deal more fun.

Being presented with two books, one not a Lucy Wilson, was interesting. It took a bit of wrangling to work out how to edit them. Andy edited both first, with his main focus on the Travers & Wells story, and then I primarily focused on the Lucy Wilson story, making sure everything still linked. We tweaked things in places, playing around with the respective perspectives. I think we’ve all pulled it off, and as this crossover sets up a big shift in the Lucy Wilson books, I’m looking forward to seeing what people make of it.

A traveler in eternity, the Doctor has touched countless lives, bringing salvation to some and agony to others, but always making a difference. In these pages, a selection of Doctor Who fandom’s greatest writers, reveals the joys and pains a meeting with the Doctor, can bring.

 

Through galactic battles to sixties London, Temporal Logbook III: Changed Lives brings stories from Kevin Mason, R Morgan Crihfield, Matthew Kresal, Russell McGee, Luke Dyer, Greg Maughan, James Silvester, Hamish Crawford, Shaun Collins, Richard Peevers, James Hornby, Alison Winter, Paul Burns and Rob Nisbet.

‘Don’t you think commercial imperialism is as bad as military conquest?’

 

When it became apparent that the themes and events depicted in Spheres of Influence too closely echoed current events, Andy Frankham-Allen and I quickly came to the decision that to release it at this time would be, at the very least, insensitive. Putting it on hold did mean bringing forward the rest of 2022’s books, and finding a replacement. Fortunately, Andy quickly solved that problem by commissioning a third Brendon novel, turning the first three titles into a loose trilogy. For myself, I decided it would be a nice idea to reprint The Forgotten Son with a new cover, to hopefully make up a little for the delay. I must stress, however, that the content remains the same from the previous revised version.

This is another of those books which started an idea that came up through discussions with Shaun – a good two years ago, at least. It was a while before I realised it was the perfect fit for Sarah. I’d been wanting to do another novel with her, and she came back for a short story in The Laughing Gnome: The HAVOC Files, so it was great when she agreed to do another novel for us. The only real prerequisite, other than the core idea, was that it had to be set during the Brig’s time at Brendon when he’d lost all memory of the Doctor.

I adore writing for the Brigadier, and being able to explore different facets of this much-loved character has been great fun. When I was offered another novel in the series, this one set in 1979 and during the Brig’s post-army career as a school teacher, I immediately said yes. It’s an honour to be asked to contribute a novel to the final season of Lethbridge-Stewart novels, which has proved to be a terrific series of stories.

I wanted to explore how he deals with strange goings-on when he has forgotten so much, and when he doesn’t have his soldiers to call on to help. My brief was to write a psychological thriller, in which the Brig’s identity and life is stolen from him. The novel allowed me to explore the nature of identity theft, and memory loss, and the combined uneasiness of not being able to trust your own mind. I added a set of identical twins to the mix, a boy at Brendon, and a girl at a local comprehensive. They are at the cusp of their own change from creepy kids who enjoy playing tricks on people, to young adults facing choices.

The setting was apposite because of the feeling of being on a cusp of change, but without knowing its direction. In that, it parallels much of today’s politics. I found it cathartic to explore similar themes of being seduced by the apparent certainty of authoritarianism — even with the attendant feeling it could turn on its own to destroy at a moment’s notice. 1979 proved to be a watershed year in Britain. The full assault on the unions, LGBTQIA people, and appeals to jingoism of the worst kind were all yet to come; and for a while the political turmoil that brought much of the UK to a standstill ceased. It’s hard to think that in this day and age of TV-on-demand, the stations that are now ITV were off air for much of the year. 1979 was an amazing year for British pop music. Punk began to segue into the New Romantic movement, and rap, reggae and disco attracted huge numbers of fans. It was fun delving into the music of the time through a few of the kids who are important during the story.

I was partially inspired by a German poster of a classic British film. My last Candy Jar cover I did was for the UNIT anthology, Operation Wildcat. It was very flash, bang, wallop. Because of this, I enjoyed tackling a more psychological concept for this book.”

Totally Tasteless: The Life of John Nathan Turner

For more than a decade, John Nathan-Turner, or 'JN-T' as he was often known, was in charge of every major artistic and practical decision affecting Doctor Who, the world’s longest-running science fiction programme. Richard Marson brings his dramatic, farcical, sometimes scandalous, often moving story to life with the benefit of his own inside knowledge and the fruits of over 100 revealing interviews with key friends and colleagues, from those John loved to those from whom he became estranged. The author has also had access to all of Nathan-Turner’s surviving archive of paperwork and photos, many of which appear here for the very first time.

This edition includes a new afterword, gathering thoughts and tributes from John's friends and colleagues, along with previously unseen photographs.