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Tuesday, 15 March 2005 - Reported by Shaun Lyon
Televisual magazine this week has a feature on the new series along with photographs. In the article, writer Steven Moffat says, "I don't think the fact that we're in a post Star Wars era is an issue, but matching Buffy is. Doctor Who was never a space drama anyway, it was about horror: dark shadows and creepy monsters lurking just around the corner." Russell T Davies says his blueprint is Buffy and today's audience needs emotional content. He also mentions the planet Zog example as seen elsewhere. The article suggests the budget per episode is ú600K (UK Pounds) "He (Ecclestone) is not like Tom Baker, but what the have in common is that they can go around being as funny and daft and gormless as they like, but you still take them seriously because they're fundamentally both scary, impressive men," says Davies. Edward Thomas, designer of the new TARDIS interior says that he and Russell thought the original console room from 63 was the most impressive so kept it in mind but "went back to nature" with the design. Will Cohen of The Mill claims this is the largest number of effects shots ever for a UK TV drama. The Geith ("The Unquiet Dead") is described as a trail of ectoplasm while Cassandra ("The End of the World") is "a piece of stretched skin supported by two poles that needs constant moisturising in order to survive" and is translucent. In fact, the End Of The World has one fifth of all the fx shots in the series! Also noted, the Slitheen ("Aliens of London") are prosthetics for close ups, and computer generated images for wide shots. Finally, it notes that sales to the US may have been hampered by the decision not to shoot in high definition, though the special effects burden has been considerably reduced as a result.

Ever noticed how the new series logo looks rather like a taxicab sign? The Guardian on March 16 thinks so. "Far be it from us to cast aspersions on the hype-tastic new Doctor Who, powered by a thousand tabloid Billie Piper stories and the slavering of sci-fi fans everywhere, but isn't there something a little familiar - a little earthbound - about its logo?" the Guardian asks. Are they "the only one to notice the uncanny similarity between the new Who signage and the little orange lights that twinkle on taxis? What can it mean? That taxi drivers are like Time Lords in that they both take ages to get anywhere? That their average age is 900 years old? That they won't go south of the river? Or has the new logo been inspired by some BBC execs' favourite mode of transport? There are, as the good Doctor might say himself, no such things as coincidences."

The Guardian also confirms Billie Piper will be taking to Shakespeare, as we previously reported. "Billie Piper, who also appeared in one of the Canterbury Tales adaptations and later this month will star as Doctor Who's sidekick, Rose, said last week that she had landed the role of Hero in A Midsummer Night's Dream. The play, adapted by the screenwriter Peter Bowker, will be set in a holiday park," says media correspondent Owen Gibson.

According to a Northern Ireland TV website, "a day-long event celebrating the classic science fiction series, Doctor Who, which is returning to British TV screens over the Easter period, will be held at Queen's University this weekend. Organised by the University's Science Fiction and Fantasy Society, the event comes just one week before the meddlesome Time Lord makes a come back, this time in the guise of Christopher Eccleston." The event, in aid of the Northern Ireland Chest, Heart and Stroke Association, will begin at 11am in room G06, Peter Froggatt Centre and admission is free.

We've gotten word of a new 20 second teaser, in addition to the major trailers shown today; the teaser aired this afternoon at approximately 5.25pm immediately preceeding children's show "Newsround" as part of the "Children's BBC" strand of programming. The trailer is set in the TARDIS (which is in flight) with a silent Doctor standing next to Rose throughout. Rose addresses the viewer direct: "I've got a choice: Stay at home with my Mum...my boyfriend...my job... Or chuck it all in for danger...and monsters...and life or death. What do you think?"

Lorraine Heggessey, BBC1 controller, "signed off her valedictory season launch today - defiantly summing up her reign by saying, 'I did it my way,'" says the Guardian's Tara Conlan. "Revealing she will leave the channel by the first week in May, Ms Heggessey said she will take a few weeks' holiday to 'have a rest, read books and go to the gym' before joining Talkback Thames as its chief executive." The article doesn't mention Doctor Who, but it does bode well for the woman who announced a new Doctor Who series to the world.

(Thanks to Stuart Ian Burns, Jamie Austin, Paul Shields, Faiz Rehman, Paul Engelberg, Steve Tribe, Michael Blumenthal)




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