Doctor Who on the Sci Fi Channel delivered a 1.27 rating with an audience of 1.55 million viewers for The Unquiet Dead last Friday on its first-run in America. Compared to last week's episodes, the latest episode was up 13% with men ages 18-49 -- a key demographic of importance to the channel -- and up 12% with total viewers ages 18-49, but was down approximately 20% on its household rating (the actual ratings number reported). Sci Fi was expected to lose some viewership after its original opening night broadcast and future weeks will determine if the ratings numbers have stabilized

According to information from the programming department of the Sci-Fi Channel, Doctor Who did well its first night in broadcast. 1.58 million viewers tuned in to watch "Rose," says the report, with 1.61 million viewers watching "The End of the World" and .78 million viewers each watching "Rose" and "The End of the World" in their 11pm and 12am repeat slots. These numbers are somewhat lower than the standard viewing the channel received for its broadcasts of its original series "Stargate: Atlantis" and "Battlestar Galactica" in the same time slots, but higher than any broadcast of syndicated series that evening (including repeats of "Firefly" and "John Doe"). Final numbers including Nielsen rankings should be available within the next week or two. (Thanks to Joey Reynolds)

Partial data is now available of the take-up for BBCi's red-button episodeAttack of the Graske on Christmas Day. Among Digital Satellite viewers, approximately seven per cent of available viewers pressed the red button between 8pm and midnight on Christmas Day. This amounted to approximately 250,000 users, of which 230,000 stayed with the interactive episode for three (out of fourteen) minutes or more, a 'retention rate' of 93 per cent. The top programme for 2005 was Wimbledon with a Reach+1 of 4.4m, 39% of the available audience, although that took place over a fortnight rather than over one evening. The 'Graske' figures compare very favourably to other high-profile results - a Gorillaz concert screened by BBCi in November was accessed by 100,000 users in a seven-day period. At 93 per cent, Doctor Who also had a much higher rate of retention than many other interactive services: BBCi coverage of the Glastonbury music festival, for example, managed 55% in 2005. These figures exclude Freeview and Digital Cable users; it is estimated that the inclusion of that data would roughly double the figures. (Thanks to 'Shaun Lyon')

More U.S. Debut Coverage

Eclipse Magazine has run a second story, a review of the new series. At the end of the wrapup, it states "The new 'Doctor Who' keeps everything that was great about the show's original run, while bringing it into the twenty-first century: technologically, attitudinally, and in terms of taking it for granted that the audience is actually intelligent enough to not require its being led by the hand. The creative team's writing is terrific; the cast is superb; the direction is top notch, and the result is thirteen hours of high entertainment. Frankly, I cannot recommend 'Doctor Who' highly enough. Acquiring it is the smartest move Sci Fi has made since greenlighting 'Battlestar Galactica.'" Read the full article at the site.

The Village Voice notes, "In the U.K., this series about a time-traveling sleuth is as much of a stone-cold classic as The Twilight Zone is here. It's also equally period-bound, bringing to mind the black-and-white series of the late '60s and early '70s, with those fakey sets and sinister electronic background music. The famous futuristic theme tune -- an invitation to a generation of children to prepare themselves for a weekly dose of palpitating terror -- has survived, but it's been gussied up with unnecessary orchestration, setting the tone for this attempt to update Doctor Who in the age of CGI. ... The Doctor has generally been played as a relentlessly cheery type, with a Peter Pan quality of prepubescent sexlessness -- a geek whose brain beats brawn in every corner of the universe. Although this remake attempts to add tragic depth to the Doctor, it lacks true darkness. The early series overcame skimpy budgets to conjure the uncanny; this was cosmic horror as H.P. Lovecraft would have understood it. The real disappointment of the new Who isn't its use of (slightly) slick special effects, though. It's a structural problem: Instead of stretching a storyline across a whole season, each adventure is resolved within a single episode, making this closer to your average detective series. The thrill-filled cliffhangers of yore are gone, taking with them with the child's urge to watch TV from behind the sofa, breath bated."

Arizona's AZ Central says, "Look out, America: The Doctor is ready to make house calls again. ... The new 'Doctor Who' brings the series into the new millennium, which means top-notch special effects and mature writing chock-full of delights that adults and kids can both enjoy. ... The strength of 'Doctor Who' has always been its limitless formula. Unlike most programs, 'Doctor Who' stories can be set anywhere in the past, present or future, on any planet. Plots can range from action-adventures to humorous romps to dead-serious character pieces - but the best offerings (especially in the new series) mix moments of all three. ... Be aware that the first episode (the appropriately titled 'Rose') may be the weakest of the series - the plot suffers somewhat when there are so many characters and concepts that need to be introduced. But the next 12 episodes build on each other to become a whirlwind trip: Earth's last day in the far future, ghost-hunting with Charles Dickens, fighting an alien takeover of the British government, and a confrontation with the ruthless robotic Daleks. (Actor David Tennant has taken over the role of the Doctor for the second season, which will begin broadcasting soon in Great Britain.) For good old-fashioned escapism - something that makes you laugh, cry and think - 'Doctor Who' is the trip of a lifetime. Here's hoping audiences on this side of the Atlantic will think so, too." The article, with minor changes, also ran in the Indianapolis Star.

North Jersey.com says "The Time Lord has entered a new age. Christopher Eccleston becomes the latest actor to do a turn in 'Dr. Who' a 13-episode update from Britain on the cult classic. The funny and brave doctor has a detached logic that gives him a vital edge when the world's in danger. So let the adventures begin. (9p.m. Friday, Sci Fi Channel)"

Miscellaneous

Life Style Extra today says that "Renee Zellweger has reportedly lined up a dinner date with British actor Christopher Eccleston. The stunning actress - who is in England filming a Beatrix Potter biopic -asked the hunky star to take her on a traditional English date. The pair are said to be planning to sample some typical English fayre at Manchester's famous Mr Thomas's Crop House as soon as Renee finishes shooting. A source told Britain's Daily Star newspaper: "Renee and Chris have been pals for years but because they email or phone, no one realised. 'They met while he was promoting '28 Days Later' about four years ago. Renee is really cool and down to earth and they stayed in touch.' The screen beauty is also said to be a huge fan of Eccleston's work, which includes popular British sci-fi series 'Doctor Who'. The source added: "She watched all his shows - 'Our Friends In The North', 'Cracker' and 'The Second Coming' - and she got quite nerdy about 'Doctor Who'. She thinks he's a fine actor. Renee arranged to meet Chris as soon as she knew she was filming in the UK.'"

Says Female First, "Jennifer Aniston has been voted the most unlucky in love celebrity. The former 'Friends' actress, who was ditched by husband Brad Pitt so he could romance Angelina Jolie, has topped a poll to find the star Cupid has smiled upon the least. Aniston beat long-term singleton Robbie Williams to the unwanted title, Nicole Kidman - whose ex-husband Tom Cruise is now engaged to the pregnant Katie Holmes - was named fourth, while British TV star Billie Piperrounded off the top five. ... The unhappy poll was conducted by internet gift site www.thedoghouse.co.uk."

Hemel Today is asking readers to "help find out what happened to at least one of those 'true' Daleks! You see, hemeltoday's Local History section contains a sub-section of pictures of Hemel in the 1960's and one of those pictures is of the Access Equipment Christmas party of 1964 which was attended by one Dalek, and it looks like a real true Dalek. Although the picture has been on Hemeltoday for a good three years now, it was only last week Gary Rymill and a team of fellow Dr Who and Dalek fans and experts found it through a web search. Gary's asked us for a full sized print and we're now searching our archives of negatives to find it. Gary told us: 'Down the years there have been many attempts to describe the developments of the Dalek props that were built for Doctor Who but the histories have contained inaccuracies and included some myths known to be false. Myself and a few others (some of us have links to the TV series production and others are merely keen enthusiasts) are setting out to see if we can piece together, once-and-for-all, what happened to the props and when. Whilst it is the case that through the decades about two dozen props of one kind or another have appeared on screen, there were actually only six 'true' Daleks originally built for TV in 1963/64. Those fibreglass originals survived in dwindling numbers through to 1988, with the addition of some new wooden dummies in the 70s and then cheap vac-formed ones in the 80s.'" The full article including photo is on their website.

(Thanks to Paul Engelberg, Peter Weaver)

BARB has now posted the final ratings data for the week ending on Christmas Day, showing an increase in viewing figures for The Christmas Invasion from 9.4 million in the overnights (originally published by ViewingFigures and BARB's own overnight estimates) to 9.84 million total viewers. As well as winning in its timeslot (against ITV1's Who Wants to Be a Millionaire? on 5.80m), the Christmas episode has ended up as the second most-watched programme of the day, behind BBC One's EastEnders (10.60m) but well ahead of ITV1's Coronation Street (8.83m, despite overnights showing a tie on 9.4m). Doctor Who was BBC One's fifth-placed programme of the week, behind four episodes of EastEnders; four high-rating episodes of Coronation Street make 'The Christmas Invasion' the ninth-placed programme of the week across UK television, with Doctor Who being the third most watched show, behind the two main soaps but 0.44m ahead of the highest-rated episode of Emmerdale. A more detailed breakdown of the figures is not yet available.

Also, the initial AI (Audience Appreciation Index) figure for the BBC Three repeat of "The Christmas Invasion" on January 1 has been reported as a very high 88, in fact more than the initial AI figures reported for the original broadcast on Christmas Day, which was 84. As with final ratings, final AI figures are computed later (with a significantly longer lead time, usually at least a month) and will be posted when available.

The final BARB ratings (Broadcasters Audience Research Board) have been released for the Children in Need special that aired last November. The ratings show that the quarter-hour that featured the Children in Need mini-episode gained 10.8m viewers, the highest Doctor Who-related audience since the first broadcast of "Rose" in March. The previous fifteen-minute segment of CiN had 10.1m viewers and the subsequent fifteen minutes saw a drop back down to 10.0m. Note that, as with the overnight ratings previously reported on Outpost Gallifrey, it remains difficult to be exact, since viewers in Scotland saw the special a few minutes later than the rest of the country.

Meanwhile, according to overnight ratings provided by ViewingFigures, 501,700 viewers (2.7% audience share) tuned in for BBC3's repeat of The Christmas Invasion on New Years Day. Though it wasn't in the top ten for the week on the non-terrestrial channels (beaten by episodes of The Simpsons and Little Britain among others), it ranks at or slightly below average from the second-run BBC3 repeats from series one... the difference being that it achieved this score on a holiday. BARB ratings are due very shortly for the original Christmas Day broadcast of "The Christmas Invasion".

Finally, the initial Audience Appreciation Index (AI) figure for "The Christmas Invasion" has now been reported at 84. The figure will likely change for the 'final' version (the final figure usually released two months or so after broadcast, after all figures are taken into account) but the initial version was the second-highest AI ranking on Christmas Day, beaten only by ITV's broadcast of "Creature Comforts". (Thanks to Steve Tribe, Keith Topping)

Canada got the new series tonight... and several of our readers noticed that the CBC network wasn't noted as a co-producer this time, but rather was noted with a "special thanks to the Canadian Broadcasting Corporation" notice. Meanwhile, Billie Piper hosted the show in much the same way Eccleston did, wearing a red Roots hoodie with "Canada" on the front, and at one point explicitly thanking the viewers for making Series One a success.

The Daily Mail has comments from a BBC1 spokesman on the ratings triumph for the BBC on Sunday: "We are delighted that the audience turned to the BBC to be entertained this Christmas. It has been a wonderful climax to the year for Doctor Who and Strictly Come Dancing. And once again EastEnders proves to be the jewel in the Christmas schedule."

Tomorrow's Times notes that "science fiction has overtaken reality shows as space-and-time travel becomes the new hit formula on TV. David Tennant’s first appearance as the Doctor in the Christmas Day episode of Doctor Who was watched by 9.4 million viewers, beaten only by BBC One, with more than ten million switching on to EastEnders. In America, entire channels are devoted to big-budget space dramas. Now digital technology has made convincing sci-fi epics affordable on British budgets. ITV is responding to Doctor Who with Primaeval, a 6 million, six-part epic about scientists who travel into prehistoric times through black holes. The team behind Walking with Dinosaurs is creating the graphics. Next year the BBC will follow up the success of Red Dwarf, the sitcom set on a spaceship, which has spawned four million DVD and video sales. A new BBC Two sci-fi comedy Hyperdrive consciously echoes its predecessor, the channel’s highest-rated sitcom with eight million viewers. ... The resurrection of sci-fi has surprised some. Senior BBC figures were sceptical about Doctor Who, believing a revival would fail to reach a mass audience despite a much bigger special effects budget for the 13 million series. In fact there is a large international audience for British sci-fi. The new Doctor Who has been sold to 12 countries, including South Korea and Australia."

The Times also notes that a "pre-Christmas mini-revival that pushed ITV1's audience above BBC One has not stopped Britain's leading commercial broadcaster losing viewers this year, denting its prospects of pulling in advertising in tough conditions. The BBC, which is usually strong over the holiday, has featured shows such as Dr Who this year."

Tomorrow morning's Daily Record says "Thank you David Tennant. The new Doctor Who triumphed over the Sycorax in a rattling good Christmas special. And he did so in a woollen dressing gown and striped winceyette pyjamas and made them sexy - according to a highly scientific poll of females in and around my house. Now, if I can manage a regeneration of my own,by losing four stones and 15 years while regaining a luxuriant head of hair, maybe those aforementioned females will consider me in my night attire to also be 'hot.' As opposed to a sad old git schlepping around in dressing gown and PJs."

More comments on the ratings success of "The Christmas Invasion" are atThe Guardian, The Telegraph, Digital Spy, and the Daily Record. Meanwhile, BBC News has a feature on "Entertainment Year in Pictures 2005" with shots of Christopher Eccleston as the Doctor.

(Thanks to Paul Engelberg, Mustafa Hirji, Brian Newall)

BBC News today reports that while EastEnders was the most watched television programme in the UK on Christmas Day, Doctor Who was immediately behind it at #2. EastEnders managed an average viewership of 10.1 million viewers, peaking at 11 million, while Doctor Who's ratings averaged 9.4 million viewers, peaking at 9.8 million, and managing a 42.7% share according to the overnight ratings. ITV1's "Coronation Street" also averaged 9.4 million viewers but peaking slightly less than "Doctor Who", putting it into the #3 slot. Seven BBC1 items got into the top 10 viewing figures for the day, too, adding to the channel's success. Complete details are also available via The Sun, CBBC News, The Telegraph. The final ratings report from BARB will be out within a few weeks, where as usual, the expected final rating will likely be somewhat higher. (Thanks to Paul Engelberg)