Below is a collection of screen grabs from today's Blue Peter which featured a live appearance by Christopher Eccleston and an interview with Billie Piper. (Of note, the photo of Eccleston scratching his ear is actually him noting the Ninth Doctor doll "has his ears!") (Thanks to Gavin Worby, Richard Bignell)

Updated 21 March 2335 GMT: Here also is a summary of the events of the day on "Blue Peter" courtesy our reporter John Bowman:

Children's magazine programme Blue Peter featured Doctor Who extensively today (Mon 21 Mar, BBC1, 4.55pm GMT) - and not surprisingly, as the editor, Richard Marson, is a major fan and the show has always had a close relationship with it. Possibly the most interesting thing about it was the announcement by co-presenter Matt Baker that there would be a full behind-the-scenes report on Doctor Who "later this summer".

Billie Piper was supposed to be on the show with Christopher Eccleston but was unable to make it as she was unwell, the programme's presenters said. The show was preceded by the Rose "I've got a choice" trailer and then it launched into the Blue Peter titles but with the Doctor Who theme playing over it instead of the usual hornpipe signature tune, plus clips from the new series. Eccleston then appeared in the TARDIS, which was followed by the "trip of a lifetime" trailer, then it was back to the studio and Eccleston giving a description about the Doctor and the TARDIS - no doubt for the benefit of the majority of viewers for whom Doctor Who is a new phenomenon.

Instead of having Piper interviewed in the Blue Peter studio, a pre-filmed insert was shown, with Matt Baker talking to her during filming on set. It was difficult to make out which episode they were working on - possibly episode 4, as Matt later said he had a part in that episode. The clapperboard said it was a Joe Ahearne-directed episode and indicated that filming was taking place on 3 November last year. The clapperboard also had a crudely drawn Blue Peter ship logo on it. In the insert, Piper described the character of Rose and how she and the Doctor educated each other. Clips were shown from Rose, including her entering the TARDIS for the first time.

Back in the studio, which had the Face of Boe, a clip from Spearhead from Space was then shown, and Eccleston defended the production values of the old shows. Talking about taking over the role, he said he was very excited about it and that he "felt ready to do something which had that kind of responsibility", having been an actor for about 18 years. He also praised the scripts, which he said were "so strong". Eccleston then talked about the reasons for the Doctor having a battered leather jacket, saying that it was scripted by Russell T Davies, who thought it would be good because it was quite practical as the Doctor was a traveller, and the jacket is tough and it is a very physical role.

Mention was also made of Davies writing in to Blue Peter some 25 years ago suggesting they organise a competition to create an alien for the series. Asked what the hardest thing about filming Doctor Who was, Eccleston said it was "the fact you don't have any life". He said that not only were there the 12-to-14-hour days of filming but he then had to learn his lines at night because of his lead role. He said it was an honour and privilege but it took over your life.

Also featured on the show were Doctor Who models made by a viewer, including one of Eccleston and one of Piper, plus a compost bin in the shape of a Dalek, which was made by two other viewers. Details of how to make one of these compost bins would be shown in a future programme, the presenters said.

Following Thursday's (17 Mar) edition of The Culture Show on BBC2, the same channel gave even more intellectual credence to Doctor Who when Friday's (18 Mar) Newsnight Review (11pm GMT) devoted eight minutes to a discussion about the return of the programme. Host Mark Lawson was joined by best-selling novelist Ian Rankin, critic and writer Bonnie Greer plus Professor John Carey, the chief book reviewer for The Sunday Times, for a lively - and at times heated - analysis of the show. All three men were obviously fond of Doctor Who, whereas Greer, admitting she had "no idea what this is all about", came across as quite hostile towards it. It could even be argued that she was unwilling to suspend her disbelief and use her imagination. A lengthy clip from (I guess) Rose was shown, in which Billie Piper's character asks the Doctor "Who are you?" and he gives an evasive, yet spine-tinglingly revealing response. The reviewers, perhaps forgetting most of us haven't seen the show yet, gave spoilers galore, none of which shall be repeated here, but Rankin was very enthusiastic about the new-look show, saying: "It's got something for everyone. They've updated it very well." Greer, however, wailed: "The thing looks really cheap . . . The stories are all over the place. Who is this for? Is it for my generation? Is it for fortysomethings? Is it for babies? . . . They haven't made up their mind who they're talking to. That's the big problem for me." She added: "The acting is wonderful, the writing is wonderful, but it looks thin, it just looks cheap." Carey leapt to the show's defence, saying: "The cheapness is part of the point. It's very British. The fact that it's done on a shoestring is very important. It's self-mocking. It's not to be taken too seriously. In my opinion, the cheap things were the best things." Rankin was quick to point out, however, that "compared to the early Doctor Whos the effects are not cheap in this. It's a series that's been waiting for digital, the age, to come along. It's been waiting for CGT so they can actually do some of the effects that would have been impossible." He added that the teaser they had been shown for the second episode "looks absolutely fantastic - it looks like Hitch-Hiker's Guide to the Galaxy. Very camp. Full of fantastic aliens. I think it will be a big hit." Greer, however, said it resembled a movie storyboard, and said there was nobody in it, nobody on the street. But Carey countered this by saying that the show failed when it went the other way - "The further they get away from trying to explain where all the mystery is, the better it is. The empty streets and the cheapness don't matter," he said. Lawson revealed that the show was a hit when put to a "sofa test" of children, saying that they reacted exactly as they were supposed to, were fascinated by who Doctor Who was, and wanted to see the rest of the episodes. One thing that Greer, Lawson and Rankin were in agreement on was that Eccleston was an excellent choice to play the Doctor, with Lawson saying that he had "a sense of danger", Greer commenting on his "incredible face" and Rankin saying that Eccleston was the best Doctor since Patrick Troughton, whom he referred to as the last "really good edge-of-craziness Doctor". Carey, however, said that he found Eccleston "too ordinary". A transcript of the Newsnight Review panel's opinions of new Who will be available here, although probably not for about a week. (Thanks to John Bowman)

A new edit has been made to the 'Trip of a Lifetime' trailer, which was shown during late night BBC1 programming on Friday night. They have removed all but the specially recorded Doctor scenes in the Console room and him running from the fireball and have inserted his opening sentence, "Do you want to come with me?" at the very end. It's around 10-15 seconds long. The show was also trailed in a DVE squeezed box during the end credits of the first film's showing on BBC2 this afternoon, though this was just a couple of clips from the beginning of Rose with a voice over from the continuity announcer spoken over the top, who went on to announce the evening's DW night and then following the credits trailed the first part of Project: Who over a Radio 2 slide.

The BBC has moved the Tommy Boyd hour on March 26 to an earlier time slot, 9:00pm, in anticipation of their coverage of the new Doctor Who series debut earlier in the evening.

There's an article about the new series in the Times Educational Supplement this week (published March 18); you can have a look at the cover at their website website, and follow the link bottom left that says "TES Teacher" although the article apparently cannot be read on the site.

BBC Radio 7 will play their radio comedy show, Dead Ringers, at 8:30AM, 10PM and 3AM on Friday 25th March: "The team with queries for You and Yours and who is the next Dr Who. From October 2003". This is a best-of repeat broadcast from October 2003. Dead Ringers is the show that spawned Jon Culshaw and his well-known impersonation of Tom Baker's Doctor.

Today Radio 2 comedy programme "The Day the Music Died" included a "Vision On" Gallery sequence with descriptions of pictures of new Doctor Who aliens supposedly sent in by musicians. It's about 18 and a half minutes in, but the programme as a whole is well worth a listen here.

The Saturday 19 March edition of the Daily Telegraph carries two Doctor Who articles, one an A to Z of the show by Matthew Sweet (who presented the Culture Show piece on Thursday evening), the second an interview with Mark Gatiss. The A to Z includes a few choice morsels - Q is for Quillam (from Vengeance on Varos), F is for Fanboys ("approach with caution") and O is for Outing Doctor Who fans. Read the A to Z here and the Gatiss interview here.

Today's The Express wonders "Why Billie has Fallen For A Dalek." "You'd never guess it in a million light years. But new Doctor Who star Billie Piper has admitted to a growing attachment with a Dalek. Talking about her role in the BBC1 revival of the classic series, she revealed: 'I had this quite emotional scene with a Dalek. "I'm sat there the night before the take thinking, how am I going to tap into my emotions? This is a hunk of junk! And then, I think because it is so beautifully written with human emotion, I am stood there and I am actually feeling for this thing.'" It also mentions her appearance on tonight's Parkinson.

An article in today's Telegraph, primarily about Quatermass, mentions Doctor Who serveral times. "The low-budget but endlessly inventive Doctor Who owes its existence to an even more pioneering television creation, Quatermass. ... That charisma and anti-Establishment mind-set were transferred in 1963 to Doctor Who, his spiritual successor. Though pitched at children, this series bore many of the same characteristics, infusing sci-fi with a gothic aspect. Both these shows were often less Isaac Asimov and more Mary Shelley. In Quatermass, the fate of Victor Caroon - Quatermass's astronaut, brought back to Earth with an alien infection, who soon becomes a haunted wasteland-dwelling fugitive - has very strong echoes of Frankenstein. At the climax of Quatermass and the Pit, a vast flickering image of a horned demon hovers in the night sky over London. In the second serial of Doctor Who, the doctor's companion, Barbara, is pursued through a weird, deserted alien citadel by something unseen by us but clearly so appalling that her scream echoes over the closing music. It is, of course, a Dalek. ... The notion that sci-fi could be low-key and unsettling ensured the doctor's longevity. But the rebellious spirit of Quatermass reached out further. In 1978, the crew of Blake's Seven took off into space, taking a stand against proto-fascist aliens across the galaxy, in what sounded like a spaceship with wooden floors. This was the golden age of the quarry location, when actors in spangled costumes ran around pretending to fire space weapons at each other just outside of Reigate. But the anti-Establishment theme prevailed. In those days, when you could get a convincing laser beam for neither love nor money, the only alternative was robust and gaudy scripting."

Today's Scotsman features a commentary called "Who says I'm a geek?" about a viewer who remembers back when he was 12 and still feels the excitement of the new series. "I am abuzz with anticipation, fizzing with excitement. All my adult worries and responsibilities have receded, replaced by an obsessive childish concentration on just one thing: next week, after nine years in televisual limbo, Dr Who is returning to our screens. Yes, it's true, Dr Who, my childhood hero, my two-hearted intergalactic friend, will be dematerialising in the corner of my living room in just a few days' time. ... "Of course, Doctor Who has never really been cool. The Who-niverse is the province of the geek, a socially shunned sub-culture which sees sweaty men in wash-shrunk jumpers weeping in quarries at the discovery of some discarded Cyberman hosing from 1974. Critics still harp tiresomely about wobbly sets (they were never that wobbly) and shoddy special effects (errrm ...), as if the show was some sort of slapdash pantomime rather than the incredibly imaginative and original slice of televisual manna which, at its best, it actually was. Doctor Who fans always get enormously defensive when discussing their beloved obsession, usually shooting themselves in the foot with arguments like, 'Pah! If it's rubbish TV sci-fi you're talking about, just look at Blake's 7!" which just make you look twice as insane. But I don't care. I'm not ashamed to admit my allegiance. It's geeky and silly and about as likely to impress women as a trip to an oil refinery, but I'm so irrefutably fond of the series, it would be an act of pitiful self-denial to claim otherwise."

Today's Times Online has an article called "Billie the kid" which biographies Billie Piper, including comments about her marriage and her other performances in preparation for the new series. She also makes note of some of her favorite moments from filming the new series.

(Thanks to Will Hadcroft, James Armstrong, "C Kent", Tom Boon, Steve Tribe, Faiz Rehman, Paul Engelberg, Dan Harris, Steve Chapman)

Destination Three, BBC3's "new topical entertainment program" filmed in Manchester, will be broadcasting a Doctor Who Special on Friday, March 25, from 11.30pm - 1.30am. The program will tape next Tuesday.

BBC Radio Derby this morning (story here) featured an interview with several members of the Derby Whoovers regarding the new series; they had with them a life size Dalek in the studio, which then headed off to nearby Pickford's House Museum where it will be on display over the next week and Easter weekend until Monday 28th March.

Russell T Davies' latest production, "Casanova," is making waves. BBC Radio 4 on their Saturday Review program on March 12 said they didn't like it, but noted that they'd be paying attention to Davies' other production, Doctor Who, on March 19. But Alison Graham, TV column editor of Radio Times, praised Casanova in the newest edition: "Life seems to be going swimmingly as we rejoin Casanova in the second part of Russell T Davies's funny sumptuous romp ... Davies's script is littered with jokes and cheeky asides ... The look of the whole thing is absolutely gorgeous, with beautiful colours and costumes and some heady, lovely ballroom sequences."

BBC Wales has been running trailers on BBC Wales TV networks over the past few weeks advertising its programmes. In the most recent, the trail has ended with two people standing outside and open-doored TARDIS, inviting the viewers in, while the TARDIS materialisation noise can be heard.

This morning's GMTV aired a preview of the new show. There was apparently nothing new during the interviews with Chris Eccleston or Billie Piper other than - after filmed interviews - the programme returned to the studio and presenter Jenni Falconer said that a second series would begin filming in June or July, though clearly this may just be conjecture.

Newsround's website says that "Newsround will have more behind-the-scenes features and exclusive interviews when the new series starts on 26 March". As our correspondent says, since the new series is being aimed at children, expect such stories to appear on Newsround's sister show 'Newsround Showbiz'. This usually airs on the CBBC channel Saturday and Sunday at 15:50. Newsround earlier had a report from the launch party, shown last week.

Christopher Eccleston is interviewed in next week's print edition of The Stage, the newspaper for performing arts professionals; the issue will be available from Wednesday in some parts of Central London, and from Thursday UK-wide, and you may also be able to read the interview on their website.

Today's Weekend Australian says that the "Time Lord's allure proves tough to exterminate," as it sums up the comments made across the newspapers over the past week. It quotes many newspapers as well as online websites that discussed the leak of the new series like Wired and Dark Horizons.

Yesterday's Daily Post in Liverpool discusses the Daleks. "Since my item last week about the return of Dr Who, several people have informed me that the new-look Daleks are much deadlier than their predecessors," writes columnist Valerie Hill. "They now fly around on jet-powered platforms. You can no longer outwit these ruthless, inter-galactic, metal tyrants by simply running up a flight of stairs. Yet will children's happy cries of 'exterminate, exterminate, exterminate' be replaced by 'Elevate, elevate, elevate'? It doesn't really have quite the same threat."

In Yesterday's "Broadcast" online edition: "Quick! Get behind the sofa! Why, is the TV licence detector van outside again? It's much scarier than that - the return of Doctor Who. Doctor Who? I thought he died out long ago. That's where you're wrong. Doctors are never killed off - they regenerate. A bit like Angus Deayton. And this time he's come back in the shape of Christopher Eccleston." It also mentions that, this time, the Doctor is "up against his most fearsome opponents yet. The Master? The Cybermen? Blokes in outsized green rubber outfits waving coathangers? Even worse than that, Ant and Dec!" referring to the time slot competition on ITV, Ant and Dec's Saturday Night Takeaway. So who's going to win? "It won't be easy for the Doctor - younger viewers won't have heard of him, and those that have might recall his not entirely successful eighth [sic] incarnation, Sylvester McCoy." But he's got a secret weapon, says the article: Billie Piper.

Today's Daily Telegraph from Australia warns viewers that Daleks can now climb stairs! "It's the eyes. There's only one thing scarier than evil eyes -- and that's no eyes. That made Daleks the scariest of the Doctor Who villains by far. It meant there was no way of engaging with them. No way of seeing a glimpse of humanity. ... Of course like everybody else I had worked out a plan for what I would do if any daleks tried to kill me -- I'd run upstairs. But that won't work any longer. In the new series, apparently, Daleks can fly. So that's my last hope, gone." In a separate column in the same paper, a columnist notes that "Doctor Who has become Dr When -- with a dash of Dr Where and Why," noting there is still no announcement of a broadaster there. "The ABC, which has screened BBC shows since January 1965, is yet to buy the new series despite being offered the rights last year. At that stage they hadn't shown it to us and I wanted to see an episode before we bought it," says ABC's head of programming Marena Manzoufas. Says the article: "The delay in a decision -- though an agreement gives the ABC first right of refusal to BBC output -- led to industry speculation that a commercial network would move in for the new 13-part series. It is believed Channel 9 was keen on the show. 'We will be going into negotiations very shortly,' she said. 'Before we saw it a week-and-a-half ago we were concerned about whether it would work for a non-Who audience. But it's fabulous -- even if you're not a Doctor Who fan, you can come to it cold and be engrossed in it. If you are a Doctor Who fan there are all sorts of references to the past to enjoy." The article also mentions a few SPOILERS about the aliens the Doctor meets in the first several episodes (click on the spoiler tag.)

(Thanks to Steve Tribe, Paul Engelberg, Andy Thompson, Dean Braithwaite, Scott Wortley, John Leivers, Scott Matthewman, David Rafer)

BBC Kids in Canada is adding the Jon Pertwee Doctor Who episodes to their late night lineup starting April 16. "Spearhead From Space" airs late Saturday April 16, while the first 4 episodes of "Doctor Who and the Silurians" air late Sunday April 17. This is the first time that Pertwee episodes have aired on the digital Canadian cable network - previously they have aired the Tom Baker and Peter Davison stories. BBC Kids airs Doctor Who 7 days a week at 2AM Eastern (11PM Pacific). 2 episodes air weeknights, 4 episodes air Saturdays and Sundays. (Thanks to Benjamin Elliott and This Week in Doctor Who)

The BBC Press Office has today posted details of program highlights for April 2-8, which includes a short piece on Episode 2 of the new series, "The End of the World." It's in spoiler tags below. The piece is illustrated with the portrait of Billie Piper used on the cover of the latest SFX, captioned: "Rose (Billie Piper) goes on her first journey through time."

BBC3 began showing trailers for Doctor Who Confidential, the new 13-week documentary program about the new series, this evening. The normal 30-second Doctor Who trailer was shown followed by a 10-second Confidential trailer, which starts with the TARDIS appearing in the centre of an "eye" and then a few brief clips played over the blue of the "iris", showing the Doctor running down a corridor in front of a group of troops, close-up of CE's head, Rose running and turning back, clapperboard (from a Joe Ahearne episode) pulling back out of shot revealing CE, and some spooky old woman from Gatiss' episode walking up to the camera. Screen captures are below. (Thanks to Richard Bignell)

A lot of developments today on both the broadcasting and press coverage fronts, so I've combined everything into one column:

The BBC's Radio Times listings magazine website has been updated with details for Saturday 26th. It's now got some Doctor Who details up, but also details of another programme that may pull viewers over to BBC1. Doctor Who is to follow the new series 'Strictly Dance Fever'; it's the first major BBC vehicle for popular entertainer (and expensive BBC signing) Graham Norton, and the context is that last year's new big BBC hit was 'Strictly Come Dancing', to which this is the follow-up. Like Doctor Who, it's being very heavily trailed, i.e. is designed to be a big ratings-puller too; in its tone, it's a similar sort of programme to 'The Generation Game', which used to follow Doctor Who as part of the BBC's 1970s 'unbeatable' Saturday line-up.

Also, according to Radio Times, the new Doctor Who series will be repeated every Sunday (the day after the Saturday broadcast) on BBC3 at 7.00pm.

GMTV will be carrying a report from the recent Cardiff launch, featuring interviews with Christopher Eccleston and Billie Piper, on their Entertainment Today strand on Friday 18th March 2005 at 8.35-9.30am. This was mentioned by GMTV last week after a similar feature.

Today's issue of The Stage features an interview with actress Penelope Wilton (who will be in the two-part "Aliens of London" story.) "In the revival she plays an MP called Harriet Jones," the article says, "but won't be drawn into giving too much else away. 'I really have been sworn to secrecy on that project,' she says, 'and the director would kill me if I gave away any of the plotlines. But let's just say that I will be using that famous black door at No 10 Downing Street. I've just finished some post-production work and I can tell you that the special effects are just brilliant.' It also says that she has a 'reoccuring role'."

Design Week, a UK design industry magazine covering all forms of 2D and 3D work, has a feature on the new series on the back page under their 'The Week Ahead' strand. Titled 'The Doctor goes space age', reporter Yolanda Zappaterra focuses on the 'look' of the series and features production designer Edward Thomas talking about the various design challenges on the new series, including the use of colour and shape. He also comments on the redesign of the TARDIS interior and the Daleks and also highlights his keeness to use digital effects to bolster, rather than dominate, the overall look of the series. Finally, The Mill effects house is also mentioned at the end of the article where Thomas comments: 'From an art and design point of view, I think we achieved a huge amount...and lots of scary animatronic monsters too!' The article is illustrated with the new logo, a still of the Moxx of Balhoon, a BBC publicity shot of Billie and Chris used on the billboards and a shot of the exterior of the TARDIS. However, only subscribers can access the website.

Today's The Journal calls Doctor Who its "Programme of the Week". "We need to cover this one because very shortly it will no longer be TV nostalgia but TV current affairs," it says. "It's no wonder the show was so popular. It was the science fiction equivalent of a soap opera, airing every week for 42 weeks in its first season and hovering around that number until season seven in 1970 when it dropped to 25 or more usually 26. ... The BBC, in a moment of madness, gave the show up for dead in 1989. After 16 years of hard campaigning from true fans, it"s about to get a new lease of life. Things may have moved on, but you can bet the Daleks will be there. But will they be able to go upstairs?"

The BBC Bradford and West Yorkshire site has posted a nice Doctor Who mini-site in celebration of the launch of the new series by returning to its past; check it out!

In Today's Metro, in "The Green Room" section: "Graham Norton hankered after a role in the new Doctor Who series. 'I did train as an actor so why don't you want me?' he flounced."

An article at Scarborough Today notes that a Sixth Form College student "will be comparing Dalek notes when the old TV favourite Dr Who returns to our screens next weekend." The Dalek she built was on show at the recent Doctor Who Experience at The Green Man Hotel in Malton.

The April 2005 edition of Starburst, on sale now, includes a five-page interview with Mark Cossey, the executive producer of Doctor Who Confidential. There's also a feature on the new Hitchhiker's Guide to the Galaxy movie, a review of the DVD of The Mind Robber and the announcement of an imminent Starburst "Time Travel Special", with Hartnell and Eccleston on the cover.

The Daily Telegraph today features an interview with Mark Gatiss on his contribution to the new series, his views on Gothic Who and his forthcoming role in BBC3's Quatermass on Saturday 19th March (in the Art and Books supplement). There's also an A-Z of Doctor Who and feature on the links between Quatermass and Doctor Who.

"Doctor Who - In; American Sci-Fi - Out" will be the subject of a report on the Tommy Boyd show on BBC Southern Counties Radio on Saturday, March 26 from 10pm GMT. "In the wake of the predictable death of Star Trek, and the decline of original and compelling American science fiction, Mr Boyd will be celebrating the resurrection of mainstream British sci-fi series Doctor Who," says the report. "Mr. Boyd will argue that now American science fiction is as good as buried, the British have perfected the formula, and will definitely take over the mantel with the new Doctor Who show." You can listen live on the internet via BBC website here.

Today's Newsquest Digital Media feed says that "Little Hulton born actor Christopher Eccleston was always going to be a good Dr Who. The Time Lord's latest reincarnation has former pop songstress Billie Piper as his pretty companion, Rose. And, as a preview of the first episode apparently reveals, has managed to maintain that fun blend of imagination-stretching science fiction perfectly. There are even some genuinely scary villainous types - no mean feat in today's climate of computer-generated horror. Eccleston's acting consistently impresses, but he has one other vital attribute to play the good Doctor: wild eyes and a slightly dangerous air."

Today's Carmarthen Journal discusses a local TARDIS prop in Wales. "Fans of Dr Who are flocking to Carmarthen to have their picture taken with the time lord's Tardis. The world-famous time machine has found its way into the garden of a home in Idole. Some motorists driving through Upland Arms have been so struck by the site of the Tardis they have stopped by Stephen Edwards' home to have their picture taken with it. Mr Edwards, aged 47, has already had more than a dozen visitors, from as far afield as America. ... It is one of only two time machines in Wales; the other is believed to be based in Welshpool. He said: 'I found the Tardis on the internet. There is a site that can make them for you. ... There is a big fan base in America. It takes their breath away. Quite a few people have asked to take photos of it.' The security guard said he decided to buy the Tardis because of his interest in street furniture. 'Our neighbour down the road at the petrol station could not believe his eyes. He thought Dr Who had landed here.'"

The new series is featured on the 'welcome' page of AOL (in the UK), which features the billboard shot of the Doctor and Rose, and the caption "Doctor Who. Time Lord Returns: Meet the baddies!". Clicking on the link takes you to a short photo gallery - the 'blue' publicity photo of the Doctor and Rose released some time ago, the second is a great close-up shot of enemies in action during 'Rose', and the other four are the familiar publicity photos of creatures from the second episode, 'The End of The World'. The article seems to be aimed very much at the young audience.

The Express today notes that several MP's have already had a sneak preview of the new series. "Some were granted a private screening of the new show, starring Christopher Eccleston, in Westminster this week. 'It's another good example of the perks on offer,' says one parliamentary colleague. 'The Doctor has quite a few fans here.' Well, at least he knows he'll get a warm welcome if he ever chooses to park his Tardis on the House of Commons terrace."

(Thanks to John Ryan, Mark Campbell, Stuart Flanagan, Frank Collins, Paul Engelberg, Steve Tribe, Alex Wilcock, Chuck Foster, Matthew Carr, and Roger and Jason at the Tommy Boyd Shrine site)

Another transcript, this time of the "Rose" trailer that has been aired on CBBC. This 20 second trailer aired on 15th March before Newsround, and on the 16th March after Grange Hill. Click on the SPOILER tag to read it. Also below are screen captures from the trailer. (Thanks to Pete Gurr, Matt Evenden)

Russell T Davies and Mark Gatiss were interviewed on this evening's The Culture Show on BBC2 by fan/commentator Matthew Sweet, who attended the Cardiff premiere of the new series, and was even pursued by a makeshift Auton. Check out the thumbnails of the clip below.

UPDATED 18 Mar 1920 GMT: Now available as well is a summary of the broadcast, courtesy John Bowman; click on the spoiler tag below for details (there aren't spoilers per se but just to be on the safe side...)