The astounding Year Two team of George Mann, Rachael Stott and Mariano Laclaustra returns!

The Doctor is ready for a BRAND NEW set of thrilling adventures in time and space...

A super-accessible jumping on point for new readers, Year Three will now ship monthly.

The adventures of the Eleventh Doctor continue!

The team have uncovered a plot by the alien Navigators to harvest the Earth for their own purposes. Captain John Hart and Lady Karina sought the astrolabe, so Karina could give it to the Navigators, but the pair were captured by Torchwood. However, the Navigators have begun their plan to ‘compost’ Earth, causing dormant volcanoes around the planet to erupt...

It transpired it was an anagram for Woman Ten, the companion in the tenth series, because if agents had known it was a Doctor Who casting, they'd have put every client up for it. Just walking through the foyer (of the Soho Hotel) was nerve-racking, I rocked up in my Afro and bright yellow trainers and a baggy T-shirt, into this big glossy octagon foyer and they told me to wait in a room till they were ready for me - I almost ran away.

I think you looked very cool there. You didn't seem fazed, you seemed to have a life beyond the scene. It was like Bill ha existed rather than saying lines for an audition.

In The Last Duty Eileen was only a cameo. Her inclusion came quite late to the mix, and despite her character hinting at a past fighting aliens, we didn’t fully explore this, so when the opportunity came along to delve deeper, I jumped at the chance.

Eileen worked in the Filter Room, the top secret hub of Britain’s air defence, and tracked the first V2 rocket into the country! Before she died, I had a brief conversation with her about our Lethbridge-Stewart series. We joked about her being the first person to track an alien rocket into the country and this sparked an idea. Her sad death prompted us to include her in The Last Duty, but now we feel the time is right to discover more about Eileen’s alien fighting exploits during WW2.

My aunt would have been tickled pink at the fact that she is a central character in this the latest book in the Lethbridge-Stewart series.

For this second cover I wanted to create a full colour image rather than my usual mix of colour and black and white. I had also backed myself into a corner with The Life of Evans. I found it quite difficult to fade the hand-drawn train explosion into the background, so here for the first time I decided to create the fire effects digitally, though Travers and Eileen are still pencil drawings.

I was aware of Eileen from seeing her on the TV, but I never knew just how famous she was until I did my preliminary research. It turns out that she lived quite a life, so there was no pressure to get her portrait right... not! I'm pleased to say that the feedback I received from the family totally blew me away. I just hope that I have done her justice for all her fans.

Travers’ life between The Abominable Snowmen and The Web of Fear is still pretty much unexplored, bar a few hints here and there. It has already been established that he worked for a previous version of the Home-Army Operational Corps during World War 2, but this is our first look at what his work entailed. It’s all part of a much larger canvas, as we slowly unveil the hidden mysteries and secrets of Professor Travers’ remarkable life.

For a limited period, Candy Jar Books are opening their Lethbridge-Stewart short story range to everybody (as long as you've never written for the series before). All you have to do is send a one line idea, and a short story you've written (any original short story, as long as it's a finished piece), so the editors can gauge your writing ability.

Please visit our website for more information and the pitch guidelines. Please note Candy Jar will not consider any submission that had not taken into account the information in the guidelines.

Lauren Thomas, publishing coordinator at Candy Jar, said:

Candy Jar is also looking for submissions for their forthcoming book that celebrate fifty years of Brigadier Lethbridge-Stewart.

Shaun Russell, head of publishing at Candy Jar, said

If you have an idea, then send it to havoc@candyjarbooks.co.uk with the words 'FACT PITCH' in the subject bar.

The Doctor's plan to take comic creators Sonny and Val off on a tour of the Universe was all going so well... until they landed on a planet of Mindmorphs intent on stealing their minds! Will the creative duo be able to channel their talents in order to save the Doctor? Or is this partnership, and the minds of all on the planet, beyond saving?

We had great feedback from Richard’s Blood of Atlantis cover. His style harks back to the classic era of Doctor Who, and we wanted to showcase this talent across a number of books. As a result we have commissioned him for all three novellas.

One of my favourite artists is Drew Struzan, the man responsible for some the most iconic poster designs of the 20th century, including Back to the Future, Indiana Jones and Star Wars. I would never compare myself to him, but I do try to follow his traditional design philosophy. Shaun, who is also a fan of his work, wanted the novellas to embrace this hand-drawn style.

The main range evolved into a circular motif, so for the novellas we thought we could do something slightly different. Diamond shapes are a standard element of classic Doctor Who, notably the logo used from 1974 to 1979, and it seemed an obvious thing to echo here. Shaun worked with Richard to develop the overall concept, while I continued my focus on the stories.

Once we’d fixed on the idea, I started work on the individual elements for the composition. Candy Jar prefers the artwork for the covers to be submitted as separate elements, rather than a single completed piece of artwork. I’m sure Drew Struzan has never done this, but it does allow for a greater flexibility when I am creating elements individually, or as a whole. So this cover is actually made up of several illustrations; Evans, the train and explosion, the standing stones, the sunset, the old man, and finally his hand.

Tickets are now available for the Fathom Events presentation of BBC AMERICA’s Doctor Who: Season 10 Premiere, playing in movie theaters nationwide for two nights only on Monday, April 17 and Wednesday, April 19, 2017 at 7:00 p.m. local time, following BBC AMERICA’s television premiere on Saturday, April 15 at 9/8c.

In addition to the feature content, audiences will enjoy the premiere episode of the Doctor Who spinoff series Class, featuring a guest appearance by the Doctor himself, Peter Capaldi, and the never-before-seen bonus feature Becoming the Companion, in which fans will travel with new companion Pearl Mackie from the London stage through the doors of the TARDIS to a once-in-a-lifetime role, or as Pearl says, “the most insane thing that's ever happened to me.” The bonus feature includes exclusive interviews with Pearl Mackie, Peter Capaldi, and Steven Moffat, and is narrated by Ingrid Oliver.

With as the official retail partner of the Doctor Who: Season 10 Premiere cinema event, attendees can bring in their ticket stub or proof of purchase to Hot Topic retail locations for 25% off Doctor Who merchandise, valid March 10 – May 6, 2017.

In addition, fans who purchase tickets through Atom Tickets will receive three free Doctor Who digital comic books from Titan Comics and ComiXology, delivered to purchasing email address on event date.

These partnerships along with Fathom Events presentation is all brought together through licensing deals with BBC Worldwide North America.

Tickets can also be purchased online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in more than 550 select movie theaters. For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change).