TARDIS Report: Mid-Week

Coverage in the media on Tuesday and Wednesday follows below; meanwhile, that catch-up on last week's backlog will happen soon (I promise! - Editor)

More BAFTA Nods

Crew members on Doctor Who have been nominated for four awards in the BAFTA Craft Awards which the BAFTA website describes as honouring "the unseen heroes of television, those who tirelessly work behind the camera." The nominations for Doctor Who production personnel are for Joe Ahearne(Best Director), Jo Pearce and Andrew Whitehouse for Attack of the Graske (Best New Media Developer), Russell T Davies (Best Writer) and production designer Edward Thomas (Break-through Talent). A full list of nominations can be found at the BAFTA website. Meanwhile, Yahoo News says that "Davies and Extras' Ricky Gervais will go head-to-head ... at the British Academy Television Craft Awards next month. ... The awards take place on May 19 at The Dorchester hotel in London." The 'head to head' story has been widely reported on various news services as well.

New Games for Doctor Who Site

IT Wales says today that "Welsh interactive agency Sequence has been commissioned by BBC Wales to develop a suite of interactive games for the new Doctor Who series, which starts on BBC1 this weekend. The contract was awarded to Cardiff based Sequence, after stiff UK wide competition as part of the BBC's commitment to outsource the design and development of some of its online content. "It is a real coup for Sequence to be awarded this piece of work", comments Chris Haresign, Sequence's Business Development Director. "We're really pleased. It's a truly exciting commission that really allows our creative juices to flow - especially when you consider that Doctor Who is one of the BBC's flagship productions." James Goss, the editor of the BBC's Doctor Who website comments, "As soon as Doctor Who ends on TV, the adventure continues online - only suddenly you're helping your heroes, defending the earth, locating alien artefacts, or saving history. It's the next best thing to travelling in the TARDIS yourself." He continues, "We instantly found the Sequence team a pleasure to work with and are delighted with the quality of the output they produce - it's always a worry that the outsourcing process can stimulate an uncomfortable degree of separation between organisations, but in this instance the Sequence team have dove-tailed seamlessly with our own production team." The commission sees the creation of a Virtual World consisting of mini websites and games that build upon the themes of each episode, and allow viewers to immerse themselves in the characters' lives, and face the challenges, decisions and excitement that they do. Mark Johnson, Sequence Creative Director comments, "Each element of the interactive experience has been carefully scripted to ensure a careful fit with the series. In the quest for perfection the design and development of the games saw the BBC commissioning content specifically to add to the authenticity of the interaction experience. "We were thrilled to receive the news that we had won the work, and it's fantastic that the online element of the production will be delivered from South Wales - the very region that has been responsible for the regeneration of the Doctor!"' Also reported today at News Wales.

New Reactions to "New Earth"

Closer lists this Saturday's episode as one of their 'Choices' of the day. "Weird aliens, check. Rose Tyler's dodgy Cockney accent, check. A crush on the new Doctor, David Tennant, check. Yes, the new series of Doctor Who is here. Billie's been at the bleach and David Tennant is proving easy on the eye. It kicks off in New Earth, billions of years in the future, where the only pure human left is Cassandra, the bitter, stretched-out piece of skin from last series. She possesses Rose, goes in for a snog with the Doc, and sidetracks them from figuring out why a hospital's overrun by zombies."

Heat Magazine has New Earth as it's Pick of the Day as well as being at number 1 in their Best TV Shows of the week. Reviewer Boyd Hilton gives it a max 5 stars."Gather round for the new series of the superbly realised, dazzlingly slick, pacy and smart Doctor Who revival. And the good news is, this first episode is every bit as giddily ambitious and entertaining as anything we saw last year, as the Doctor and Rose embark upon a trip to mankind's new home, thousands of years into the future. The version of New New York looks fittingly like something from a prog rock album cover, while the talents of BBC Wales' design, make-up and cost ume departments create a space-age hospital where weird cat-like creatures conduct disturbing medical experiments on an array of peculiar species. Quite why the Doctor and Rose end up snogging, or why the genius skin-thin Cassandra creature from the previous series returns, we won't reveal. Let's just say that David Tennant is clearly shaping up to be the sexiest Doctor ever, and that the lack of a Bafta nomination for Billie looks even sillier than it did before we saw her bravura work in this glorious story."

New magazine has Saturday's episode as their number 1 pick of the week. "If you remember the original Doctor Who, you probably think of it as a kids' show. But the new Doctor Who, written by Russell T Davies (Queer as Folk, Casanova) is as much aimed at the adults who hid behind the sofa from the Daleks when they were children as it is at a new genration of kids - which is why there's so much excitement about this second series. In this opener, the quirky and hugely talented David tennant succeeds Christopher Eccleston as the tenth Time Lord with Billie Piper... returning as his sidekick Rose. Tonight they visit mankind's home in the future and dsicover a gruesome secret about a luxury hospital..."

Reveal's Pick of the Day, they give New Earth 5 stars. "Fans of Doctor Who were shocked after Christopher Eccleston decided to call it a day as the Time Lord after only one run of the sci-fi drama. Thankfully, the Salford-born actor's announcement he was quitting came in time for the show's creators to find a replacement, and the closing scenes of the first season saw David Tennant apeara s the Doctor... In this opener, the thrill-seeking duo travel to a futuristic alien world and encounter an old enemy."

Star also calls it their Pick of the Day; the first new series episode is given 4 out of 5 stars. "After a long wait, the second series of the revived Doctor Who returns, this time with David Tennant as the travelling Timelord... he continues to charm as the eccentric, indie Doc..."

Radio Times

With a fold-out cover featuring the Doctor, Rose and the TARDIS, Sarah Jane Smith and K9, the Sisters of Plenitude, clockwork robots and a Cyberman, as well as the series' brand typeface, Deviant Strain, the new edition of Radio Times continues the magazine's extensive support of the new series. The heart of this issue is a 16-page section of special features, which begins with an article by Russell T Davies, which reveals that "if you watch the Doctor and Rose very closely there's an overconfidence at times that could well be their downfall. He says mysteriously..." Davies also comments that we will see "the completion of Mickey's story in series two" and that Jackie "really gets to be centre stage" for episode ten. The special also includes an episode guide to the series, with extensive comments from Davies and other members of the production team accompanying a twenty-strong selection of mostly unseen photographs. 'New Earth' showcases "every design department at full tilt"; 'Tooth and Claw' is "a good old gothic scary horror" and "very much a companion piece" to 'The Unquiet Dead'. 'School Reunion' features "scenes with K9 [that] are really joyful and funny and daft"; 'The Girl in the Fireplace' is "beautiful episode ... a different take on the 'celebrity historical'. Davies confirms that the two-part 'Rise of the Cybermen'/'The Age of Steel' is set on a parallel Earth, with "another version of Jackie, of Mickey, and Rose's father is still alive" - "Earth has become a fascist society". The 1953 coronation, and tales of the whole country gathered around the TV to watch it, inspired 'The Idiot's Lantern', while "The keyword for ['The Impossible Planet'/'The Satan Pit'] was tough ... Everything's greasy and dirty ... Everything is dangerous ... I wanted to show the pioneering human spirit ... It's pushing the envelope as far as you can go in terms of monsters." 'Love and Monsters' is "very different. It's funny in places, but it's not just a comedy script." 'Fear Her' is set in 2012, and shows the "marvellously sinister underneath" to suburbia. The series finale, 'Army of Ghosts'/Doomsday', will make "Grown men ... rend their garments! ... the Cybermen are back, big time, en masse. And it really is epic." In another article, David Tennant and Billie Piper each answer a selection of questions sent in by readers: Tennant is "willing to risk" typecasting ("good work supersedes" it), cites Tom Baker as a hero, is thrilled by the idea of kids playing with action figures of him, rates the Zygons as a "design classic", and is "fairly certain" he'll be doing Series Three, pending discovering the end of episode 13's script; Piper "really wants to stay", again subject to the end of 'Doomsday', her favourite episodes are 8 and 9, is "completely" attracted to the Doctor (but "it's not a phyiscal thing"), has nicknamed Tennant "David Ten-inch", and was scared by the Ood in 'The Satan Pit'. The RT special concludes with a 147-strong cast and crew photograph and a look at how this week's cover was created.

Elsewhere in the magazine, the new series gets further coverage that other shows currently dream of. The Editor's Letter (p.3) concentrates on the series' return, mentioning that the RT writers "thought the new series was so wonderful, they could scarcely contain themselves until the transmission date finally arrived." 'New Earth' is one of Saturday's choices (p.4) for the week's best TV ("David Tennant slides effortlessly into his role ... exciting and funny"). The episode also supplies TV Editor Alison Graham's "Moment of the Week" (p.83): the "Oh my god! I'm a chav!" line seen in some of the recent publicity. As Saturday's main "RT Choice" and "Drama of the Week" (p.84), the episode is "exciting, funny and occasionally camp ... Tennant is perfect ... The story has poignancy and heart, and it's great family viewing." On the same page, a boxout promotes the Tardisodes. Saturday's listings (p.86) include another photo (the Doctor and Catnun) and the blurb: "Go grab your sonic screwdriver: the Tardis is back, with David Tennant at the helm, for more thrilling adventures in time and space. New Earth. Zoë Wanamaker guest-stars as the Doctor and Rose face an old foe - the lethal Lady Cassandra. Doctor Who Confidential follows on BBC3; Totally Doctor Who is on Thursday..." The listing for Confidential promises footage of Tennant picking his outfit for 'The Christmas Invasion'. And Blue Peter's first feature on Series Two is selected as one of "This Week's Choices" for kids' TV (p.140) - Wednesday's edition "celebrates the return ... with a very special make - a Tardis!" Finally, the Letters page (p.169) invites readers to comment on whether David Tennant is their "ideal Doctor Who", and features a photo of Russell T Davies presenting a new series Dalek to the Christmas competition winner, 12-year-old Honey Jones-Hughes, who was "on the phone tears running down her face" when she heard she'd won, as well as promotion for Doctor Who Adventures comic. There's also a full-page advert for Doctor Who Adventures, and, unusually for a classic series release, this week's DVD of 'Genesis of the Daleks' gets a half-page advertisement ("If you own jst one classic Doctor Who DVD, this should be it").

The Radio Times website has also unveiled some Doctor Who features pagesonline. These currently feature video footage of the photoshoot for the cast and crew photo in the magazine, with a complete breakdown of the 147 names and faces in that shot, a photo gallery showing ten pictures from 'New Earth', and a piece on the Tardisodes.

In The Media

BBC America has announced that they have picked up the series Secret Smile starring David Tennant, which will begin running on Monday and Tuesday nights starting the week of May 29.

Tomorrow morning's Times has a commentator who says that "I have alrways regarded any adult Star Trek enthusiast as a sad individual who makes up for the mundanity of his real life by inhabiting an imaginary one. ... For years we in Britain had our own home-grown, humble version of Star Trek, in the form of the faintly absurd Dr Who, which was, thank goodness, taken off the air in 1989 after almost three decades. It had its pathetic band of adult followers who got together at conventions to discuss time travel or Daleks. Fortunately, this kind of social inadequate was generally kept out of public view, except for the occasional appearance on breakfast television dressed as a sea monster. Yet, after a reassuring absence of 16 years, Dr Who returned to our screens in 2005 and proved a ratings hit, attracting more than ten million viewers. What was once little more than a children's series had suddenly become the linchpin of the BBC's drama schedule. The new Dr Who, which returns to our screens on Saturday, has not only vast popular appeal but has also attracted praise from normally sane critics. One even said that the recent success of Dr Who proves that we are living in a 'golden age' of drama. This flood of adulation prompts me to doubt whether we are living in a grown-up country. In its first incarnation, Dr Who was rightly seen as a bit of frivolity for youngsters. But now, in 21st-century Britain, it is treated as a serious work of creative genius. Yet as far as I can see, nothing has changed. Dr Who remains a cartoon time traveller with a glamorous assistant, fighting alien enemies. This is juvenile fare. It is telling that the modern prince of baby-men, the squeaky-voiced David Beckham, is so hooked that he has never missed an episode and even owns a book of Dr Who scripts. There is nothing wrong with science fiction. H. G. Wells and Ray Bradbury provided thought-provoking commentaries on the nature of mankind or terrifying visions of the future. But the lame Dr Who is difficult. As with the adult enthusiasm for Harry Potter, the hysterical following for Dr Who is yet another indicator of how infantile we have become."

The Stage says that "Doctor Who has missed out on nominations for its costume, make-up and special effects at the Bafta Craft Awards, a result that will anger creator Russell T Davies, who recently hit out at the 'snobbery' surrounding the awards system. The writer, who is credited with helping revive Saturday night family viewing, said that the industry found it easier to pick out the craft in period productions rather than science fiction. Speaking out during a podcast for a national newspaper, he said 'You watch a Charles Dickens adaptation and you're clapping [at] all those antique lace collars but if you watch a bird woman from the 57th century you don't imagine that someone put two weeks' thought and work into it.' He added that situation made him angry. 'There's nothing that you can do about it and it always sounds a bit stupid raging about awards, they don't matter in the end - but if our design, costume, make-up and effects departments aren't nominated I will be furious.'"

SFX Magazine features a brief interview with Sophia Myles who plays Madame Du Pompadour in "The Girl in the Fireplace". "When my agent called me and said 'you've been offered an episode of Doctor Who' I thought, brilliant! I'm going to meet the Daleks! 'No, you're going to be in a corset in Versailles!' She's the mistress of Louis XIIII, and in Doctor Who terms she's known the Doctor since she was a very young girl - he came into her life when she was about seven or eight and he's visited her throughout the course of her life. ... There are bad guys in this one; I'm kind of scared to say too much, not 'because I don't want to tell you, I'd love to tell you, there are some rather terrifying monsters – well, not monsters exactly, droids? There's a reason why they're interested in my being...'"

TV Guide magazine said about last Friday's episode, World War Three: "
Last we saw of the Doctor, he was being zapped to death alongside members of UNIT. The perps were the gas-passing Slitheens, an interesting race of aliens who resemble E.T.'s fat auntie (assuming E.T.'s fat auntie had honkin' raptor talons). Rose and Harriet (whom the doctor knew from somewhere) were about to be crushed by the MI5-impersonating Slitheen. Jackie was going to be consumed by the punk impersonating the police inspector. They escaped, of course (wouldn't be much of a show otherwise). Turns out the Slitheen zappers only worked on humans, and the Doctor is only half human. It also happens that the Slitheens are all related, so when the Doctor threw the ball of zap back at his tormentors, it affected all the aliens. Yippie! Sadly, all the UNIT members perished. (Lots of people tend to die in this new Who.) So what were these aliens up to? Their plan was to instigate a nuclear holocaust by playing on Earthlings' propensity to panic. Once the planet was toast, the spare chunks would be sold as fuel. In the words of Kyle and Stan — you bastards! Harriet Jones came up with a splendid idea to punish the calcium-based chumps: vinegar! It's what Hannibal used to dissolve boulders when he took the elephants over the Alps. When Jackie doused the inspector with pickle brine, he exploded. Good. Even among villains, these Slitheens are repulsive. Flatulent, avaricious murderers, they draped the hollowed-out bodies of their victims on hangers like so many trousers. However, they did bring out the backbone in Mickey, who saved Jackie from the inspector, and later (under the Doctor's supervision from No. 10) launched the missile that blew the Slitheens to proverbial KC. Huzzah! Suddenly, it dawns on the Doctor how he knows the name of Harriet Jones, MP of humble Flydell North (I hope I'm spelling this right). Harriet is to be a brilliant three-time prime minister and (listen up, Mr. Blair) the "architect of Britain's golden age." Since the last one was in the 16th century or so, I'd say merrie olde is due for another, wouldn't you? After decades of economic and monarchical woes, I'd say they've earned it. Perhaps the most telling moment of the series so far came at the end, when Jackie pleaded for Rose to stay. The Doctor, for all his great ability and knowledge, is still just a man and really can't promise Jackie that her daughter will be safe. His silence to Jackie's pleas spoke volumes. Curiosity may have killed the cat, but I suspect it will have a harder time getting Rose. But then, dear Whovians, I never thought it would claim Adric."

Billie Piper graces the front cover of this month's InStyle magazine and features in a 6-page photo shoot. She says in various quotes - 'I'm very trusting and that's often my downfall. I don't ever think anyone is going to be horrible. But I'd rather get burnt than become cynical ... What's so great about having done the singing thing then acting is that I've realised fame isn't actually what I wanted - I just wanted to act' She talks extensively about her personal life and ends with this quote - 'When you first meet Rose, she's living this mundane life, waiting for something exciting to happen, and I know exactly how that feels. I still feel like that sometimes' As well as the new Doctor Who, Billie is excited about the Harrods ad campaign, and two TV adaptations of Philip Pullman's Sally Lockhart adventures.

Sci Fi Wire on Tuesday says Davies has "been selective using characters from the original 26-season run of the show. The first season brought back the Doctor's old enemies the Daleks, and Davies said that the upcoming second-season episode 'School Reunion' will see the return of popular companions Sarah Jane Smith (Elisabeth Sladen) and K-9. An upcoming two-parter will feature the robotic Cybermen. 'That was very much a lesson that I took from Star Trek: The Next Generation, where in the first [season], apart from seeing Dr. McCoy in the first episode, they were quite uptight about continuity and didn't refer too much and kept it a new show,' Davies said in an interview. 'Once they were successful, they sort of relaxed in the second season, introducing the Romulans at the end of the first season, so they started accepting that all those great icons of the show are public icons. It takes you a while to realize that, because when you're a fan as I am, you sometimes think your point of view is too fannish, and it takes a while to realize that sometimes a fan's point of view does coincide with the general public's memory of a show. It's not just the fans that say, 'Sarah Jane, K-9, the Cybermen, the Daleks!' It's also the general public.' According to Davies, the skill of bringing back a classic character is deciding which elements to retain and which ones to update for a contemporary audience. "I always say it's like Dracula: If you're doing a Dracula film, I want the crucifix and the garlic and the bats and the brides, and I'm pretty disappointed when a Dracula film doesn't give that to me. It's the same with Doctor Who: It's a folk memory, and ... people who have never even seen the Cybermen will say, 'Are the Cybermen going to be in it?' It's a received memory of the show, and they've heard Mom and Dad talking about it, so I think that's very healthy.'"

Meanwhile, Wednesday morning's Sci Fi Wire says that Davies is "not worried about the possibility of spreading himself too thin this spring, when he sets about producing the second season of his hit SF show and launching its spinoff, Torchwood. 'It's actually not as busy as you think,' Davies said in an interview. 'American series run for 22, 23 or 24 episodes a year, and we've only got 13 episodes a [season]. So it's really no heavier than an American workload, and you all seem to survive! ... Unfortunately, I have a suspicion that your executives are chauffeur limo-ed from meeting to meeting, whereas I have to get the bus. But there are a lot of systems in place, and there's a huge team here. So we've spent a long time setting up Torchwood, to make sure that both shows can run simultaneously.' ... 'It's more capable of running itself,' Davies said. 'And we must always remember that Doctor Who is the parent show and is the show that gets the 44 percent share of the audience [in the United Kingdom, where it is a huge hit], so that's the show that I will always be looking after. That's where my heart is as well. Despite the fact that I created Torchwood, Doctor Who needs constant love and attention.'"

Also: today's Milton Keynes Citizen reports on a Dalek in the London Marathon; This Is Wiltshire has yet another report from the press screening of "New Earth"; Now Playing sums up several reports from Sci Fi Wire; Daily Snacktalks about nicknames Billie and David have given each other (note: adult language); The Stage talks about Christopher Eccleston's new TV role.

(Thanks to Steve Tribe, Peter Weaver, Paul Engelberg, Robin Calvert, Rajiv Awasti, Paul Dempsey, John Bowman, and Martin Hoscik at UNIT News)