This week sees Titan Comics release the latest Doctor Who comic featuring the Ninth and Tenth Doctors.

DOCTOR WHO: NINTH DOCTOR #7

Writer: Cavan Scott
Artist: Chris Bolson
COVER A: Verity Glass, COVER B: Photo, COVER C: Pasquale Qualano

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DOCTOR WHO: TENTH DOCTOR #2.16

Writer: Nick Abadzis
Artist: Giorgia Sposito
COVER A: Claudia Caranfa, COVER B: Photo, COVER C: Question No. 6


Both comics are published on Wednesday 23rd November

ABC Australia has announced that both the Doctor Who Christmas special The Return of Doctor Mysterio and the animated series Doctor Who: The Power of the Daleks will be fast-tracked to ABC iview early on Boxing Day morning, immediately after the BBC’s broadcast of the Christmas special.

The Return of Doctor Mysterio will then screen on ABC and ABC ME at 7.30pm on Boxing Day evening.

Written by Steven Moffat, The Return of Doctor Mysterio sees the Doctor team up with an investigative journalist, played by Charity Wakefield (Wolf Hall, The Player) and a superhero to save New York from a deadly alien threat.

The one-hour special also features Matt Lucas as Nardole, Justin Chatwin as Grant (the superhero), Adetomiwa Edun (Lucifer), Aleksandar Jovanovic and Logan Hoffman.

Doctor Who: The Power of the Daleks animated series is one of the most celebrated Doctor Who adventures, and yet no complete film recordings are known to have survived. The master negatives were destroyed in an archive purge in 1974. This brand new animation, being released 50 years after its only UK broadcast, is based on the program’s original audio recordings, surviving photographs, and film clips. The six-part adventure features the regeneration – or as it was then called “renewal” – of First Doctor, William Hartnell, into Second Doctor, Patrick Troughton, and follows the Time Lord and his companions Polly (Anneke Wills) and Ben (Michael Craze) as they do battle with the Daleks on the planet Vulcan.

Power of the Daleks was brought to life using modern animation techniques and was produced and directed by Charles Norton, with character designs from acclaimed comic book artists Martin Geraghty and Adrian Salmon.

This week sees Titan Comics release the latest Doctor Who comic featuring the Twelfth Doctor as well as the final of the 2016 event Supremacy of the Cybermen.

DOCTOR WHO: SUPREMACY OF THE CYBERMEN #5

Writers: George Mann & Cavan Scott
Artist: Ivan Rodriguez
Cover A - Alessandro Vitti, Cover B - Photo Cover, Cover C - Fabio Listrani

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DOCTOR WHO: THE TWELFTH DOCTOR YEAR TWO #11

Writer: Robbie Morrison
Artist: Mariano Laclaustra
Cover A - Verity Glass, Cover B - Will Brooks , Cover C - Simon Myers


Both comics are published on Wednesday 16 November

We are delighted to be able to offer readers in the United States a chance to win tickets to see the new animation of The Power of The Daleks at a participating theatre on Monday 14th November, courtesy of Fathom Events.

The competition is free to enter; all you need to do is send us the following details to comp-fathom@doctorwhonews.net with the subject "Power Giveaway":

• Your full name
• Your preferred email address (to receive the ticket from Fathom Events)
• Your preferred theatre location (enter your zip code here to find your nearest participating theatre)
• How many tickets you require (one or two)

Please note this competition is open to readers in the United States only, and ends at
MIDDAY Pacific Time/3PM Eastern Time tomorrow (11th November).




Full details of the event can be found on via the Fathom website.

BBC Audio have released details of the audio adaptions taking them up to the end of the year, with two further Target novelisations and a collection of previously released readings:
December also sees the release of an adaptation of Gary Russell's Scales of Injustice, originally published by Virgin Books as part of their Missing Adventures series in 1996:


It is still possible to enter competitions to win September and October's audiobooks here, closing date 13th November.

Episode One of the animated Power of the Daleks has been released on the BBC Store, exactly 50 years after it was first seen in the UK.

Viewers in the UK can download the episode for £1.89SD or £2.49HD or buy a season pass which gives access to all six episodes for £9.99SD and 12.99HD. Episodes are being released on a daily basis, although some BBC Store users have reported they already have access to all six.

The first three minutes of the episode were live streamed on the Periscope service earlier today. Viewers who missed it can unlock the video by going to the BBC Store twitter account



The first three episodes of the story were premiered at the National Film Theatre in London on Saturday afternoon, although disappointingly in mono rather than the remixed 5.1 sound so lovingly created by Mark Ayres. A packed audience included many who worked on the animation as well as members of the original production team from 1966, including designer Derek Dodd, actress Anneke Wills and runner and future Doctor Who director Graeme Harper, who at the time he worked on Power of the Daleks was just three weeks into his BBC Career.

Actor Frazer Hines, superfan and comedian Frank Skinner and current showrunner Steven Moffat all shared their memories of working with and watching Patrick Troughton.

Also in the audience was Grahame Strong, the man who made the recreation possible, by recording the sound from his TV on his domestic tape recorder as the story was being broadcast, thereby preserving the soundtrack when the rest of the episode was destroyed.

Some of the process of the animation was explained by project Director Charles Norton. The team had roughly 6 months to complete all six episodes, an incredibly tight framework, with the final episodes only completed last Wednesday. He decided to make the story in 16:9 rather than the original 4:3 as most people now watch on widescreen TV's and if it had been made in 4:3 most would be watching the animation stretched to fit the screen.

Norton said he had fought hard for the animation to be made in Black and White as he felt it enhanced the story and gave a far more accurate rendition of the original product, something accepted by BBC Worldwide. The idea to colour the episodes came later from BBC America and is being done in Canada by a completely separate team. As far as BBC Worldwide is concerned the definitive edition for the UK market is the Black and White edition.

Those who do wish to see the Colour version can download it from the BBC Store at the end of the year, or buy the Blu-Ray in February, which will contain both versions.

In the USA the story will be screened weekly on BBC America starting on November 19. This is in addition to a number of movie theatre screenings on November 14. BBC America will make the colour version available exclusively on their digital platforms towards the end of November. and from January 24, 2017 both versions of the story will be available on DVD.

The story will also be screened at selected theatres in Canada, Australia and New Zealand.

It was fifty years ago today, on Saturday 5th November 1966, that we welcomed Patrick Troughton to the role of The Doctor.

The signing of Patrick Troughton was a major coup for the production team. At the time he was one of the best-known actors on British Television, having worked in the medium ever since it restarted after the second World War.

Troughton was born in North London in 1920, the son of a solicitor. His first acting role was at Mill Hill school, later attending the Embassy School of Acting studying under Eileen Thorndike. He won a scholarship to the Leighton Rallius Studios at the John Drew Memorial Theatre on Long Island in New York City.

His acting career was interrupted by war and the ship returning him to England sunk after hitting a mine in the English channel, forcing him to escape by lifeboat. Not put off by the sea he joined the Royal Navy serving with Royal Naval Reserve, earning the 1939-45 Star and the Atlantic Star as well as being mentioned in dispatches. Troughton made his Television debut in 1947, playing the young Thomas Culpepper in the play The Rose Without a Thorn, a production which starred Richard Hurndall, another actor who would inherit the role of the First Doctor. He found himself particularly suited to Television, where all drama was transmitted live. He relished the large audience the medium could reach, and the majority of his career would now focus on Television and to a lesser extent movies.

He was prolific in the medium appearing The Invisible Man, The Old Curiosity Shop, Kidnapped, The Count of Monte Cristo, Ivanhoe, Dial 999, Danger Man, Maigret, Compact, The Scarlet Pimpernel, The Third Man, Crane, Detective, Sherlock Holmes, No Hiding Place, The Saint, Armchair Theatre, The Wednesday Play, Z-Cars, Adam Adamant Lives!, A Tale of Two Cities, Smuggler's Bay, The Splendid Spur, The Naked Lady, The Scarf, The Rebel Heiress, Benbow and the Angels, Clementina, The Royalty and Softly, Softly. In 1953 he became Television's first Robin Hood, becoming a tea-time favorite for the nation's children and in 1960 made a huge impression on Sunday afternoons as Paul of Tarsus.

Dispite his huge body of work, Troughton was not the only choice, or indeed the first choice to take over from Hartnell. Brian Blessed, fresh from a leading role in police drama Z-Cars was offered the role, but declined because of scheduling conflicts. Rupert Davies, Valentine Dyall and Michael Hordern were all approached but none wanted to commit to a long-running series.

Troughton was offered the role in June 1966, while working on the Hammer film The Viking Queen. He had doubts about accepting. He himself was a fan of Doctor Who, and had watched every single Hartnell episode. But he thought the series had probably run its course. Troughton was eventually persuaded to take the role and signed the contract for 22 episodes on 2nd August. He initially had the idea of playing the character in heavy make-up, in order to prevent being type-cast, but the look eventually settled on was that of the cosmic hobo. The characterisation was worked out between Troughton and script editor Gerry Davis, who explained. Troughton would hold the role for three years. His success would guarantee the series longevity, and Troughtons place in the Television hall of fame.

The BBC have announced that a colour version of the animated story The Power of the Daleks is to be released at the end of the year.

The Black and White version is being released this weekend on BBC Store, with a DVD release coming on 21 November. It is now confirmed that a colour version will be released on BBC Store on 31st December followed by a Special Edition Bluray, containing both the Black and White and Colour versions, from 6th February 2017.

BBC America is screening the Black and White version weekly from November 19, and will make the colour version available exclusively on their digital platforms towards the end of November. From January 24, 2017 both versions of the story will be available on a Region 1 DVD, exclusively at Barnes & Noble.

It was fifty years ago today, on Saturday 29th October 1966, that we bid farewell to the First Doctor.

At exactly 50 minutes and 47 seconds past five, 7.5 million viewers tuned into BBC 1 to hear the theme music ring out and the last William Hartnell episode begin. 24 minutes later it was all over. We had a new Doctor.

William Hartnell had appeared in 127 episodes of Doctor Who, appearing in 29 stories. He would return to the series in 1972, in four episodes of The Three Doctors. To date only one actor, Tom Baker, has appeared in more Doctor Who episodes than Hartnell, whose episodes, if played sequentially, would last for 2 days. 8 hours and 1 minute.

Fifty years on, William Hartnell's influence is still felt in the series, and in the character he created. His final episode has been lost, but one sequence survives. It is perhaps the most important sequence in the series history. The regeneration. With that one scene, the programme's future was guaranteed. The series could outlive its creators. Its immortality was assured.