Offering shocks, surprises, and galaxy-shaking revelations, seasoned TARDIS pilot Robbie Morrison (Drowntown, The Authority, 2000AD, Nikolai Dante) and New York Times-bestselling artist Dave Taylor (Batman: Death by Design; 2000AD) mark the start of their first five-issue run by diving headfirst into the console room and pulling all the levers they can – spinning the new Doctor off to his most challenging destination yet!

Freshly regenerated and with a new head full of unanswered questions, the Doctor (as played by Peter Capaldi) whisks Clara Oswald (as played by Jenna Coleman) away to a strange and distant world.

Clara thought she was in for an evening of marking essays on the Metaphysical Poets, followed by going out on a date – or at least trying to. You know, normal stuff.

Instead, she’s facing down exotic flora and fauna in her best dress, backing up the Doctor on a trek through traumatically alien undergrowth – and she doesn’t even know what the Doctor is searching for, or what will try to kill them should they find it!

New Face! New Doctor! New Beginning!

The Doctor and Clara are on the most beautiful train in history, speeding among the stars of the future - but they are unaware that a deadly creature is stalking the passengers.

Once you see the horrifying Mummy you only have 66 seconds to live. No exceptions, no reprieve. As the Doctor races against the clock Clara sees him at his deadliest and most ruthless. Will he work out how to defeat the Mummy? Start the clock!

This one came to me pretty much the moment I read the episode title, Astronauts and moon landings feel very 1970s to me and, combined with the colour scheme of Doctor Who's standard-issue orange spacesuits, just somehow felt right

This is less of a pastiche of a specific style and more a mash-up of creepy old visuals – a bit of 2001, some '70s bleakness and a touch of those odd, abstract thriller novel covers of the era. Think of it thoroughly foxed and creased