Same great creators – whole new flavor! The Eleventh Doctor begins his blockbuster third year with writer Rob Williams (Suicide Squad) and series artists Simon Fraser and Leandro Casco in the hot seat! Year Three unfolds in single issue stories, as the Doctor and Alice Obiefune, seeking a fresh start after the stresses of last year’s epic mystery, set off in search of strange new worlds and amazing new sights! Every issue is packed with story and wonder! Dive deep into the unseen reaches of time and space! Super-accessible jumping on point for new readers – come see what the fuss is all about!

A French swordswoman, dark matter monsters, alternate universes, swashbuckling adventure and symbiotic intrigue - all just another Wednesday for the Doctor! But when you throw in secret police, an alien takeover of the aristocracy, a villainous Count, the inquisition, and alchemical discoveries...well, then it gets interesting! More breathless adventure and visual delight from the stellar Twelfth Doctor team!

It's a brand-new season for the Tenth Doctor and his loyal travelling companions, Gabby Gonzalez and Cindy Wu! Jump on board with a two-part opening story - 'Breakfast at Tyrannies' that introduces a whole new terror to test the Doctor and his friends! Plus: a new companion joins the TARDIS - the like of which you've never seen!

The grand finale of Year Two! The impossible has occurred, and an ancient foe, long since defeated, has returned again to plague the Doctor, the universe, and to threaten all of reality! Has Anubis fallen to the ways of his father, Sutekh... or has Sutekh found a way to transcend death? Whoever survives will head into Year Three forever changed!

I also had an idea to write a couple of scenes to show what our other regulars were up to while the Brigadier was enjoying Christmas with Sally. And after writing a couple of scenes, a new thought came to me. Wouldn’t it be fun to get as many of our authors involved as possible? I sent out an email, asking for those free to send me a scene, and many responded. Bit by bit the story became longer.”

UNIT agent Tara Mishra is on the verge of whistleblowing the existence of aliens to the British public, after rampaging daikaiju have been spotted in the English Channel! Can the Doctor, Rose, and Jack prevent her from changing the course of the 20th century by revealing the truth... and do they even want to? Plus! A new companion aboard the TARDIS -- and a new thread in the unravelling weave of Jack's missing memories!

The Navigators need Jack’s help to battle an alien threat from his past – but he’s an ocean away and several bullet holes from being able to help them out! Gwen finds herself torn between two worlds, as Jack’s quest threatens everything she holds dear – including the very core of Torchwood itself! And the Committee want the Ice Maiden and its crew – and its advanced, alien technology – for their own purposes, and they’ll kill anyone who gets in their way! The first arc of the ongoing Torchwood saga ends – but what a cliffhanger! We’re back with more shocks and surprises – and the full creative team – for #5!

I took a long time to get around to the idea of doing the audios – and now I just absolutely love it, I think the character's beautifully written. Everything we're doing at Big Finish is stuff that's already in the character, in the stories, they're just being extended a bit. Having said I don't want to do them, now I think “when's next week's one going to arrive?”. This is proper Doctor Who, they're really carefully written, they're witty and funny, they're highly inventive.

It's been great to at last bring Adric into the monthly range – well, before his tragic death, at least! Andrew Smith wrote the character's introductory story on TV, so I was determined to get Andrew to write his re-introduction. Andrew's The Star Men, full of far-out cosmic science, is the first story of the trilogy, in which an astronomical base at the fringes of Earth's galaxy finds itself on the frontline of a war with an unimaginably alien force...

Adric's quite heroic in this, and a young woman finds him rather hot because she's a bit brainy like he is: there's some genuine, character work going on with a great concept and there's some really nice moments between him and a young woman called Autumn (played by Sophie Wu).

Phil Mulryne's The Contingency Club comes next, in which the TARDIS lands inside the most exclusive gentlemen's club in all of Victorian London – a club where all the waiters are identical clones! The final instalment of the trilogy is Zaltys by Matthew J Elliott, which brings the TARDIS to a world just hours from catastrophe, while Tegan is stranded in space... where she comes face to face with a very particular sort of horror, one she thought existed only in nightmares...

The double-bills in April to June came about because, er... well, we all quite liked the idea of double-bills, really! Each consists of two two-part adventures, each by a different author, one on each of the two discs; each, hopefully, has a very different style and tone to its companion piece – there should be a nice contrast between the two. Alien Heart is about a species of weird spider-like monsters linked to the systematic destruction of planets, and Dalek Soul is a particularly bleak piece set on the Dalek-occupied world of Mojoxalli.

May features Lisa Greenwood as Flip – hurrah! – reunited with the sixth Doctor, in two adventures set before her (apparent) exit in Scavenger. Vortex Ice is a brain-scrambling conundrum of a story set in a diamond mine; then Cortex Fire, like its title sort-of suggests, is about an epidemic of spontaneous human combustion on a distant planet. Finally, in June, there's the return of the seventh Doctor and Ace in Shadow Planet/World Apart. The first has them at a far-out therapy centre, getting some very alternative medicine; then the second the TARDIS travellers are found marooned somewhere very inhospitable indeed...

Back in 2004 I was lucky enough to write for the older Brigadier in Big Finish’s UNIT series. That was an absolute joy. It was an older, wiser but always resolute Brig. Passing years hadn’t diminished his sense of duty or his willingness to risk everything to do what needed doing and do what was right. Writing those scripts was as big a buzz for me as writing for the Doctor. Hearing Nick be complimentary about how we had handled the Brig was one of the happiest moments of my career. Writing a younger version of the Brigadier was something I had pondered, but I didn’t see how I could do it… until news of the Lethbridge-Stewart books came along. When I had the chance to pitch I jumped at it, just for the chance to spend some time with a character who feels like an old friend.

I wanted the book to start with a bang – and so we go straight into the Brig being sent to jail. From there… well, life inside Britain’s prison system wasn’t easy. I’d read about Wormwood Scrubs having been used as a military installation during WW2 and that helped me shape the story and plan how it would unfold. Using the Scrubs made me think of TV and films from the ‘60s and ‘70s that had a real edge. McVicar, Get Carter, Target, The Long Good Friday… suddenly the Brig in jail had some edge, and it was the kind of situation we’d never seen him in before. But he’s clever and he’s resourceful… the Brigadier isn’t Colonel Blimp. He’s a damned good soldier, and he’s a dangerous man in the right situation. I hope that’s the Brig you see in this book. As an outline it went through a few revisions, as most books do. But through the writing and the rewriting, the joy at the heart of it is the Brigadier having new adventures. Taking this wonderful character, putting him in situations he needs to resolve and writing dialogue people will read in Nick’s wonderful, rich voice… that’s an honour and a pleasure. Nick and the Brigadier? Splendid fellows, both of them.

This was a fun story to break. The idea of Lethbridge-Stewart serving time in prison came from Shaun; it was of the earlier ideas we discussed. I personally wanted to bring back both Captain Knight and Colonel Pemberton, who have both been mentioned several times in the series. Indeed both have appeared in some of our short stories, so it was nice to bring them into the novels properly. I approached Iain after he was recommended by a friend, although I was aware of his work I had forgotten he’d written for the Brigadier back in 2004. Iain was up for it, and took on board the small ‘shopping list’, building a very solid story from the initial ideas.

I thought it would be great idea putting Lethbridge-Stewart in prison, so it was a lot of fun to finally read the book (by the time I read them, at the formatting stage, these books are fully written). It was just as I hoped it would be. It combines the tough storytelling of The Sweeney, with comedy elements of Porridge. Iain has really done a fantastic job on this book, bringing some much-needed comedy touches to the Brigadier’s time inside.

I really enjoyed bringing Captain Knight to the fore, as I particularly like the performances that actor Ralph Watson brought to both The Web of Fear and Horror of Fang Rock, and he deserves such a homage. Andy knows my strength, and gave me a brief that really brings out the best in me.

Our first volume of Classic Doctors, New Monsters really captured the imaginations of our listeners. They loved the fusion of two different eras of the TV series. And I’m sure they are going to equally love John Dorney’s brilliant Night of the Vashta Nerada, in which the shadowy predators create mayhem in a story straight out of the Philip Hinchcliffe era.

I first met Sharon via the wonderful world of social media back in, I think, 2009. I was very impressed with her work, and soon enlisted her for my Space: 1889 & Beyond series. Her work ethic was proven to me when a novella fell through at the last minute and she agreed to co-author a replacement with me – which we did, in only two weeks! Sharon’s first drafts are often better than a lot of published works out there, and from the off I told her that I would get her writing for the Lethbridge-Stewart series. She resisted for all of five minutes.

I've written for and with Andy before with great success, so I was not entirely surprised when he got in contact about his latest project. For one thing, he'd been 'hinting' for some time that he wanted to rope me in and Andy isn't someone who understands no as an answer.Whenever I hear from Andy, I never know whether to cheer or groan. All those who write novels for well-known television shows now have my utmost respect. Some find it easy; for others the experience feels difficult and involves a lot of angst. I'm one of those worriers. Despite the responsibility, Andy has dragged me into incredible worlds and stories that are part of history and there's no way not to be grateful for that.Invariably the experience of writing for Lethbridge-Stewart was, for me, daunting, exciting, fun, and adventurous…a bit like the character himself.

Sharon was an unknown quantity for me, but I knew that Andy had worked with her before, so I was more than happy to see what she’d come up with. Having read her short story, and looked up her other work, I now believe she’s going to be a wonderful addition to our stable of authors on this series.

I adore working with Candy Jar, and their cover briefs are always so specific, but this one was rather ambiguous as there were several elements that I could have used on the cover. I decided to concentrate on the alien of the piece.One passage of the story mentioned its burning eyes. Using a combination of traditional drawing and then colourisation in Photoshop (to really get the blazing eyes right), this is what I came up with.And I'm pleased to say everyone loved it.