Saturday Press and Broadcasting Notes

Saturday, 19 March 2005 - Reported by Shaun Lyon
A new edit has been made to the 'Trip of a Lifetime' trailer, which was shown during late night BBC1 programming on Friday night. They have removed all but the specially recorded Doctor scenes in the Console room and him running from the fireball and have inserted his opening sentence, "Do you want to come with me?" at the very end. It's around 10-15 seconds long. The show was also trailed in a DVE squeezed box during the end credits of the first film's showing on BBC2 this afternoon, though this was just a couple of clips from the beginning of Rose with a voice over from the continuity announcer spoken over the top, who went on to announce the evening's DW night and then following the credits trailed the first part of Project: Who over a Radio 2 slide.

The BBC has moved the Tommy Boyd hour on March 26 to an earlier time slot, 9:00pm, in anticipation of their coverage of the new Doctor Who series debut earlier in the evening.

There's an article about the new series in the Times Educational Supplement this week (published March 18); you can have a look at the cover at their website website, and follow the link bottom left that says "TES Teacher" although the article apparently cannot be read on the site.

BBC Radio 7 will play their radio comedy show, Dead Ringers, at 8:30AM, 10PM and 3AM on Friday 25th March: "The team with queries for You and Yours and who is the next Dr Who. From October 2003". This is a best-of repeat broadcast from October 2003. Dead Ringers is the show that spawned Jon Culshaw and his well-known impersonation of Tom Baker's Doctor.

Today Radio 2 comedy programme "The Day the Music Died" included a "Vision On" Gallery sequence with descriptions of pictures of new Doctor Who aliens supposedly sent in by musicians. It's about 18 and a half minutes in, but the programme as a whole is well worth a listen here.

The Saturday 19 March edition of the Daily Telegraph carries two Doctor Who articles, one an A to Z of the show by Matthew Sweet (who presented the Culture Show piece on Thursday evening), the second an interview with Mark Gatiss. The A to Z includes a few choice morsels - Q is for Quillam (from Vengeance on Varos), F is for Fanboys ("approach with caution") and O is for Outing Doctor Who fans. Read the A to Z here and the Gatiss interview here.

Today's The Express wonders "Why Billie has Fallen For A Dalek." "You'd never guess it in a million light years. But new Doctor Who star Billie Piper has admitted to a growing attachment with a Dalek. Talking about her role in the BBC1 revival of the classic series, she revealed: 'I had this quite emotional scene with a Dalek. "I'm sat there the night before the take thinking, how am I going to tap into my emotions? This is a hunk of junk! And then, I think because it is so beautifully written with human emotion, I am stood there and I am actually feeling for this thing.'" It also mentions her appearance on tonight's Parkinson.

An article in today's Telegraph, primarily about Quatermass, mentions Doctor Who serveral times. "The low-budget but endlessly inventive Doctor Who owes its existence to an even more pioneering television creation, Quatermass. ... That charisma and anti-Establishment mind-set were transferred in 1963 to Doctor Who, his spiritual successor. Though pitched at children, this series bore many of the same characteristics, infusing sci-fi with a gothic aspect. Both these shows were often less Isaac Asimov and more Mary Shelley. In Quatermass, the fate of Victor Caroon - Quatermass's astronaut, brought back to Earth with an alien infection, who soon becomes a haunted wasteland-dwelling fugitive - has very strong echoes of Frankenstein. At the climax of Quatermass and the Pit, a vast flickering image of a horned demon hovers in the night sky over London. In the second serial of Doctor Who, the doctor's companion, Barbara, is pursued through a weird, deserted alien citadel by something unseen by us but clearly so appalling that her scream echoes over the closing music. It is, of course, a Dalek. ... The notion that sci-fi could be low-key and unsettling ensured the doctor's longevity. But the rebellious spirit of Quatermass reached out further. In 1978, the crew of Blake's Seven took off into space, taking a stand against proto-fascist aliens across the galaxy, in what sounded like a spaceship with wooden floors. This was the golden age of the quarry location, when actors in spangled costumes ran around pretending to fire space weapons at each other just outside of Reigate. But the anti-Establishment theme prevailed. In those days, when you could get a convincing laser beam for neither love nor money, the only alternative was robust and gaudy scripting."

Today's Scotsman features a commentary called "Who says I'm a geek?" about a viewer who remembers back when he was 12 and still feels the excitement of the new series. "I am abuzz with anticipation, fizzing with excitement. All my adult worries and responsibilities have receded, replaced by an obsessive childish concentration on just one thing: next week, after nine years in televisual limbo, Dr Who is returning to our screens. Yes, it's true, Dr Who, my childhood hero, my two-hearted intergalactic friend, will be dematerialising in the corner of my living room in just a few days' time. ... "Of course, Doctor Who has never really been cool. The Who-niverse is the province of the geek, a socially shunned sub-culture which sees sweaty men in wash-shrunk jumpers weeping in quarries at the discovery of some discarded Cyberman hosing from 1974. Critics still harp tiresomely about wobbly sets (they were never that wobbly) and shoddy special effects (errrm ...), as if the show was some sort of slapdash pantomime rather than the incredibly imaginative and original slice of televisual manna which, at its best, it actually was. Doctor Who fans always get enormously defensive when discussing their beloved obsession, usually shooting themselves in the foot with arguments like, 'Pah! If it's rubbish TV sci-fi you're talking about, just look at Blake's 7!" which just make you look twice as insane. But I don't care. I'm not ashamed to admit my allegiance. It's geeky and silly and about as likely to impress women as a trip to an oil refinery, but I'm so irrefutably fond of the series, it would be an act of pitiful self-denial to claim otherwise."

Today's Times Online has an article called "Billie the kid" which biographies Billie Piper, including comments about her marriage and her other performances in preparation for the new series. She also makes note of some of her favorite moments from filming the new series.

(Thanks to Will Hadcroft, James Armstrong, "C Kent", Tom Boon, Steve Tribe, Faiz Rehman, Paul Engelberg, Dan Harris, Steve Chapman)




FILTER: - Series 1/27 - Press - Radio Times - Broadcasting

Friday Broadcasting and Press Notes

Friday, 18 March 2005 - Reported by Shaun Lyon
Destination Three, BBC3's "new topical entertainment program" filmed in Manchester, will be broadcasting a Doctor Who Special on Friday, March 25, from 11.30pm - 1.30am. The program will tape next Tuesday.

BBC Radio Derby this morning (story here) featured an interview with several members of the Derby Whoovers regarding the new series; they had with them a life size Dalek in the studio, which then headed off to nearby Pickford's House Museum where it will be on display over the next week and Easter weekend until Monday 28th March.

Russell T Davies' latest production, "Casanova," is making waves. BBC Radio 4 on their Saturday Review program on March 12 said they didn't like it, but noted that they'd be paying attention to Davies' other production, Doctor Who, on March 19. But Alison Graham, TV column editor of Radio Times, praised Casanova in the newest edition: "Life seems to be going swimmingly as we rejoin Casanova in the second part of Russell T Davies's funny sumptuous romp ... Davies's script is littered with jokes and cheeky asides ... The look of the whole thing is absolutely gorgeous, with beautiful colours and costumes and some heady, lovely ballroom sequences."

BBC Wales has been running trailers on BBC Wales TV networks over the past few weeks advertising its programmes. In the most recent, the trail has ended with two people standing outside and open-doored TARDIS, inviting the viewers in, while the TARDIS materialisation noise can be heard.

This morning's GMTV aired a preview of the new show. There was apparently nothing new during the interviews with Chris Eccleston or Billie Piper other than - after filmed interviews - the programme returned to the studio and presenter Jenni Falconer said that a second series would begin filming in June or July, though clearly this may just be conjecture.

Newsround's website says that "Newsround will have more behind-the-scenes features and exclusive interviews when the new series starts on 26 March". As our correspondent says, since the new series is being aimed at children, expect such stories to appear on Newsround's sister show 'Newsround Showbiz'. This usually airs on the CBBC channel Saturday and Sunday at 15:50. Newsround earlier had a report from the launch party, shown last week.

Christopher Eccleston is interviewed in next week's print edition of The Stage, the newspaper for performing arts professionals; the issue will be available from Wednesday in some parts of Central London, and from Thursday UK-wide, and you may also be able to read the interview on their website.

Today's Weekend Australian says that the "Time Lord's allure proves tough to exterminate," as it sums up the comments made across the newspapers over the past week. It quotes many newspapers as well as online websites that discussed the leak of the new series like Wired and Dark Horizons.

Yesterday's Daily Post in Liverpool discusses the Daleks. "Since my item last week about the return of Dr Who, several people have informed me that the new-look Daleks are much deadlier than their predecessors," writes columnist Valerie Hill. "They now fly around on jet-powered platforms. You can no longer outwit these ruthless, inter-galactic, metal tyrants by simply running up a flight of stairs. Yet will children's happy cries of 'exterminate, exterminate, exterminate' be replaced by 'Elevate, elevate, elevate'? It doesn't really have quite the same threat."

In Yesterday's "Broadcast" online edition: "Quick! Get behind the sofa! Why, is the TV licence detector van outside again? It's much scarier than that - the return of Doctor Who. Doctor Who? I thought he died out long ago. That's where you're wrong. Doctors are never killed off - they regenerate. A bit like Angus Deayton. And this time he's come back in the shape of Christopher Eccleston." It also mentions that, this time, the Doctor is "up against his most fearsome opponents yet. The Master? The Cybermen? Blokes in outsized green rubber outfits waving coathangers? Even worse than that, Ant and Dec!" referring to the time slot competition on ITV, Ant and Dec's Saturday Night Takeaway. So who's going to win? "It won't be easy for the Doctor - younger viewers won't have heard of him, and those that have might recall his not entirely successful eighth [sic] incarnation, Sylvester McCoy." But he's got a secret weapon, says the article: Billie Piper.

Today's Daily Telegraph from Australia warns viewers that Daleks can now climb stairs! "It's the eyes. There's only one thing scarier than evil eyes -- and that's no eyes. That made Daleks the scariest of the Doctor Who villains by far. It meant there was no way of engaging with them. No way of seeing a glimpse of humanity. ... Of course like everybody else I had worked out a plan for what I would do if any daleks tried to kill me -- I'd run upstairs. But that won't work any longer. In the new series, apparently, Daleks can fly. So that's my last hope, gone." In a separate column in the same paper, a columnist notes that "Doctor Who has become Dr When -- with a dash of Dr Where and Why," noting there is still no announcement of a broadaster there. "The ABC, which has screened BBC shows since January 1965, is yet to buy the new series despite being offered the rights last year. At that stage they hadn't shown it to us and I wanted to see an episode before we bought it," says ABC's head of programming Marena Manzoufas. Says the article: "The delay in a decision -- though an agreement gives the ABC first right of refusal to BBC output -- led to industry speculation that a commercial network would move in for the new 13-part series. It is believed Channel 9 was keen on the show. 'We will be going into negotiations very shortly,' she said. 'Before we saw it a week-and-a-half ago we were concerned about whether it would work for a non-Who audience. But it's fabulous -- even if you're not a Doctor Who fan, you can come to it cold and be engrossed in it. If you are a Doctor Who fan there are all sorts of references to the past to enjoy." The article also mentions a few SPOILERS about the aliens the Doctor meets in the first several episodes (click on the spoiler tag.)

(Thanks to Steve Tribe, Paul Engelberg, Andy Thompson, Dean Braithwaite, Scott Wortley, John Leivers, Scott Matthewman, David Rafer)
Doctor Who's Who - from the Daily Telegraph (Australia), March 19

DALEKS are just some of the creatures Dr Who will meet in the new series

Moxx of Balhoon - A blue, distorted Buddha-like alien with a huge brain who is one of Dr Who's allies - but who is still nastylooking enough to scare younger viewers

Jabe the Tree: Half log, half woman, she is another of Who's allies

The Face of Boe: Rumoured to be the most evil of the Doctor's enemies, he is a giant alien head who lives in a jar of life-giving fluid and is guarded by the spooky blue-faced "staff children"

The Autons: Aliens made of living plastic that can take on any form, who rampage across London disguised as shop mannequins and wheelie bins.

Slitheens: 2.5m-tall allies of the Autons and bent on world domination.

Geith: Invisible creatures made from a foulsmelling gas, who overcome people with their deadly emissions. They kill or brainwash their victims, making them commit evil deeds.

The Ambassadors: Faceless monk-like creatures the Doctor has to do battle with in the year five billion




FILTER: - Russell T Davies - Series 1/27 - Press - Radio Times - Broadcasting

BBC Kids Canada Rebroadcasts

Friday, 18 March 2005 - Reported by Shaun Lyon
BBC Kids in Canada is adding the Jon Pertwee Doctor Who episodes to their late night lineup starting April 16. "Spearhead From Space" airs late Saturday April 16, while the first 4 episodes of "Doctor Who and the Silurians" air late Sunday April 17. This is the first time that Pertwee episodes have aired on the digital Canadian cable network - previously they have aired the Tom Baker and Peter Davison stories. BBC Kids airs Doctor Who 7 days a week at 2AM Eastern (11PM Pacific). 2 episodes air weeknights, 4 episodes air Saturdays and Sundays. (Thanks to Benjamin Elliott and This Week in Doctor Who)




FILTER: - Canada - Classic Series - Broadcasting

The End of the World Preview

Friday, 18 March 2005 - Reported by Shaun Lyon
The BBC Press Office has today posted details of program highlights for April 2-8, which includes a short piece on Episode 2 of the new series, "The End of the World." It's in spoiler tags below. The piece is illustrated with the portrait of Billie Piper used on the cover of the latest SFX, captioned: "Rose (Billie Piper) goes on her first journey through time."
THE END OF THE WORLD
April 2, 7pm, BBC1

The Doctor takes Rose on her first voyage through time to witness the death of planet Earth. But someone is planning sabotage, in episode two of the popular drama series by Russell T Davies.

It's the year Five Billion, and the Doctor and Rose arrive on Platform One to journey through time. The Sun is about to expand and swallow the Earth but, amongst the alien races gathering to watch, a murderer is at work. Who is controlling the mysterious and deadly spiders?

Christopher Eccleston is The Doctor and Billie Piper is Rose. Zoe Wanamaker is the voice of Lady Cassandra.




FILTER: - Series 1/27 - Press - Broadcasting

Doctor Who Confidential Trailer, Screen Caps

Friday, 18 March 2005 - Reported by Shaun Lyon
BBC3 began showing trailers for Doctor Who Confidential, the new 13-week documentary program about the new series, this evening. The normal 30-second Doctor Who trailer was shown followed by a 10-second Confidential trailer, which starts with the TARDIS appearing in the centre of an "eye" and then a few brief clips played over the blue of the "iris", showing the Doctor running down a corridor in front of a group of troops, close-up of CE's head, Rose running and turning back, clapperboard (from a Joe Ahearne episode) pulling back out of shot revealing CE, and some spooky old woman from Gatiss' episode walking up to the camera. Screen captures are below. (Thanks to Richard Bignell)




FILTER: - Series 1/27 - Press - Broadcasting

Thursday Press and Schedule Notes

Thursday, 17 March 2005 - Reported by Shaun Lyon
A lot of developments today on both the broadcasting and press coverage fronts, so I've combined everything into one column:

The BBC's Radio Times listings magazine website has been updated with details for Saturday 26th. It's now got some Doctor Who details up, but also details of another programme that may pull viewers over to BBC1. Doctor Who is to follow the new series 'Strictly Dance Fever'; it's the first major BBC vehicle for popular entertainer (and expensive BBC signing) Graham Norton, and the context is that last year's new big BBC hit was 'Strictly Come Dancing', to which this is the follow-up. Like Doctor Who, it's being very heavily trailed, i.e. is designed to be a big ratings-puller too; in its tone, it's a similar sort of programme to 'The Generation Game', which used to follow Doctor Who as part of the BBC's 1970s 'unbeatable' Saturday line-up.

Also, according to Radio Times, the new Doctor Who series will be repeated every Sunday (the day after the Saturday broadcast) on BBC3 at 7.00pm.

GMTV will be carrying a report from the recent Cardiff launch, featuring interviews with Christopher Eccleston and Billie Piper, on their Entertainment Today strand on Friday 18th March 2005 at 8.35-9.30am. This was mentioned by GMTV last week after a similar feature.

Today's issue of The Stage features an interview with actress Penelope Wilton (who will be in the two-part "Aliens of London" story.) "In the revival she plays an MP called Harriet Jones," the article says, "but won't be drawn into giving too much else away. 'I really have been sworn to secrecy on that project,' she says, 'and the director would kill me if I gave away any of the plotlines. But let's just say that I will be using that famous black door at No 10 Downing Street. I've just finished some post-production work and I can tell you that the special effects are just brilliant.' It also says that she has a 'reoccuring role'."

Design Week, a UK design industry magazine covering all forms of 2D and 3D work, has a feature on the new series on the back page under their 'The Week Ahead' strand. Titled 'The Doctor goes space age', reporter Yolanda Zappaterra focuses on the 'look' of the series and features production designer Edward Thomas talking about the various design challenges on the new series, including the use of colour and shape. He also comments on the redesign of the TARDIS interior and the Daleks and also highlights his keeness to use digital effects to bolster, rather than dominate, the overall look of the series. Finally, The Mill effects house is also mentioned at the end of the article where Thomas comments: 'From an art and design point of view, I think we achieved a huge amount...and lots of scary animatronic monsters too!' The article is illustrated with the new logo, a still of the Moxx of Balhoon, a BBC publicity shot of Billie and Chris used on the billboards and a shot of the exterior of the TARDIS. However, only subscribers can access the website.

Today's The Journal calls Doctor Who its "Programme of the Week". "We need to cover this one because very shortly it will no longer be TV nostalgia but TV current affairs," it says. "It's no wonder the show was so popular. It was the science fiction equivalent of a soap opera, airing every week for 42 weeks in its first season and hovering around that number until season seven in 1970 when it dropped to 25 or more usually 26. ... The BBC, in a moment of madness, gave the show up for dead in 1989. After 16 years of hard campaigning from true fans, it"s about to get a new lease of life. Things may have moved on, but you can bet the Daleks will be there. But will they be able to go upstairs?"

The BBC Bradford and West Yorkshire site has posted a nice Doctor Who mini-site in celebration of the launch of the new series by returning to its past; check it out!

In Today's Metro, in "The Green Room" section: "Graham Norton hankered after a role in the new Doctor Who series. 'I did train as an actor so why don't you want me?' he flounced."

An article at Scarborough Today notes that a Sixth Form College student "will be comparing Dalek notes when the old TV favourite Dr Who returns to our screens next weekend." The Dalek she built was on show at the recent Doctor Who Experience at The Green Man Hotel in Malton.

The April 2005 edition of Starburst, on sale now, includes a five-page interview with Mark Cossey, the executive producer of Doctor Who Confidential. There's also a feature on the new Hitchhiker's Guide to the Galaxy movie, a review of the DVD of The Mind Robber and the announcement of an imminent Starburst "Time Travel Special", with Hartnell and Eccleston on the cover.

The Daily Telegraph today features an interview with Mark Gatiss on his contribution to the new series, his views on Gothic Who and his forthcoming role in BBC3's Quatermass on Saturday 19th March (in the Art and Books supplement). There's also an A-Z of Doctor Who and feature on the links between Quatermass and Doctor Who.

"Doctor Who - In; American Sci-Fi - Out" will be the subject of a report on the Tommy Boyd show on BBC Southern Counties Radio on Saturday, March 26 from 10pm GMT. "In the wake of the predictable death of Star Trek, and the decline of original and compelling American science fiction, Mr Boyd will be celebrating the resurrection of mainstream British sci-fi series Doctor Who," says the report. "Mr. Boyd will argue that now American science fiction is as good as buried, the British have perfected the formula, and will definitely take over the mantel with the new Doctor Who show." You can listen live on the internet via BBC website here.

Today's Newsquest Digital Media feed says that "Little Hulton born actor Christopher Eccleston was always going to be a good Dr Who. The Time Lord's latest reincarnation has former pop songstress Billie Piper as his pretty companion, Rose. And, as a preview of the first episode apparently reveals, has managed to maintain that fun blend of imagination-stretching science fiction perfectly. There are even some genuinely scary villainous types - no mean feat in today's climate of computer-generated horror. Eccleston's acting consistently impresses, but he has one other vital attribute to play the good Doctor: wild eyes and a slightly dangerous air."

Today's Carmarthen Journal discusses a local TARDIS prop in Wales. "Fans of Dr Who are flocking to Carmarthen to have their picture taken with the time lord's Tardis. The world-famous time machine has found its way into the garden of a home in Idole. Some motorists driving through Upland Arms have been so struck by the site of the Tardis they have stopped by Stephen Edwards' home to have their picture taken with it. Mr Edwards, aged 47, has already had more than a dozen visitors, from as far afield as America. ... It is one of only two time machines in Wales; the other is believed to be based in Welshpool. He said: 'I found the Tardis on the internet. There is a site that can make them for you. ... There is a big fan base in America. It takes their breath away. Quite a few people have asked to take photos of it.' The security guard said he decided to buy the Tardis because of his interest in street furniture. 'Our neighbour down the road at the petrol station could not believe his eyes. He thought Dr Who had landed here.'"

The new series is featured on the 'welcome' page of AOL (in the UK), which features the billboard shot of the Doctor and Rose, and the caption "Doctor Who. Time Lord Returns: Meet the baddies!". Clicking on the link takes you to a short photo gallery - the 'blue' publicity photo of the Doctor and Rose released some time ago, the second is a great close-up shot of enemies in action during 'Rose', and the other four are the familiar publicity photos of creatures from the second episode, 'The End of The World'. The article seems to be aimed very much at the young audience.

The Express today notes that several MP's have already had a sneak preview of the new series. "Some were granted a private screening of the new show, starring Christopher Eccleston, in Westminster this week. 'It's another good example of the perks on offer,' says one parliamentary colleague. 'The Doctor has quite a few fans here.' Well, at least he knows he'll get a warm welcome if he ever chooses to park his Tardis on the House of Commons terrace."

(Thanks to John Ryan, Mark Campbell, Stuart Flanagan, Frank Collins, Paul Engelberg, Steve Tribe, Alex Wilcock, Chuck Foster, Matthew Carr, and Roger and Jason at the Tommy Boyd Shrine site)




FILTER: - Series 1/27 - Press - Radio Times

Rose Trailer Transcript plus Screen Grabs

Thursday, 17 March 2005 - Reported by Shaun Lyon
Another transcript, this time of the "Rose" trailer that has been aired on CBBC. This 20 second trailer aired on 15th March before Newsround, and on the 16th March after Grange Hill. Click on the SPOILER tag to read it. Also below are screen captures from the trailer. (Thanks to Pete Gurr, Matt Evenden)
ROSE TRAILER TRANSCRIPT by Pete Gurr

- The TARDIS interior. Rose stands by the console. During the following, the camera pulls back slowly from a head and shoulders shot of Rose, revealing the Doctor standing to her left. He is standing perfectly still. The console is to her right. The hum of the TARDIS interior is very noticable.
- Rose looks up at the camera
- Rose: I've got a choice. Stay at home with my mum... my boyfriend... my job. Or chuck it all in for danger... and monsters... and life or death.
- Theme music 'scream' kicks in.
- Rose: (Nods towards the Doctor, but asking the audience) What d'you think?
- BBC program title card. Bottom of card comes to 3/4 mark on previous shot, "Doctor Who" in white text over. Voiceover starts, trailer footage fades to black, top of card comes down. Male announcer voiceover: "Doctor Who. Coming soon to Saturdays on BBC One."




FILTER: - Series 1/27 - Broadcasting

Culture Show: Pics, Summary

Thursday, 17 March 2005 - Reported by Shaun Lyon

Russell T Davies and Mark Gatiss were interviewed on this evening's The Culture Show on BBC2 by fan/commentator Matthew Sweet, who attended the Cardiff premiere of the new series, and was even pursued by a makeshift Auton. Check out the thumbnails of the clip below.

UPDATED 18 Mar 1920 GMT: Now available as well is a summary of the broadcast, courtesy John Bowman; click on the spoiler tag below for details (there aren't spoilers per se but just to be on the safe side...)
The Culture Show (Thurs 17 March, BBC2, 7pm GMT, repeated 11.25pm GMT) devoted ten minutes to the return of Doctor Who, with commentator Matthew Sweet looking at how the programme used to use horror, and asking whether it could scare the children of today, as British culture had changed so much since it was last on our screens.

The very nature of The Culture Show meant a rare air of intellectual respectability was lent to Doctor Who, with references made to Mary Shelley, Bram Stoker, HG Wells and 19th-century novelist Wilkie Collins.

Shown being interviewed were Mark Gatiss, Philip Hinchliffe and Russell T Davies, who all held forth cogently on aspects of horror.

Clips were shown from (in chronological order) Spearhead from Space, Terror of the Autons, Invasion of the Dinosaurs, Terror of the Zygons, The Brain of Morbius, The Talons of Weng-Chiang and Rose (well, we were shown scenes of Christopher Eccleston with Billie Piper, so I'm guessing it was Rose), plus brief snatches of the new title sequence, during a segment filmed at the premiere in Cardiff, and excerpts from previous title sequences.

Gatiss referred to how well Doctor Who exploited neuroses such as whether you really could trust those people you thought you could trust.

The show acknowledged that Doctor Who had been influenced by various horror types, and Hinchliffe pointed out that children were encountering these myths and stories for the first time, but conceded that "a more knowledgeable adult audience . . . would . . . if they were being unkind . . . say we were ripping off Hammer horror, or the Mummy stories, or Frankenstein".

Hinchliffe commented, though, that "you are really showing that there are very dark and powerful forces out there [that can] somehow connect or control the dark forces in man - and that's scary".

Davies observed that there had been a growing sophistication in drama and story-telling, and that although kids would always be scared of the dark and the wardrobe door in the dark that might open, story-tellers would be in trouble if they just relied on that; younger audiences wanted more drama, emotion, honesty and truth, and simple pictorial thrills were no longer enough.

Bowling out of the premiere, Sweet announced that the new show had "an amazing velocity to it. It's incredibly fast. It's almost like watching the edited highlights of an old Doctor Who story. It's amazingly spectacular and he[Eccleston]'s terrific".

The feature finished with Sweet saying that suddenly Doctor Who was "cool", and asking Davies: "Can we come out of the closet about being Doctor Who fans?", to which Davies jokingly admonished him by saying: "You should never have been in there!"




FILTER: - Russell T Davies - Series 1/27 - Press

City of Death DVD

Wednesday, 16 March 2005 - Reported by Shaun Lyon
The official Doctor Who website has announced that City of Death "is likely be released in November 2005" and that for one of the DVD's special features, "Tom Baker has provisionally agreed to shoot an exclusive interview on location in Paris as part of the disc's main documentary feature." Outpost Gallifrey has learned, however, that Tom's agreement is provisional, according to our sources, and that it's subject to availability and the usual production logistics, which are much more complicated when shooting abroad; if it does happen, it will be the first authored documentary in the DVD series, to be produced by Ed Stradling. Also, our sources say that the November date isn't fixed and it could move earlier or later in the year.




FILTER: - Classic Series - Blu-ray/DVD

New Series Trailer Transcript

Wednesday, 16 March 2005 - Reported by Shaun Lyon
For our readers who haven't seen it (since we obviously can't upload it and it hasn't been put onto the official site yet), here's a complete transcript courtesy Outpost Gallifrey reader Glenn Harrison of the actual new series trailer that hit BBC Television yesterday. Click on the spoiler tags to read it (so it doesn't fill up the entire news page column!) (Thanks to Glenn Harrison)
THE NEW SERIES TRAILER:

- Tunnel - the same one as in the brief "TARDIS escaping" trailer. Explosion. Flames visible at the end.
- Eccleston inside TARDIS (back to doors), hands on railings either side of the door, looking down. Head whips up, accompanied by a percussion sting.
- Closeup of tunnel end, a shadow cast on the wall.
- Repeat of the above Eccleston shot.
- Tunnel floor. Flames reflected. Feet running towards the camera, in slow-mo.
- Eccleston to camera: "D'you wanna come with me?"
- Camera rushing down tunnel towards fire. TARDIS materialisation sound effect.
- Eccleston pushes up off the railings, walks up the ramp from the doors towards the console. Materialisation sound effect continues. "Cause if you do, then I should warn you." (Reverb effect on "warn you".)
- Camera circling around TARDIS console, steady and level (nice clear close-ups, plus we get to see some seats by the console). Canera pulls back, giving a nice overview of the console and console room (doors just visible to the left of shot here). Old Grainer/Derbyshire theme sample here (just the first sound). Eccleston's last words are repeated with heavy reverb here. (Would you believe this is just the first 15 seconds?)
- Camera angle changes; still the console room, console now on right of screen, doors more visible to left, Eccleston walking up ramp towards the console. Dialogue reverb continues. New theme kicks in, in earnest!
- Silhouette running away from flames. Rather out-of-focus. Looks to be in the tunnel again.
- Eccleston, walking towards the console: "You're gonna see all sorts of things."
- Tunnel. Eccleston running away from fireball (very clear this time).
- Eccleston walking across console room: "Ghosts from the past."
- Another circle around the console, but this time it's active - time rotor in motion, dry ice. Camera height/angle is varied.
- Previous shot of Eccleston continues as he walks behind active console. "Aliens from the future."
- Tunnel again; feet running towards camera, flames in the background.
- Previous shot of Eccleston continues as he emerges from behind the console. "The day the Earth died in a--"
- Extreme closeup of Eccleston as he finishes his line: "--ball of flame."
- Tunnel. Fireball rounds the corner. Eccleston glances back over his shoulder and runs towards the camera.
- Medium shot of Eccleston in the TARDIS: "It won't be quiet."
- Close-up of Eccleston, as before: "It won't be safe."
- Slightly less close shot of Eccleston, as before: "And it won't be calm." (At least, I think he says "calm". It's a little unclear.)
- Slightly less close again, as before: "But I'll tell you what it will be."
- Medium shot of Eccleston fleeing the fireball.
- Eccleston in TARDIS, hands behind back, smiling, as camera moves closer (possibly re-used shot from earlier teaser, footage played backwards?). "Tell you what it will be" reverb'ed over.
- Fireball erupting along tunnel.
- Close-up of Eccleston, as before: "The trip of a lifetime." (This is the 35-second mark)
- Long CGI pullback from Earth to space. (Recycled from first teaser and "Rose", played backwards.)
- CGI spacecraft flying over St. Paul's, past camera. ("Aliens of London")
- Same spacecraft flying away from camera towards Big Ben. ("Aliens of London")
- Quick shot of spacecraft "wing" tearing through the face of Big Ben. Looks like miniature work but could be CGI. ("Aliens of London")
- Horse-drawn carriage in darkened street coming towards camera. ("The Unquiet Dead")
- Overview of similar street, with snow. ("The Unquiet Dead")
- CGI missile flying over the English Channel towards the White Cliffs of Dover. ("Aliens of London")
- Camera pulls back from chained-up Dalek. ("Dalek")
- Tunnel; fireball engulfs camera.
- Eccleston and Piper by the TARDIS console, re-used from earlier teasers. "Trip of a lifetime." reverbs.
- BBC program title card. Bottom of card comes to 3/4 mark on previous shot, "Doctor Who" in white text over. Voiceover starts, trailer footage fades to black, top of card comes down. Female announcer voiceover: "Doctor Who. Coming soon to Saturdays on BBC One."




FILTER: - Series 1/27 - Broadcasting