Series Finale Prequel Announced

Wednesday, 8 May 2013 - Reported by John Bowman
The last episode of the current series is to have a prequel, it was announced this afternoon.

Entitled She Said, He Said, it has been written by showrunner Steven Moffat and will feature Jenna-Louise Coleman as Clara and Matt Smith as the Doctor.

According to the show's official website, it will be one of the longest prequels the show has had and will look at "how little Clara knows about the Doctor . . . and vice versa."

The minisode will be made available from the official website and via the BBC's Red Button service straight after Nightmare in Silver ends in the UK this coming Saturday at 7.45pm. Series finale The Name of the Doctor airs in the UK on Saturday 18th May, with the time still to be confirmed.




FILTER: - Online - Series Specials - Broadcasting - Series 7/33 - BBC

The Snowmen Breaks BBC America Ratings Record

Thursday, 3 January 2013 - Reported by John Bowman
The Snowmen has given BBC America record ratings, with the Christmas Day special being watched by 1.434 million people either live or within seven days.

This was a rise of 54 per cent on the BBC America ratings for last year's Christmas episode, making it the channel's second most-popular programme, beaten only by Asylum of the Daleks, which garnered 1.555 million viewers in September.

Perry Simon, BBC America's general manager, said:
It feels exactly right to be ending the year on a ratings high with Doctor Who. The show has really delivered for us this year on every level. Cinematic scale, superb acting, cracking storylines, and a growing band of dedicated fans – we can't wait for the next series in spring 2013.
According to TV By The Numbers, it was the 70th most-watched programme on cable on the day and 17th in its transmission slot.

Doctor Who has also been voted TV Guide cover of 2012, having made the front last month as last year's Fan Favorite.




FILTER: - USA - Ratings - BBC America - Series Specials - Series 7/33

The Snowmen: Press Preview Q&A

Thursday, 27 December 2012 - Reported by Chuck Foster
The BBC have made some of the press preview Q&A for The Snowmen that took place on the 18th December available to watch online; the session features Matt Smith, Jenna-Louise Coleman and Steven Moffat interviewed by TV reviewer Boyd Hilton, and then taking questions from the audience, including where the idea of Clara came from, a new-look TARDIS, and how long Matt is going to stay as the Doctor!

A full transcript of the Q&A has also been made available by Ian Wylie.





FILTER: - Online - Series Specials - Press - Series 7/33

The Snowmen: Press Reaction

Thursday, 27 December 2012 - Reported by Chuck Foster
A roundup of selected quotes from the media after the broadcast of The Snowmen on Christmas/Boxing Day. Links to the full review can be found by clicking on the author's name. You can also read our own review here.

Note: reviews can contain spoilers!

UK: The Independent

Overall Moffat has dished out a stronger offering this year. The story was apparently based on a piece written by Douglas Adams. This may the reason why this year was decidedly more comic than previous Christmas specials. The humour is largely thanks to Strax who provided most of the laughs through his Sontaran view of the human race. But it was also more disturbing in a behind-the-sofa way, even at Christmas a little scare isn’t always a bad thing. The Snowmen has now brought the Doctor out of his state of retirement and ready for action again after such a brooding period.

While the episode was enjoyable the problem was that the story feels truncated and rushed. Granted the time frame leaves little room for dalliances but it would have been nice to have seen more of Simeon’s developing relationship with the Great Intelligence. Grant is brilliant as the villain but more of him would have been even better.

UK: The Radio Times

Well, hats off to Steven Moffat. He’s just presented us with alternative abominable snowmen, and not only reintroduced the Great Intelligence but also established how this malignant, disembodied force came into being.

There are lots of lovely images (the Jack and the Beanstalk-like spiral staircase leading to the clouds), and my favourite moment being the truly wonderful effect of the camera (and hence the viewer) following the Doctor and Clara directly through the police box doors into the huge Tardis interior. Has this effect ever been achieved before..? I may have forgotten. And how was it done? Where’s BBC3’s Doctor Who Confidential when you need it!

UK: The Mirror

Suddenly, the Doctor is faced with an intriguing new mystery – one that involves, among other things, soufflés. So where the kids will look forward to it and the fans will discuss it endlessly, maybe the casual watcher will be intrigued enough to follow the Time Lord into his golden year, just to see how the latest curious twist of the twice-dead girl unfolds.

Where this year’s Who snowtacular fails is appealing to the dinner-bloated and mildly disinterested middle viewer. It’ll totally pass by family members who, at 5.15 in the afternoon, just want to sleep for a bit until they feel the need to attack the cold cuts. Through sprout-engorged eyes and a brandy befuddle, it’s a great piece of entertainment but it doesn’t hold up to much sober fanboy scrutiny. It’s miles better than anything else on, but for the casual Christmas viewer there’s little to hold the interest besides noticing how gorgeous the new companion is, and well... maybe the ending.

UK: The Telegraph

It was an enjoyable enough romp, I suppose, and I imagine that reference-spotters had a field-day. There were nods not only to The Snowman but also to Sherlock – cheekily suggested to have been, in “real-life”, the lesbian Silurian Madame Vastra. The shadow of Henry James’s The Turn of the Screw could be detected in the CGI figure of the dead governess, made of ice and snarling “That’s The Way To Do It!”. There were shades of Dickens and CS Lewis and maybe even the smoke-fashioned staircase from the Mary Poppins film too in the episode’s best touch - having the newly refurbished Tardis float above town on a bed of “super-dense water vapour”, reachable only by a vertiginous spiral staircase.

At least twinkly-eyed Matt Smith was on irrepressible form as always, his careworn Doc emerging from ethical hibernation to save the world, again, and exchange repartee with, oh please no, his adopted comedy sidekick Strax (Dan Starkey) of the once terrifying now just silly Sontaran race. The sooner his luscious new companion, revealed as Jenna-Louise Coleman’s Clara – former barmaid and erstwhile Dalek (yes, really) – fills the Pond-shaped void in his life the better but I fear that if Moffat doesn’t rein in his tendencies to make every script a brain-teaser of Sudoku-like complexity, his young audience will melt away, fast.

UK: The Guardian

Welcome back, Merry Christmas, and wow. The Snowmen was easily the finest Christmas special under this regime. After last year's dog's giblets of an episode, it needed to be, but this poetic romp was actually the best since The Christmas Invasion, and possibly better. It had everything we like about Doctor Who (frights, romance, running, a menacing baddie, lizard people) while being just sentimental enough to tick off a lot of things we like about Christmas.

UK: Crave Online

Matt Smith was terrific as always, particularly during the inspired bit when the Doctor briefly impersonates Sherlock Holmes. But as the Doctor is won over by Clara, the audience is as well. And when Clara is lost, the Doctor makes the viewers feel that loss as well.

“The Snowmen” was a rousing “Doctor Who” story that feels like it matters in the long term of the series. A new TARDIS, a new opening sequence and a new companion? That’s the start of a new era for sure. And the prospects for it look good for now.

USA: Los Angeles Times

Clara appears to be a mirror image of the Doctor: fearless, curious and intuitive, a match not only of wits but of shared delight in the power of knowing. That is the perpetual tension that fuels the Doctor. A Time Lord weighted with the wisdom of the ages, believing himself to be the last of his kind, has only his sense of wonder to protect him from the great sorrow born of endless knowledge and experience. Fortunately it is boundless, like his energy, and of all the recent Doctors, Smith best captures the power of willful youthfulness. Not in appearance, though he is the most boyish of the canon, but in resilience, the springiness that allows a child to find miracles in the mundane, to truly believe that today will be better than yesterday.

The world always needs the Doctor, but perhaps never more than on Christmas day.

USA: New York Magazine - Vulture

There can’t be enough praise showered on Coleman at this point, who is quite simply a breath of fresh air for this series, at a time when it so desperately needs it. I’ve not fallen for a new companion this hard and fast since Rose Tyler, who had the benefit of being there when the series relaunched, so that’s not even a fair comparison. This new girl just devours the camera lens; a more photogenic companion we’ve probably never seen. It was easy to understand the Doctor’s reinvigoration through her, because as viewers we were experiencing the same feelings, and the scene in which he gives her the TARDIS key, only for her to be lost seconds later, was a serious tearjerker; that was more moving than anything in “The Angels Take Manhattan.”

I had mad, crazy love for both “A Christmas Carol” and “The Doctor, the Widow and the Wardrobe,” Moffat’s previous holiday outings, and hoped to feel the same about “The Snowmen,” but ultimately didn’t. Yet this episode held a much different function in the series than either of those entries, coming in the middle of a season as it did. Whereas his first two Christmas specials were entirely standalone tales, this one was anything but, steeped in the ongoing storyline as it was. What worked within it worked very, very well, and what didn’t was disastrous.

USA: EntertainmentWise

So, there you have it - it was one intense episode full of adventure and tense scenes, but what would Doctor Who be without all of the chaos? In between such madness the Doctor and Clara even managed to find a moment to embrace in a loving/unexpected kiss and joke around with each other, including Doctor Who doing a one man version of Punch and Judy - what more could you ask for? It gave us all a brilliantly entertaining hour on our Christmas day and I am sure it has left most of us wanting to know what happens next! We will just have to wait very patiently for later on into the year.

USA: io9

... an episode that shows Moffat returning to form with a lot of fun and zaniness bolted onto a pretty successful fairy-tale framework. The overall task of this episode is to relaunch Matt Smith's Doctor with a new(ish) companion and a new(ish) semi-regular supporting cast, and in those terms it works beautifully. The story takes the classic "companion becomes fascinated with the Doctor and learns about him/tracks him down" storyline and does something new and interesting with it. And it advances the Doctor's arc of trying and failing to go it alone, which Moffat has been building since "The God Complex."

USA: Wired

I came away from this episode with a major question: Is Moffat setting us up for a new Doctor romance? Or is there more to Clara than meets the eye? The flirting between her and the Doctor reminds me a lot of the flirtatious relationship he has with River Song, and I wouldn’t put it past Moffat to be playing us. Given that Clara has a remarkable gift for not dying, could she be regenerating somehow? But then why is this the first time “Clara” has seen the TARDIS in this episode. Then again, we’ve never seen the first time that River saw the TARDIS. In “Let’s Kill Hitler”, she knew the Doctor had a time machine and didn’t have the standard “It’s bigger on the inside argument.”

Despite a few short-comings, this years Christmas outing is a good deal stronger than last years rather disappointing “The Doctor, The Widow, and the Wardrobe.” That was an episode with a lot of promise but a story that never seemed to gel. “The Snowman” had a story that, despite a sentimental ending with a families tears defeating the frozen menace, still held together.

USA: The Examiner

It was an excellent episode, and it was a nice and welcome Christmas present for all the fans of the show. The biggest mystery of course (besides the fact that the sonic screwdriver can obviously harden clouds enough to walk on) is Clara. How is it possible for her to be the same person? Because based on her name and the words Clara threw at the Doctor, she is one and the same. The past and the future. How is that possible?

Australia: WA Today

All told The Snowman is a strong Doctor Who episode. Jenna-Louise Coleman, who we first met as Oswin Oswald in Asylum of the Daleks, returns as Clara Oswald, presumably an ancestor. In true Moffat style, we finish the episode knowing a little more, and whole lot less, about her.

Further Reading

Daily Mail, International Business Times(UK), LSMedia(UK), IGN(UK), Forbes(USA), Wall Street Journal(USA), TGDaily(USA), AssignmentX(USA), ComicMix(USA), Blast(USA), Mashable(USA), Boston Standard(USA), TwitchFilm(CA), The Age(AU), The West Australian(AU)




FILTER: - Series Specials - Press - Series 7/33

The Snowmen: Behind the Scenes

Wednesday, 26 December 2012 - Reported by Chuck Foster
The BBC have released a behind-the-scenes video that explores the making of The Snowmen. The confidentialette looks at how modern-day Bristol was transformed into Victorian London, with observations by Jenna-Louise Coleman (Clara), Matt Smith (The Doctor), Saul Metzstein (director) and Caroline Skinner (executive producer).

The clip joins a number that have been released over the course of December, including interviews with Jenna, Dan Starkey (Strax) and Richard E Grant (Dr Simeon).





FILTER: - Online - Series Specials - Series 7/33 - BBC

The Snowmen: publicity coverage

Monday, 24 December 2012 - Reported by Chuck Foster



Jenna-Louise Coleman was a guest on BBC Breakfast this morning, chatting about her impending arrival as Clara in tomorrow's The Snowmen, and how this relates to her previous appearance back in September, in Asylum of the Daleks:
The Clara you will meet in the Christmas Special is living in Victorian London, working in a pub, also living a bit of a double life as a governess looking after some children ...

We've already met Oswin in Asylym of the Daleks ... Basically it's what been referred to as "a soft mystery", and if anybody's hoping to get any answers ... it's something that will be ongoing for quite a while and in true Steven Moffat style you won't really get any answers in the Christmas Special, it will just raise more questions, and get more and more complicated and fascinating.
In a pre-recorded interview with entertainment correspondent Liza Mzimba, she said:
It's a mystery. I've met the Doctor once before, which he doesn't quite know yet, and it all begins to piece together and I keep popping up ...

Talking about the interaction between her character and the Doctor, she said:
It's been a really interesting process for me and for Matt how a new companion will change the Doctor and vice-versa, and trying to find our dynamic and how we're going to move forward with the show. It's been really interesting, like Matt said, the kind of days where he would be discovering things and finding ways in which the Doctor is changing and is different with his new companion.
Matt Smith mentioned the relationship between the two to Lizo:
They're figuring each other out, and it's just wonderful to see it at the start, because it reinvogorates the show. You see these two people meeting, and sussing each other out - so it's about learning how they get on together, and seeing them size each other up.

I think there's always a bit of sexual tension between the Doctor and the companion ... so I hope so!
Matt Smith was interviewed in The Independent, where he also commented on the new relationship:
The Doctor under Amy and Rory eventually became like their pet, he was just this sort of strange pet that could talk, that would sweep in every now and then. He's meeting someone new because he presents himself in a hew light and she forces him to be a different version of himself slightly.

As always with Doctor Who, the essence and heartbeat of the show is the same – old alien, hot chick travel through the universe and get into capers. That will always be the heartbeat of the show and it's whether it’s more flirtatious, whether there's more attraction, whether there's more zing, you'll have to wait and find out. I’m sure we'll cover all that territory.
He also explained a little more about the Doctor's grief at the start of the episode:
There's a great deal of time that's passed in cunning story terms. It's great because you kind of go: "500 years later..." but the burden of that loss will always be with him. Like the burden of losing Rose Tyler or whoever it is – is always with him to some extent. But I think particularly for my Doctor it is. Amy and Rory were so significant. But what I would say as well is I always think it's important for the show for that grieving to have its place but move on. I felt it affected Martha's journey quite a lot that he was always talking about Rose, which is completely understandable, because the Tenth Doctor and Rose had such a wonderful connection but the show has to propel forward back into adventure mode.

Videos

Lizo Mzimba's preview of The Snowmen is available to watch on the BBC News website. The BBC have also released an interview with Matt and Jenna as part of their Adventure Calendar.





FILTER: - Matt Smith - Animation - Series Specials - Press - Jenna-Louise Coleman - Series 7/33

The Snowmen: At Your Service!

Monday, 24 December 2012 - Reported by Chuck Foster
The latest teaser clip from the BBC features Vastra, Jenny and Dr Simeon ...


The Director speaks ...

Director Saul Metzstein was interviewed by the Scottish Daily Record, during which he discussed the new-look TARDIS and making a 360° pan around the interior:
It's the shot where you can ­really see that the TARDIS is bigger on the inside than it is on the outside ... Because of the shape of the set and the studio, it was pretty tricky to pull off, but visual effects are a lot better than they used to be. The biggest complication was giving Matt Smith enough time to acquaint himself with where all the dials and levers were. Obsessive Doctor Who fans, like [writer] Steven Moffat, are very particular about the continuity of which bits turn round when the TARDIS is flying, and what lights react to what. Personally I'm not so bothered.
Talking about the design of the eponymous Snowmen, he said:
The snowmen were pretty difficult to get right. The ones we started off with looked like Zippy from Rainbow, and you can't have non-scary, almost cute-looking monsters. We were very amused when we saw the John Lewis snowman advert – I guess we've made their evil cousins!




FILTER: - Online - Series Specials - Series 7/33

The Snowmen: Don't Talk To Them ...

Saturday, 22 December 2012 - Reported by Chuck Foster
The BBC have released a new teaser clip for The Snowmen as today's festive treat from the Adventure Calendar:





FILTER: - Online - Series Specials - Series 7/33

The Snowmen: publicity roundup

Saturday, 22 December 2012 - Reported by Chuck Foster
A roundup of coverage for The Snowmen that has taken place in the past week or so - please note that what follows below includes some plot details that might be considered spoilers.

Interviews

Steven Moffat was a guest on the Simon Mayo Drivetime show on BBC Radio Two on Monday. Talking about Doctor Who's appeal on Christmas Day, he felt the show's accessibility as a "shared live viewing experience" was a great benefit:
... much more so with the Christmas one than with the others, yes, there's a big live audience for it - because, yeah, you watch it as a family. Sometimes people actually watch it later, because their family aren't there - people tend to watch it in groups, that's very true of Doctor Who.

I think Doctor Who is always a bit Christmassy, it's that kind of show, it always feels substantially madder than every other show, and we're always striving to make it an event - so you have to make Doctor Who even more so when it's Christmas Day. One thing I'd say I think it needs to be more accessible to new viewers, because more people are dragged in to watch Doctor Who on that day than on any other occasion it's on.
Talking about an initially melancholy Doctor in the episode, he explained:
What you need to remember is that the last time we saw the Doctor he had lost the Ponds - he lost Amy and Rory - he lost them to the Weeping Angels, and when you begin this story he's in a terrible place, he's in a right old grump, he's retired from saving the universe, he's having nothing to do with anyone, and although there's a building threat to humanity he's having none of it, he's just storming away being a sort of Scrooge.
The full interview is currently available to listen to via a BBC podcast (from 12:50) until Monday.

Ahead of the press screening on Tuesday evening, Matt Smith and Jenna-Louise Coleman popped into the BBC Radio One Breakfast Show hosted by Nick Grimshaw. The duo chatted about their recent trip to New York and Jenna's arrival in the show (1:36:45), and later answered listeners' questions (1:52:55, and a clip is available to watch via the BBC iPlayer and YouTube).

Matt later appeared on ITV1's This Morning (after the first ad break), hosted by Philip Schofield and Holly Willoughby - the first time he'd appeared on the show. He chatted about his inspirations for the character of the Doctor, the enthusiasm of fans, things he kept from the old TARDIS, and of course not really saying what to expect on Christmas Day! Enthusing about guest star Richard E Grant, he said:
He was born to be a Who villain, he pitches it on that perfect level and tone.

The end of the week was rounded off by an appearance by Matt on The Graham Norton Show, but although this was to promote the Christmas Special, as Matt pointed out:
As always, I can't tell you anything, this is the tragedy of the show I'm in is that you come on and you can't actually promote it!
Recorded last month, the show was still able to treat viewers to a brand new clip featuring the Doctor, Clara and Strax.

Norton mentioned that fellow guests Billy Connolly and Jennifer Saunders had once been suggested as potential Doctors, though the former said it wasn't true and the latter said she started the rumours herself!

Matt was also 'required' to kiss a member of the audience by other guest Dustin Hoffman, which the actor only reluctantly agreed to as his mum was watching! A clip of this exchange is available on YouTube and BBC iPlayer.

Matt Smith and Jenna-Louise Coleman on The Radio 1 Breakfast Show with Nick Grimshaw, 18 Dec 2012 Matt Smith on This Morning, 18 Dec 2012 Matt Smith on The Graham Norton Show, 21 Dec 2012

UK Press Screening

The press screening for the episode took place in the evening of 18th December, followed by a Q&A session with Steven Moffat, Matt Smith and Jenna-Louise Coleman, during which the adventure and the further adventures next year were discussed.

As seen in the trailer, the Doctor once again gets a firm kiss from his co-star, and speaking at the Q&A of their on-screen "relationship", Matt said:
I think always with this show and always with this relationship in this show, it will constantly evolve. And it should. And hopefully over the course of the next eight or nine episodes that we see subsequently to this it will evolve even further. We're excited about next year now and getting into that and actually going, "Well, now we know what we know about each other and the way we work and who we are and all the rest of it..." I kind of likened it, Steven, earlier, in an interview, to an arranged marriage. Not that I know what an arranged marriage is like. But it's like, "You're married, have chemistry." Do you know what I mean?
On the other hand, Jenna responded:
I likened it to a blind date. I felt like I was on a blind date... It's like putting two people together. Like, "Oh I know someone you'll really get on with." And then go in to save the world!

The Doctor (Matt Smith) with the new TARDIS interior. Photo: BBCThe new TARDIS interior was also discussed, with Steven explaining how it came about:
It was mainly saying to Michael Pickwoad (production designer), "What would you do with the TARDIS?" But we had a notion because I thought we'd been getting progressively whimsical with the interior of the TARDIS. And I started to think, "Well, why is that? It's not a magical place, it's actually a machine." So we did say 'machine' and actually, potentially, as you'll see more spectacularly later, quite a scary place sometimes. We make a lot of use of that. And it's also a lot easier to shoot, I have to say.”
 
Inevitably, the question of where the team would travel to in the TARDIS came up:
Matt: I'd do a few things. I’d go and pick up Frank Sinatra and Marilyn Monroe. I'd try and marry one of them. Get them to sing to me. And maybe one of them could do both. And then I'd go and see England win the World Cup in '66. And I'd go and visit some sort of Jurassic age, I think.

Jenna: I'd go back to ancient Egypt. I was watching a TV programme – where did the pyramids come from? I'd go find out where they came from. I'd go find out how they were built. And then other than that, maybe New York in the Twenties.

Steven: I'm a perfectly happy man. I'd go right here. I don't want to go anywhere. I'm having too much fun to leave. I'd be terrified. Wouldn't you?

With thanks to Ian Wylie for Q&A coverage - you can read his full report here.

"The Kiss"

The BBC have released a couple of publicity shots to "cherish" the moment(!):

The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman). Photo: BBC The Doctor (Matt Smith) and Clara (Jenna-Louise Coleman). Photo: BBC

Media Coverage (United Kingdom)

Reporting on the preview, Catherine Gee of The Telegraph said:
For all its new features, this is an episode filled with knowing nods to please Who fans, including a reference drawn from elsewhere in the Moffat catalogue, and the return of some of the Doctor’s old friends in the shape of Strax, Vastra and Jenny. Dr Simeon's ominous warning that "winter is coming" also suggests that Moffat may be a Game of Thrones fan. . . . It's not quite as action-packed as previous specials but compared with the other sedate period Christmas Day offerings of Call the Midwife and Downton Abbey, or the impending apocalypse-free episodes of The Royle Family and Strictly Come Dancing, this festive instalment of the sci-fi series will give the post-dinner snoozers a much-needed boost.
Vicky Frost of The Guardian said:
New music, new titles, a fetching new costume, sleek new Tardis interior and, most of all, a new companion, make this year's festive Doctor Who special filled with surprises. . . . It is not as if the 60-minute Christmas special – which perhaps controversially comes sprinkled with a seasonal splash of romance – is unambitious: among the co-stars is Richard E Grant as the deliciously wicked Dr Simeon, a man dreaming of a white Christmas.
Jenna explained a little of her character to Neela Debnath from The Independent:
I think it's one of these things where she meets this guy that she's incredibly interested in and by and wants to know more but there's also something - he has answers that she wants. She wants answers. She's on her own mission. (Clara) is the kind of girl who lives by her own means, she doesn't need other people as much to get by, so she's a bit more of an equal. As soon as she meets him - and he's not the kind of guy that you meet every day - she's interested and wants to know who he is and where he's come from and she doesn't give up and follows that track.
Further coverage of the press screening can be found from the Daily Mail, Evening Standard and Western Mail.

Reviewing the episode, Jonathan Carley of What Culture said:
Put simply, The Snowmen makes the Christmas Special feel fresh again, so much so it may as well be vacuum packed and wrapped with foil. So the firm underpinning of a good script is there, and I can tell you this will reward repeat viewing afterwards to reassess the intricacies of the plot. I myself am looking forward to re-watching on Christmas day if my family can tolerate my smugness. But there is also plenty going on to keep you entertained if you're feeling quite relaxed about it.
Simon Brew of Den of Geek concluded:
The Snowmen certainly bodes very well for the year ahead. It’s a lower key story on the surface, perhaps, albeit an episode that proves once again Moffat's skill for introducing major new characters. It's also an excellent Christmas special, and quite a serious one. And whereas seasonal outings for Doctor Who have proven quite divisive in recent years, we suspect this one is going to have a lot more people on its side. It's very much worth your time.

The Telegraph interviewed Jenna-Louise Coleman while on set last month and chatted about her career leading up to becoming the latest Doctor Who sidekick. In addition, Digital Spy have conducted video interviews with Steven Moffat about writing his third Christmas Special and and how to entice a new audience to the show, and with Matt and Jenna chatting about the Special.

Other general media coverage of The Snowmen include: Daily Mail; Daily Mail(2); The Sun; Independent; Metro; Mirror; Daily Star, and Radio Times.

Media Coverage (United States)

The United States press had their own screening in New York earlier in the month. Alex Zalvin of MTV reported:
This is probably the second best Christmas episode ever after 2010’s superlative A Christmas Carol. Since the latter episode is probably my favourite episode of Who ever, that's certainly putting it in high company. The episode is laugh out loud funny, emotional, and more importantly, captures the spirit of the holidays.

There's a beautiful sequence about halfway through that might be one of the most magical, storybook creations the show has ever done, more on par with a stage play than a TV show, but by golly, it works.

Jenna-Louise Coleman is a brilliant, perfect addition to the cast. Her patter, delivery, and whole demeanor make her a female Matt Smith, and it's brilliant. She matches him line for line, move for move, and if you’re not in love with her by the end of the episode...well...you’ll be in love with her.
Other coverage of the press screening appeared in: Wall Street Journal; io9; Forbes; and Huffington Post.

At an interview held at the BBC America offices (reported by CNN), Jenna was quizzed about her experiences of entering the very public world of Doctor Who:
You see "it" everywhere and you're used to it, like I was used to seeing Matt's face all over the place. But, when I was auditioning, being sat on the Tube and you see the posters, and it was always like he was pointing at me. There's not very much time to analyze as you go. It is only now that I feel like I've just been playing with all my mates for the last couple of months, and then suddenly, I'm like, "but people are going to see this," you know?

"This" life is so exciting on a daily basis. Everything's so dramatic every day, and it's the end of the world every week. You're either running or there's a snow machine or rain machine, or you're in a harness and you're on wires. ... On an off day, I find that I get bored quickly, like, "Where's the Cybermen?"
Jenna also revealed that she had auditioned for the show before, and what her grandmother thought!
I auditioned for Amy's best mate in it, and was pretty close to getting the part, and my grandma was absolutely devastated I didn't. So, we came back around, and I don't think she can believe it, actually. It is quite surreal for her, and she's quite looking forward to meeting Matt.
As previously reported, Matt and Jenna also undertook a Q&A for BBC America's Doctor Who Tumblr, fielding questions from the social networking community.

With Doctor Who having made the cover of TV Guide this December, the magazine also spoke to the two stars about their first jobs, what they do in their free time, their favourite current and childhood television shows, awkward moments, and what stands out for them in the Christmas Special.

Entertainment Weekly discuss Doctor Who and The Snowmen in their latest InsideTV podcast. Other US-based coverage included: Miami Herald; Tulsa World; San-Antonio Express; and Winston-Salem Journal; Seattle Times.




FILTER: - Steven Moffat - Matt Smith - Series Specials - Press - Jenna-Louise Coleman - Series

Vastra Investigates on the BBC Red Button

Thursday, 20 December 2012 - Reported by Chuck Foster
Vastra Investigates. Image: BBCThe BBC have made the Doctor Who pre-Snowmen minisode Vastra Investigates available on television via the Red Button service.

Times currently announced are:

Thursday7:30pm-8:55pm
Thursday10:30pm-Midnight
FridayMidnight-6:00am
Friday9:00pm-Midnight
SaturdayMidnight-6:00am
Saturday6:00pm-6:30pm
Saturday7:55pm-8:50pm
Saturday10:05pm-Midnight
SundayMidnight-1:25am
Monday7:00pm-Midnight
TuesdayMidnight-6:00am
Tuesday3:00pm-5:15pm

The service is available on Freeview, Freesat, Sky and Virgin Media.





FILTER: - Series Specials - Series 7/33 - BBC