I was delighted when John Ainsworth asked me to write a Dalek story for Colin and Nicola for the monthly range. It seemed like a natural successor to my last monthly range script, Hour of the Cybermen, which had Ol’ Sixie pitched against his other arch enemies from way back.

I was given a wide brief, any setting I liked, and I went for an off-Earth story which has its basis in a tactic of the Persian Empire. They would conquer a territory then put a plenipotentiary or emissary in place as its ruler. The population would be treated relatively well, on condition that there were no attempts at rebellion. If there were, the Persians would return and be totally merciless in not just quelling the rebellion but taking cruel revenge on the population. It was a very successful tactic in keeping conquered cities in line. So I envisaged a world taken over by the Daleks with one of these emissaries in charge. An emissary with the principle objective of ensuring there’s no dissent. Because if there is, the Dalek reprisal will be terrible. And what would the Doctor and Peri do, coming into this setup? Would the Doctor want - or be able - to quell his usual instinct to foment rebellion and overturn Dalek rule?

I’d written Daleks before, for the War Doctor range, and found them great fun to do. This was my first time telling a standalone Dalek story of this length, and again it was a treat. It’s just not possible to write ‘Exterminate!’ without smiling. Even more of a treat is writing for Colin. I’ve written four or five stories for him now, and I just love his Doctor and what he does with him in the studio. To get to write for him and Nicola again, my first Sixie and Peri adventure since The First Sontarans in 2012, was the icing on the writing cake.

The Daleks are iconic of course, and were a highlight of my Doctor Who viewing as a child. I particularly remember 9-year- old me’s excited anticipation of their return in Day of the Daleks after an absence of many years. That remains one of my top favourite Doctor Who stories. It’s also one that, like Emissary, features a representative of the Daleks, the Controller, running a totalitarian state in their name. Which provides a satisfying if tenuous link to my story, while also setting a precedent for the use of this tactic by the Daleks.

I was thrilled to be invited to illustrate the cover for the Lethbridge-Stewart novel On His Majesty’s National Service. This allowed me to depart from my usual cartoony art style seen on the Lucy Wilson books and work in a style influenced by some of my childhood favourite comics, Battle picture weekly and Commando. I really enjoyed working on the piece which involved a little research into the Korean War and particularly the Hungarian army. I hope regular readers enjoy the explosive cover art and my rendition of a young moustache less Lethbridge-Stewart.

We knew we wanted a Commando-style cover, and it took us a while to remember we had an artist who has done some work featuring military characters over the years. Although Steve is primarily known for his Beano work (as evidenced by the style of the Lucy Wilson covers), he can turn his hand to many different styles. As usual, I consulted the author, asked him what he wanted, and we then sent these suggestions to Steve.

I wanted both Lethbridge-Stewart and Hooper on the cover, as well as two Korean characters, with Lethbridge-Stewart and Hooper in Hungarian uniforms, just to further tease the audience and make them wonder why... And, I’m glad to say, the final result is pretty much exactly what I’d imagined. I’ve been lucky to have some great covers over the years, and this is easily right up there with them.

I spent a lot of happy years writing for children's television and theatre, the bond that kids form with the characters is one of the most rewarding aspects. I was always determined to honour that bond, and make certain that the magic was never broken. It was a privilege to write for such household names and it always fascinated me that the puppeteers at all times remained firmly hidden. This got me thinking: what if the motivations behind this were not benign and were in fact ... thoroughly evil!!

This bold, bright cover was a blast to do. Developing a Doctor Who monster, a Bandril, into children’s TV’s hottest new star was great fun. It still has a slight air of menace about it though – poor Hobo!

Timelash is probably one of the most Marmite Doctor Who stories ever made, either you love or hate it! In my opinion it does have some of best and worst monsters ever featured in the series. The Borad, for example, is wonderful. Others are not so good. The Bandrils, however, are quite puppet-like, and this was my inspiration for this Lucy Wilson story. And that’s when we thought of Wink Taylor. His television and theatre background really helped in creating this slightly oddball Bandril story, which draws upon Doctor Who’s past in many exciting ways.

At the crossroads of old Who and new, with the heart of Jacqueline Wilson, the comedy of David Walliams and drawing on the creativity behind some of children's entertainment's most enduring hits, there's something for readers of all ages in the book.

I am gobsmacked by the overwhelmingly positive reception. You hope that when the results of all that hard work venture into the world readers are at least kind to it, but the lovely reviews on the internet, and the personal comments I've received left me feeling giddy. When I heard the hardback had sold out so quickly I looked forward to the day when more people could pick up the paperback, and that day is almost here! Here's to more readers enjoying the adventures of Travers and Wells!

The potential of the series was always to be determined by sales and critical response, which, we are glad to say, have both proven to be sufficiently positive. The series itself, and the adventures contained therein, are based on the works of Wells, following the example set by the Doctor Who serial Timelash by Glen McCoy, which saw a younger Wells encounter several people and situations that inspired some of his best known works. Every book in this range will be a play on a story written by Wells, and not always the most obvious ones. Although, naturally, the first two novels pull from two of Wells’ biggest hits, The War of the Worlds and The Island of Dr Moreau.

"Wells blinked a couple of times, balling a fist into his eyes to rub away the sweat trickling there. But it was no good; the room was too dark and he still couldn’t see anything. Nonetheless, he was painfully aware that someone – something – was in the room with him. He heard a snuffling, a guttural breathing, and the thing moved closer."

Edward Travers and HG Wells are flung once again into an alternative reality: a London both achingly familiar and quite unlike the city either of them know. In the dying days of the Edwardian empire, public protests over the increasing use of vivisection in animal research collide with rising fears about looming war.

Connecting both is the mysterious Dr Moreau. Wells is fascinated by the accomplished scientist, but Travers is horrified by the dark truth of the man that he previously had believed to be mere fiction.

As the two men begin to discover the purpose behind their adventures out of time and come face to face with who is controlling their journey, they pursue Moreau to the inevitable conclusion: his very own island of creation, a perverse garden of Eden that’s very close to home...

You’ve been in a collision. You wake inside the TARDIS. The Doctor introduces you to the person, or thing, you collided with. He’s a strange and magnificent ball of living energy called Volta. Part surly teenager, part bomb, Volta is very unstable. In fact, he’s primed to explode. Big time. Unless he can be returned to his home planet, sharpish. The problem is, a squad of galactic busybodies has other plans for Volta. Bad ones. Drawn into a frantic chase, you become the Doctor’s unlikely assistant as she races against time to get Volta home to his parents. Armed with a sonic screwdriver, it is down to you to help the Doctor as she faces the forces of evil, and teenage angst, in this animated 13-minute VR adventure from the team behind Doctor Who Series 11.

As I was part of the Doctor Who audience growing up in the ’70s, it was great to have the opportunity to write a short story featuring a fantastic character such as Brigadier Lethbridge-Stewart. For me it was exciting to adapt my writing style to integrate with a pre-existing universe.

I chose to include pirates in the adventure, because for me, they represent enigmatic and shadowy characters from the murky past of history, epitomising working class entrepreneurs; forging fortunes in life, by their own sweat and guile, not afraid to operate outside of the establishment. Plus, when writing I like to get into character, and who doesn’t like dressing as a pirate for the day?

A word of warning for the unwary, ill prepared traveller of adventures. Never upset a pirate. A scallywag will find themselves dancing the hempen jig soon enough.

I love an adventure where we interfere with history, especially when we completely destroy the reputation of a historical character! My Doctor travelled to The Great Fire of London, then the destruction of the dinosaurs… everything in history is handed down to us.

I think all our heroes of history would be disappointments if we actually met them! Plus, I was ‘fanboying’ over Dirk Gently which Samuel starred in.

There is a precedent in Doctor Who of the Doctor visiting real life occasions, locations and people that are familiar to us in history. The Doctor meeting Cicero lets us see Cicero’s skills as an orator that will hopefully help to save the day… Peter Davison’s portrayal of the Doctor was my Doctor on television when I was growing up, so I’m absolutely thrilled.

Ever since The Lucy Wilson Mysteries was devised, Shaun (Russell) and I had in a mind an adventure that would see Lucy team up with the Bledoe Cadets. We knew there was much fun to be had in having a mixed-race teenage girl interacting with children from 1937. We sowed the seeds in the very first novel in The Lucy Wilson Mysteries range by having her see a photograph of herself and her grandfather as a child, this was built upon in my own novel, Night of the Intelligence, in which it is revealed that James has memories of Lucy and Hobo. So, it’s been a lot of fun exploring those plot points and finally revealing the truth behind them.

After my short story was published, I pitched another story idea which Andy asked me to develop into a novel proposal. I very much felt, from that point on, that Andy was keeping me on his reserve bench, waiting for the right position to ‘play’ me in. The creative process has been pretty fluid ever since the first writers’ meeting in Cardiff, with a strong sense of collaboration and mutual support between Andy and all of the writers. That’s certainly been appreciated by me, with this being my first published novel. Each of our slots came with a character to focus on, but otherwise we were pretty free to tell the sort of story we wanted to tell. However, my slot came with a shopping list. I was given the title, Lucy Wilson & The Bledoe Cadets, so I knew from the start it would be a cross-franchise book. Some of the book needed to take place in 2018 to mark the 50th anniversary of Lethbridge-Stewart. Added to that, the story would have to feature time travel so that Lucy, Hobo and the Bledoe Cadets could meet. And it couldn’t contradict anything already established regarding the Bledoe Cadets and alien encounters. Finally, it had to be set before the events of 1938 in The Forgotten Son, so that Sir Alistair could spend time with his brother James. That might sound like a whole lot of limitations, but I found it really liberating. It focuses the mind, being given restrictions like that.

From the moment I first read that short story, I knew Tim would get it right. He has a great handle on the Bledoe Cadets, who I created for my novel, The Forgotten Son, and I’m rather protective of them. But Tim ‘got’ them. Of course, the only risk was trusting a first-time novelist with this story. I’m happy to say, it’s a risk that paid off!

Once the story was decided, Andy and I bounced back and forth the idea of having the story told from both the Brigadier’s point of view, and Lucy’s. Telling the adventure for the more mature readers in the Lethbridge-Stewart range, and then retelling it for a younger reader as part of The Lucy Wilson Mysteries. We had hoped to release both books simultaneously, but the logistics didn’t make that feasible, especially as, for Tim, it would essentially mean writing two novels at the same time! So, it was decided that Tim would write the Lethbridge-Stewart version first, and then we would sit down to discuss how to approach The Lucy Wilson Mysteries version. Lucy’s own perspective brings with it some unique things, not least a different opening before the Brigadier turns up. Although it’s essentially the same story, both books can be read independently, however reading both version will provide a more fuller take on the story.

STRONG FEMALE VOICES AT THE COMIC GURU: MEET THE AUTHORS!

As we approach the end of this turbulent decade strong female characters have begun to take centre stage across all film, comics and TV drama, most especially sci-fi. Both DC and Marvel have had enormous successes with Wonder Woman and Captain Marvel respectively.

One such organisation to embrace this change is the Comic Guru, now located in the Queen Street arcade. And to celebrate this, the Comic Guru is partnering with another staple of Cardiff’s sci-fi scene, award-winning independent publisher Candy Jar Books.

To coincide with the recent release of Captain Marvel, the first woman-led instalment in Marvel’s cinematic universe, the Comic Guru is hosting its first collaborative event with Candy Jar, an author meet and greet showcasing just a few of Candy Jar’s strong female authors. Fans will get a chance to meet Alyson Leeds, an author from the Doctor Who spin-off Lethbridge-Stewart series, as well as children’s sci-fi authors Cherry Cobb and Michelle Briscombe.

Owner of the Comic Guru, Kristian Barry, says: “Both the DC and Marvel comic and film franchises have been at the catalyst of change. They have always embraced diversity and championed equal rights. Captain Marvel shows that women can be superheroes too. At the Comic Guru we want to celebrate this, and with Mother’s Day coming up we thought it was an ideal opportunity.”

Candy Jar’s range of titles spans everything from children’s fiction to war memoirs. It is perhaps best known, however, for its Lethbridge-Stewart series, a fully licensed collection of novels about the adventures of the classic Doctor Who character Brigadier Lethbridge-Stewart. As one of the only non-BBC official Doctor Who products out there, the series has attracted an international readership, and it is currently in its sixth series.

Alyson Leeds, whose debut novel entitled Fear of the Web is based on old Doctor Who story, The Web of Fear, states: “The one thing I always disliked about The Web of Fear was how male dominated the storyline was, and being a part of the Lethbridge-Stewart series has given me a chance to make sure the females are given their platform to speak.”

Michelle Briscombe’s novel, The House on March Lane, contains two brave female protagonists, one from the modern day and the other from the Victorian era. Both characters are free thinkers and despite being separated by one hundred years they become unlikely friends.

Cherry Cobb, author of Will’s War, a book about a boy who time travels back to World War Two London, focuses mainly on male characters. Cherry says: ”My dad was eleven when he was evacuated from Plymouth. He often used to tell me stories about how they lived and I think this is why it felt more natural to me to write about the experience of a boy. Although Will’s War has a lot of male characters, I did not aim it at boys, but as something to be enjoyed by everyone.”

Shaun Russell continues: “We’re proud of the stand sci-fi has been taking recently. We’ve tried to make our statement with our authors, as well as our Lethbridge-Stewart spinoff, The Lucy Wilson Mysteries. Sci-fi is for everyone, boys and girls, and this event has something for the whole family. Not to mention, as it takes place the day before Mother’s Day, it might be just be the perfect opportunity to pick up a last minute gift.”

Publishing Co-ordinator, Keren Williams, elaborates: “Alongside author meet and greets, there will be a chance to get your hands on some free books, and if you are interested in becoming an author yourself, Candy Jar’s team will be available to chat throughout the day.”

And just for balance, Terry Cooper, author of the sci-fi comedy Kangazang! Small Cosmos, and director of the Welsh independent film, Offworld, will also be signing at the Comic Guru. He says: “I have two daughters myself and do recognise the importance of strong role models for girls. Despite my book being a laddish adventure story, it is the female character that ultimately saves the day. Equally in Offworld it is the female spaceship Captain that takes centre stage in my story.”

Kristian Barry continues: “I’m really looking forward to welcoming this group of talented authors into my shop, it is sure to be a stupendous start to many more Comic Guru events.”

Day of the Master was possibly the most exciting and yet terrifying brief I’ve ever had. Finishing off the Ravenous arc was a big enough responsibility on its own... but throw in wanting to give great material to Sir Derek Jacobi... and Michelle Gomez... and that’s before we even get to the heart-stoppingly fantastic prospect of bringing Eric Roberts’ Master back face to face with the Doctor again for the first time in over twenty years.

Well, you can see why it might be intimidating! But honestly, it was one of the best times I’ve ever had writing a Doctor Who story. I really hope the audience enjoy it as much as I did!

We’ve tried to do something a bit different with Ravenous. Coming out of Doom Coalition, we wanted to go a bit darker, a bit scarier – to mark the saga with a shift in tone. With all four box sets now recorded, I feel a sense of relief – it’s been such a huge logistical challenge! Ravenous 4 alone required six studio days in cities as far apart as Los Angeles, New York and London! But we did it. We told that whole, big story and we’ve brought back three Masters and Missy in a breathtaking finale.

It was a real thrill to bring Geoffrey Beevers into our Eighth Doctor Adventures, doing what he does best in Planet of Dust - subjugating an alien world, and then setting about a chain of events that will drive our Ravenous story forward.

I’m really proud of it – and yet I don’t really have much time to stop and think about it because we’re already onto the next chapter for the Eighth Doctor! And life is going to be very different for him and his companions

This seems to have been a box set for reunions. It’s going to be fascinating to hear what listeners think of the Eighth Doctor reuniting with Roberts’ Master. I’m sure those shockwaves will ripple through time. But it was a genuine delight to have Nicola Walker reunite with Derek Jacobi. The green room was filled with laughter that day.